Austrian Art Nouveau Porcelain and Silver Clock by Paul Follot

A French Art Nouveau silver and enamel vase by Eugène Feuillatre. The vase is decorated with leafed branches holding pink and gold cloisonné flowers ...

Austrian Art Nouveau patinated bronze bust of Ophelia by Josef O¨fner. Like the sculpture of Maurice Bouval, O¨fner depicts Ophelia as a sleeping woman adorned with flowers. The scul...

A French Art Nouveau covered porcelain jar designed by Georges De Feure and manufactured by Dufraisseix & Abbot, Limoges, for Art Nouveau Bing. In the manner of de Feure’s renowned t...

A French Art Nouveau walnut wood sellette by Eugène Gaillard. The sellette has three shelves. The middle shelf extends beyond the carved, curving legs in two directions. It is suppor...

A French Art Nouveau marquetry commode by Émile Gallé. With original key. Circa 1890. The syncretic influence of Japanese art is keenly felt in Gallé's commode. The beginning of Galle's fascination with Japanese art can be traced back to his friendship with Hokkai Takashima (1850-1931), a fellow botanist and member of the École de Nancy. Their botanical dialogue was facilitated by the Shokobutsu mei-i, a book of Japanese names for botanical species. It is from Hokkai that Gallé gained a spiritual and symbolic understanding of nature. Along with other École de Nancy artists, Hokkai and Gallé exhibited together in the display window of René Wiener's papeterie. The store served as the office of Wiener's arts journal, the Nancy artiste, which regularly featured on its covers contemporary examples of Gansai (Japanese watercolor), Byōbu (folding screens) from the Rinpa school, Sumi-e (ink painting), and Ukiyo-e (woodblock prints). As a show of gratitude, Hokkai bequeathed a vast art book collection to Wiener. It is from this record that we know with certainty of which Japanese artists Gallé had knowledge. One of the books in Hokkai's collection was Hokusai's Les cent paysages du Fuji (Fugaku hyakkei.) This 1835 expansion of Hokusai's 36 views of Mount Fuji...

A French Art Nouveau "Femme à la Coloquinte," glazed ceramic inkwell by François-Rupert Carabin. The inkwell feature a nude woman embracing an unusually large gourd, circa 1900. A s...

Art Nouveau Mahogany and Silver Mantel Clock A rare Art Nouveau mantel clock housed in a waisted mahogany case with applied silver front and stand...

Tall 6 1/8” tall by 8.75” wide by 2” deep Clock on marble base. Hand engraved pewter over pearlized celluloid. Vases hand engraved pewter over fro...

This vintage Art Nouveau sculpture with clock is designed in a hard paste white porcelain. A sensuous young scantily dressed female figure is positioned upon the ledge of the town well. A pensive face sets a somber mood. A clock is placed within the head of the tall fountain...

This magnificent silver-gilt and enamel lamp-form clock was produced in Vienna in circa 1870. The clock sits on a lozenge-shaped base, which is enamelled with panels depicting reclin...

Art Nouveau mantel clock in a ceramic case with a white ground decorated with flowers in shades of blue with beaded decoration to the outside of the case, standing on a ribbed outswept arch with rectangular centre. Gilded bezel opening to an enamel dial with Arabic numerals and original gilded hands signed ‘Maple & Co Ltd, Paris’ Eight day French movement also signed ‘Maple & Co Ltd, Paris’. c.1900 Watchmakers and clockmakers of the world, by Brian Loomes...

French Art Nouveau bronze dore grandfather clock with marble & onyx pedestal top and base. *Not working