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Jean-André Reiche, Empire Pendule Urania, Allegory of Astronomy, Paris, 1820s

$8,243.12List Price

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Early 19th Century French Empire Mantel Clock, Portal Pendule, Paris circa 1820
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Antique French round arch portal clock France (Paris) Bronze, enamel Empire circa 1820 Dimensions: H x W x D: 47 x 26 x 12 cm Description: Very beautiful, strictly architecturally...
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Empire Mantel Clock - La Bibliotheque, Ormolu, France, Paris, circa 1820
By Le Roi
Located in Greven, DE
Mantel Clock - La Bibliotheque - In the study room Paris fire-gilt bronze, enamel Empire around 1820 Dimensions: H x W x D: 38 x 28 x 19 cm Description: Scenery mounted on an oval...
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Antique Early 19th Century French Empire Mantel Clocks

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19th French Empire Mantel Clock, Pendule, Mercury, Gilded Bronze, circa 1815
Located in Greven, DE
19th century French pendule, mantel clock - Mercury the messenger of the gods France Bronze gilded Empire around 1815 Dimensions: H x W x D: 37 x 30 x 10 cm Description: French Empire...
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1830s French Table Clock, signed by LESIEUR á Paris, Pendule "Virgil the Poet"
By Lesieur
Located in Greven, DE
Pendule - Virgil the Poet Paris Bronze, marble around 1830 Dimensions: H x W x D: 61 x 43 x 17 cm Description: Large and, at around 30 kg, very heavy French bronze clock from the ...
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French Empire Ormulu Bronze Mantel Clock, Lepaute, Thomire, Paris, circa 1815
Located in Greven, DE
Ormulu pendule with depiction of friendship and love Paris (Lepaute, Thomire) fire-gilt bronze Empire around 1815 Dimensions: H x W x D: 44 x 36 x 13 cm French pendulum movement with eight days duration. Thread suspension and lock disc striking movement with strike on bell on the half and full hour. White enamel dial with Roman hour numerals and Breguet hands. Signature: LePaute & Fils / Hrl. du Roi (Pierre-Basile Lepaute (1750 - 1843) with his son Pierre-Michel Lepaute (1785-1849); from 1811 in joint workshop). Description: The extremely high quality pendulum shown here takes up a profound theme: Friendship, which combines with love and can thereby outlast time and death. As it is typical for the epoch of classicism, personifications and symbols are taken from the fund of ancient mythology and art and then developed further. The main figure is a young woman in an antique, girded garment, standing barefoot and with crossed legs next to an altar, on which she is leaning with her left elbow. She gracefully bows her head towards a tempestuously approaching Cupid, grasps his right hand with her left and draws him to her bosom, the seat of the heart. The delicate ambivalence of flying towards and being held culminates in the trustingly intimate look that the two cast at each other. The young woman personifies friendship, the winged Cupid love. As a sign of their intimate connection, two burning hearts appear on the altar next to the two, framed by the puffed scarf, which are closely bound together by a chain of flowers. Next to them, on the altar slab, one can see an erected book with the title "Amitie" (French: amitie, friendship). Supporting the book is a pomegranate held by a ring of pomegranate flowers. The bursting seeds spill out of the cracked skin. Since ancient times, the pomegranate and its blossoms have been dedicated to the goddess Persephone, symbolizing the underworld and death, but also life and fertility. The myrtle interwoven in the pomegranate flower wreath of "friendship" also has a far-reaching symbolic power: the plant was dedicated to the goddess Aphrodite, stands for virginity, and was and is therefore obligatory in the bridal wreath...
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Antique Early 19th Century French Empire Mantel Clocks

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