Grandfather green lacquer chinoiserie wood European Clock

Napoleon III Mantel clock in Black marble clock surmounted by a patinated bronze representing a Greek writer or philosopher holding the a manuscript on his knees One of a kind an...

One of a kind Art Deco bar cabinet, characterized by its geometric elegance, use of luxurious materials, and a strong decorative element that exalts the modern design of the early de...

One of a kind dressing table, space age style, 70s, with great influence of Art Deco aesthetics. In white lacquered wood, with a black marble effect fiberglass top. Large circular mirror in the upper part and the storage part is divided into two drawers on each side. With lighting in the upper and lower fin shapes. A piece of great sophistication and glamour, very difficult to find. It has a plate with the name of the Italian manufacturer DBM. The period known as the Space Age or Space Age was the post Atomic Age, that is, the late 50's and early 70's. It is part of the “stylings” that reigned in the US during the 20th century. The concept of an optimistic world based on a possible "Earth of Tomorrow" reigned by the dominance of atomic energy and space travel. This "Styling" is inspired by the North American space race, but above all, the aesthetics based on Science Fiction, space satellites, helmets, ships, the effect of weightlessness and a "cinematic" proposal of a new style. of life of the future. Movies like Barbarella 1968, James Bond, Space Odyssey 2001...

One of a kind and exquisite table clearly embodies the spirit of high-end French design from the 1970s and 1980s, characteristic of Jean-Claude Mahey. Its precise geometry and lacquer finish evoke an aesthetic that fuses Art Deco, reinterpreted with modern glamour. The octagonal shape of the tabletop is particularly striking. This formal choice breaks with rectangular or circular tradition, providing dynamism and sophistication. The golden brass lines, which divide the surface into triangular planes, reinforce the compositional structure and allude to a sense of almost architectural order. These golden lines function not only as decorative accents but also as visual guides that direct the eye toward the center, generating visual balance. Jean Claude Mahey often used this contrast between polished lacquer and shiny metals to highlight geometric shapes. The ivory or cream lacquer finish provides a polished surface, typical of Mahey's style, which amplifies the sense of luxury and modernity. This type of finish is often associated with Hollywood-inspired interior design and the refined opulence of the mid-20th century. The square-sectioned, also lacquered base presents itself as a solid, geometric volume, generating an elegant tension between the visual mass of the base and the lightness of the tabletop. The gilded metal profiles that frame the edges of the base reinforce the idea of ​​geometric luxury and add stylistic continuity with the design of the tabletop. The table is extendable. Its basic shape is square, but the two extensions (which fold in half) are hidden within the base and fit into rails that are concealed beneath the tabletop. Overall, this table is a paradigmatic example of Jean Claude Mahey's style: refined, geometric, glamorous, and deeply linked to an artistic vision of furniture as functional sculpture. Jean-Claude Mahey (Mayenne, France, 1944–) Jean-Claude Mahey is a French designer famous for his burlwood furniture...

Antique English Chinoiserie Lacquer Grandfather Clock, Circa 1820-1840.

Vintage Wai Hing Clocks Co. Chinossorie Black Lacquer Hand-Painted Mother of Pearl inlaid German Movement Tempus Fugit Grandfather Clock This black lacquer grandfather clock...

A fine 19th century Chinoiserie hand painted and decorated grandfather clock. The dial signed Triggs and Sons London. Working condition.

This magnificent English longcase, or grandfather, clock boasts a fine rosewood case inlaid with an intricate, balanced design. The face is crafted of chased silver in a foliate motif with fully hallmarked numerals by London silversmith James Stedstone Gouldsmith. The clock is a three-train movement run by three silver-plated weights and a mercury pendulum. The three weights power the time, the hour chime and the quarter-hour chime, and the clock strikes on nine tubular bells with a choice of either Whittington or Westminster chimes. Known commonly as “grandfather” clocks, it was not until the late 19th century that longcase clocks garnered this name. According to the origin tale, two brothers named Jenkins owned the George Hotel...