Gilded & Patinated Bronze "Putti" Clock Set Signed P. Roussel, France, c. 1880

Marked on the dial Furet & Bon, Hrs du Roy, à Paris Measures: Clock – Height 98 cm (38 1/2 in.), width 70 cm (27 1/2 in.), depth 25 cm (9 3/4 in.) Candelabra – Height 116 cm (45 ...

Dial signed G. Fabre, 4 rue des Filles du Calvaire, Paris Clockwork signed Samuel Marti – Médaille d’Or 1900 A Louis XVI style gilt-bronze and statuary Carrare marble clock set, consisting of a clock and a pair candelabra...

Dial signed Polti Frères Measures: With base or glass: Height 61 cm (24 in.), width 51,5 cm (20.3 in.), depth 23.5 cm (9,2 in.) Without base: Height 52 cm (20,5 in.), width 42 cm (16.5 in.), depth 12.5 cm (4.9 in.) Important philhellenic clock in burnished and amati gilded bronze, finely chiseled, representing on the terrace a couple elegantly dressed in "the turkish style", and richly decorated with foliage, scrolls and flowers. The feet, decorated with water leaves, rest on an oval wooden base covered with a globe. The theme of the clock comes from The Giaour, a fragment of a Turkish Tale, an English poem by Lord Byron published in may 1813 which tells the thwarted love of a Venetian, the Giaour – term by which the Turks designate infidels and especially Christians – and of Leila, a slave belonging to Hassan’s seraglio, military leader of a Turkish province. The betrayal of Leila discovered, she will be thrown into the sea and her lover will avenge her by killing Hassan, then taking refuge in a monastery. Symbol of prestige and modernity, the decorative clocks are a reflection of the taste of the era of a wealthy bourgeoisie and may be the subject of diplomatic gifts or between individuals. Beyond the purely decorative aspect of such objects, watchmaking in the 19th century is part of a subtle mix of political, historical and literary references. This philhellenic movement converning the West finds a particular echo in France, one of the countries with the United Kingdom and Russia having suported the Greeks during their war of independance (1821-1830) to free oneself from the grip of the Ottoman Empire. Many clocks...

Charming polychrome porcelain, green lacquered metal sheet and chiseled gilt bronze Louis XV style clock attributed to Samson & Cie. A gilt bronze bush, decorated with small porcelain flowers and metal sheet foliage, supports the circular face, with Arabic numbers for hours. Rests on a gilt bronze foliage base decorated with a porcelain family scene composed of two parents playing and embracing their child. This type of clock first appears during the reign of Louis XV. The importation of exotic goods and the opening of the Turkish Embassy, in Paris in 1721, considerably influenced Louis XV style, with the apparition of exotics characters, scenes and animals ornamenting...

Bear the mark BY (for A.E. Beurdeley) Magnificent chandelier in chiseled, gilded and patinated bronze, with twelve lights. The shaft consists of an ovoid-shaped vase in blued patinated bronze...

Dial signed H. Houdebine, Fabricant de Bronzes, Rue de Turenne 64, Paris and clockwork signed Japy Frères & Cie – Médaille d’Honneur A very fine neo-Greek style clock set made up of...

Clock in gilded and patinated bronze from the Charles X period, 19th century. Measures: H 43 cm, W 19 cm, D 10 cm.

A wonderful French Empire doré and patinated bronze Cherub Putti wreath clock, not currently in working order, back cover is missing as is bel...

Detailed marble French clock set embellished with gilded bronze.

A handsome and most decorative Continental Turn of the Century Louis XVI st. Ormolu, Vert Antique marble and patinated Bronze clock, signed Imperial. The clock is raised on six Ormol...

A charming and extremely high quality French 19th century Louis XVI st. ormolu and patinated bronze clock, signed Denière. The clock is raised by a fine oval shaped ormolu base with a richly chased wrap around berried laurel band and mottled border. The adorable and wonderfully detailed patinated bronze winged cherub is seated with his bow and arrows in a quiver at his side draped in a lovely flowing fabric. He is attentively holding a scroll in his left hand, seemingly reading and taking notes with a pen in his right hand while leaning on the clock with a curious raven at his side. The clock is set in a patinated bronze box...

Gilt and patinated bronze mantel clock, machine signed L. Moinet A Paris. France, early 19th century.