Francois Linke Gilt Bronze Mounted Kingwood and Satine Regulateur De Parquet

Fine Herschede brass-mounted burl wood tall case clock, Model 250, The movement and face signed Herschede. The flagship tall case clock of the Herschede Hall Clock Company, it was also one of the last to be produced by Herschede prior to the firm’s closing. The rectangular case fitted with brass banding, the upper part with a swan’s neck cresting centering a shell, the case with glazed door exposing three brass-clad weights, a pendulum, and nine chromed steel tubes, playing both Westminster and Whittington chimes...

A brass table clock,Jacob Gulder, 20th century 9 1/2-inch dial with mask and scroll spandrels,the whole decorated in gilt with scrolls, trellis and ...

E.F. Caldwell & Co., Inc., New York A patinated bronze and yellow Siena marble clock by Edward F. Caldwell & Co., New York, early 20th century, the circular dial with Roman numerals...

Edward F. Caldwell & Co. 1851-1914 A gilt bronze, marble, gilt and patinated metal table clock. New York, early 20th century Raised on a marble base, stamped E. F. Caldwell & Co....

This exquisite gilt bronze-mounted pedestal clock is the creation of the famed French clockmaker Paul Garnier (1801-1861). Garnier worked in Paris during the first half of the 19th C...

This ormolu clock is an exemplary work by the famous French 19th century metalworker and foundry-owner, Ferdiand Barbedienne. Working with a design made by the acclaimed onamentalist, Louis-Constant...

A Monumental 19th Century Regency Style Gilt-Bronze Inlaid Grand Cartel de Applique, In the Manner of André-Charles Boulle. This impressive and large cartel clock has a circular, arabesque chased, brass dial with Roman numerals on enamelled cartouches, with engraved seconds and steel hands. The rear of the clock is open cased. The dial sits within a waisted case, with large acanthus mounted gilt-bronze volutes, surmounted by a palmette mascaron and a figure of Jupiter as a child and an enamel cartouche signed ‘Thuret A PARIS’. It is supported on large foliate mounted scrolls and decorated to the sides with Boulle marquetry panels and lion mask mounts. An eighteenth-century version of this clock by ‘Mynuel A Paris’ (Maitre 1720) is illustrated by Tardy in ‘La Pendule Francaise’, 1ere partie, p. 141. Initially conceived by C. Cressent, the design was further refined by A.C. Boulle before being embraced by J.J. de Saint-Germain. The earliest examples of this distinctive style bear the signature of clockmaker J. III Thuret. Only a handful of identical specimens of this model are known to exist. One such identical piece resides in the Frick Collection in New York, originating from the Dalva Brothers...

An extremely rare and important French Empire mantle clock signed by the master clock making dynasty of Jean-Andre Lepaute and his brother Jean-Baptiste Lepaute. The case, in the form of an antique portal...