Regulator Clock by Jean-Aimé Jacob and Adam Weisweiler

Grand Regulator World's Fair Clock François Linke Circa 1900 Widely regarded as the greatest sculptural clock ever created, this monumental régulateur by François Linke was conceived as a statement for the 1900 Paris Universal Exposition, a moment when the world’s finest artisans competed on an international stage. Linke, the most celebrated ébéniste of the Belle Époque, was awarded the prestigious gold medal for his display, which critics described as “the biggest event in the history of furnishing art in the year 1900.” Designed in collaboration with the sculptor Léon Messagé, the clock exemplifies Linke’s ambition to elevate furniture and timepieces to the realm of fine art. The clock represents over a decade of design and craftsmanship. Only six examples of this model were ever completed due to the extraordinary labor and cost involved. Building just one had a production cost of 22,966 francs, the equivalent of approximately eight years' wages for the average French worker in 1900. The clock is illustrated on the spine of Christopher Payne’s definitive monograph on Linke. Mahdi Al-Tajir, one of the world’s most important collectors, later acquired the present model. Another is located at Whitehall, the Flagler Museum in Palm Beach. It was acquired by Rockefeller’s partner, Henry Flagler...

A majestic specimen of English clockmaking, this important longcase clock by London clockmaker James Fenton features an exceptional Adam and Eve automaton above the dial. Longcase ti...

A horologic masterpiece of precision and beauty, this neoclassical marble and ormolu mantle clock is an extraordinary example of late 18th-century French clockmaking by the famed Jea...

The Art Deco style is beautifully executed in this enchanting desk clock by J.E. Caldwell. The gilded dial, beautifully enameled in midnight blue and celadon green, sports four perfect apples in relief at its corners, and is framed by a luxurious plaque of amber-hued onyx. Venerable American jeweler J. E. Caldwell & Co. from Philadelphia is known for its Art Nouveau and Deco jewels. One of the oldest fine jewelers in the United States, the company was founded in 1839 by James Emmott Caldwell and supplied wealthy Philadelphians with stylish European jewelry, silver, and objets d'art. The store itself was a study in opulence, with hand-cut Baccarat chandeliers and French Regency-style oak cabinetry designed by Horace Trumbauer...

A Regulator clock by William Chisholm, London. Baillie has no record of the maker but by the design of its original case, we believe it to be late 18th century circa 1790. The 8 day ...

Rosewood Portico Regulator Mantel Clock Housed in a fine quality Rosewood portico case with boxwood stringing, turned pillars with brass capitals, gilded cast foliate bezel and stan...

A Model of Jean Henri Riesener (Received Master in 1768) executed in 1785. (inv. OA 5501 In Louvre Museum). 19th Century. This fine and sumptuous “Regulateur de Pendule” presents a fine amaranth. Of Sycamore oeuil de vermeuil, ebony and buis stringing marquetry. The base and the gaine are decorated with diamond shapes. The hours are inscribed in Roman numerals and the munutes in Arabic. It takes place in a magnificent gilt décor of three winged children playing with garlands on clouds. The regulateur is enriched with a delicate garniture of bronze. The dial and each panel are framed by an elegant frieze of palms and pearls. The top of the gaine is enhanced with a frieze of palms and ovums, foliages and garlands of flowers. Each corner is ornated with fleurons. The front of the gaine is embellished by an Apollo mask (Sun Symbol) and each side with laurel crowns. Under the mask the cartouche is decorated by a stylized vase of flowers. Foliated scrolls, flowers, garlands, cornucopias and musical instruments such as a harp (Apollo Reference) the cherubs are underlined by pearls, scrolls of Acanthus Leaves and garlands dawning out in foliages, framed with ropes until the lions feet. The feet rest on a base ornated with fleurons and foliages with buds of flowers ending in four conical feet with acanthus leaves. With André-Charles Boulle (1642–1732) and Charles Cressent (1685–1768), Riesener was arguably one of the three greatest French ébénistes of the 18th century. Eventually taking over the workshop after Oeben's death in 1763, and marrying his widow some four years later. He is renowned for completing the famous bureau du Roi...

Victorian Walnut and Ebony Vienna ‘Regulator’ Wall Clock Victorian Vienna ‘Regulator’ wall clock housed in a walnut case with ebony mould...