Magnificent Bronze-Mounted and Marble Mantel Clock in the Assyrian Revival Style

This stunning Neoclassical Gilt Bronze Mantlepiece Clock by Sterling Bronze Co. originates from the United States, Circa 1900. This clock is a fine example of Neoclassical design, fe...

This stunning Art Deco dining table was realized in France circa 1940. Sitting on four conical ebonized legs with brass capped sabots and brass circular embellishments at the apex of...

This exquisite pair of antique chenets/ andirons was realized in France in the late 19th century. They represent an excellent example of the period. Created in a lustrous dore bronze, they feature rococo designs throughout and immaculately polished Italian green marble orbs at the center. The faces of two Greek revival female faces adorns the center panel between the two legs. Flanked by two scroll forms, she wears a pearl headpiece...

Mid-Century Modern sculpture in patinated bronze and marble by Sante Monachesi, an impressive abstract sculpture by this renown Italian artist made of patinated bronze intricately de...

This French mantel clock is designed in an elegant Neoclassical style, after the decorative arts of the Louis XVI period (1754-1793). This clock will look beautiful placed on a mante...

Renaissance Revival enamel and gilt bronze mantel clock French, late 19th century Size: Height 53cm, width 29cm, depth 22cm The mantel clock i...

A magnificent 19th century French Renaissance Revival patinated bronze mounted carved walnut "Day and Night" mantel clock.  The dial with Roman numerals flanked by allegorical figures of night and day after Michelangelo. France, circa 1870 Maker: Victor Paillard The movement stamped: Vr. Paillard, Paris. Rodier Paris Stamp & Medaille Dor', 1837 Dimensions: Height 22" (56 cm) Width 37" (94 cm) Depth 9" (22 cm) Victor Paillard (1805-1886) designed and made various bronze decorative and functional objects including chenets, lighting and clocks. He also cast bronzes for some of the most important sculptors of the day including Barye, Carrier-Belleuse and Pradier He opened his first workshop in the 1830s at 105, boulevard Beaumarchais and 6, rue Saint-Claude and by the 1850s was employing around 100 people. His success at numerous international exhibitions including the 1851 Great Exhibition (where he displayed a bronze of the Standing Sappho after Pradier) further enhanced his reputation Day and night by Michelangelo: Though never finished, the tomb of Giuliano de' Medici in the Medici Chapel is the only one of Michelangelo great architectural-sculptural projects to be realized in a form approaching completion. Built between 1520 and 1534, it is widely held to be one of Michelangelo's most stunning achievements. The pose of the central figure on the tomb of Giuliano de' Medici, arms resting at his sides and legs comfortably apart, and its open composition suggest a cheerful Duke, generous in both mind and spirit. In fact, the figure holds in his hand several coins, as if an intended gift. Light plays freely on his beautiful face, yet the figure is lacking in energy and seems to wilt under the burden of the Roman armor...

This fine French clock, in an arched verde antico marble case, is set with a bas relief panel depicting Homer. The declaiming blind poet carries his lyre, a young boy leading him. It...