A-E Beurdeley, « The Coronation of Science » Clock, France, circa 1890

Signed Elkington & Co Numbered Rd 92173 Beautiful rectangular table clock executed in gilded and silvered electrotyped metal, decorated in relief with butterflies, music instrume...

Dial signed Polti Frères Measures: With base or glass: Height 61 cm (24 in.), width 51,5 cm (20.3 in.), depth 23.5 cm (9,2 in.) Without base: Height 52 cm (20,5 in.), width 42 cm (16.5 in.), depth 12.5 cm (4.9 in.) Important philhellenic clock in burnished and amati gilded bronze, finely chiseled, representing on the terrace a couple elegantly dressed in "the turkish style", and richly decorated with foliage, scrolls and flowers. The feet, decorated with water leaves, rest on an oval wooden base covered with a globe. The theme of the clock comes from The Giaour, a fragment of a Turkish Tale, an English poem by Lord Byron published in may 1813 which tells the thwarted love of a Venetian, the Giaour – term by which the Turks designate infidels and especially Christians – and of Leila, a slave belonging to Hassan’s seraglio, military leader of a Turkish province. The betrayal of Leila discovered, she will be thrown into the sea and her lover will avenge her by killing Hassan, then taking refuge in a monastery. Symbol of prestige and modernity, the decorative clocks are a reflection of the taste of the era of a wealthy bourgeoisie and may be the subject of diplomatic gifts or between individuals. Beyond the purely decorative aspect of such objects, watchmaking in the 19th century is part of a subtle mix of political, historical and literary references. This philhellenic movement converning the West finds a particular echo in France, one of the countries with the United Kingdom and Russia having suported the Greeks during their war of independance (1821-1830) to free oneself from the grip of the Ottoman Empire. Many clocks...

Very fine floral and decorated Restauration period ormolu clock, figuring two baluster columns joint together by a floral arch, and topped by a crown of roses. Roman numbers indicate...

Marked on the dial Furet & Bon, Hrs du Roy, à Paris Measures: Clock – Height 98 cm (38 1/2 in.), width 70 cm (27 1/2 in.), depth 25 cm (9 3/4 in.) Candelabra – Height 116 cm (45 ...

Fireplace clock made of fire-gilt bronze with a rectangular base with a relief depicting winged putti with the attributes of the various sciences. Above it is a clock case in the sha...

A fine example of a period French Empire mantle clock in finely chased and gilded bronze made in France in the first quarter of the 19thC. One of the Greek muses with a star atop h...

A rare Louis XVI style gilt-bronze mounted marble annular dial pedestal clock in the manner of Jean-André and Jean-Baptiste Lepaute, attributed to Dufaud, Paris. The eight-day twin-train movement with circular plates and lateral lever escapement on a gilt platform, with cut bimetallic compensation balance, flat balance spring and index regulator, striking the hours and half-hours on a bell. The dial having twin revolving chapter rings with white enamel cartouches with Roman numerals on a revolving ring, with a revolving minute ring above with Arabic numerals, the time indicated by Cupid pointing with an arrow. This fine annular dial or ‘cercles tournants’ clock...

A fine quality Louis XVI style French gilded ormolu mantel clock, signed Barbedienne. Having shield and foliate decoration to the top, white enamel roman numerals, a lyre shaped pend...