Magnificent Bronze-Mounted and Marble Mantel Clock in the Assyrian Revival Style

This stunning Art Deco dining table was realized in France circa 1940. Sitting on four conical ebonized legs with brass capped sabots and brass circular embellishments at the apex of...

This exquisite pair of antique chenets/ andirons was realized in France in the late 19th century. They represent an excellent example of the period. Created in a lustrous dore bronze, they feature rococo designs throughout and immaculately polished Italian green marble orbs at the center. The faces of two Greek revival female faces adorns the center panel between the two legs. Flanked by two scroll forms, she wears a pearl headpiece...

Mid-Century Modern sculpture in patinated bronze and marble by Sante Monachesi, an impressive abstract sculpture by this renown Italian artist made of patinated bronze intricately de...

This heavy bronze Regency style magazine Stand features figurative lion supports and scrolled detailing. It is in excellent condition. This style would lend well with any decor and a...

This stunning and majestic modernist chandelier was realized in Italy during the latter half of the 20th Century. It offers a hand hammered dappled oil rubbed bronze circular base wi...

This rare and special Art Deco chandelier features six frosted relief glass panels with a center coupe all in a highly stylized Cubist geometric and floral motif ,all signed Hugue .The glass panels are fitted with a nickled bronze frame in a streamline Machine Age design frame with stylized geometric accents.. This chandelier exemplifies the Machine Age movements influence on the French Art Deco at its best. It is fitted with 7 candelabra...

Egyptian Revival Bronze and Marble Mantel Clock Egyptian revival mantel clock housed in a polishes black slate and marble stepped case, decorated with winged uraeus and hieroglyphs, surmounted by a patinated bronze sphinx wearing nemes and resting on lions paw feet. Enamel dial with Arabic numerals and original ‘blued’ steel hands. Eight day French movement with anchor escapement striking the hours and halves on a silvered bell. The backplate signed Societe Clusienne S.C.A.P.H. Cluses and numbered 4144. C.1870 Societe Clusienne were based in Cluses near to the Swiss border in France. The case attributed to G.Servant Georges Emile Henri Servant ( 1828-1890) succeeded his father at their foundry at Rue Vieille-du-Temple, Paris in 1855. He specialised in the production of Neo-Egyptian style clocks. He was noted for the high quality of his bronzes at both the Paris Universal Exhibition 1855 and the London Exhibition in 1862. Many of his clocks were exported to the United States where his Sphinx clocks...

This French mantel clock is designed in an elegant Neoclassical style, after the decorative arts of the Louis XVI period (1754-1793). This clock will look beautiful placed on a mante...

Renaissance Revival enamel and gilt bronze mantel clock French, late 19th century Size: Height 53cm, width 29cm, depth 22cm The mantel clock i...

A magnificent 19th century French Renaissance Revival patinated bronze mounted carved walnut "Day and Night" mantel clock.  The dial with Roman numerals flanked by allegorical figures of night and day after Michelangelo. France, circa 1870 Maker: Victor Paillard The movement stamped: Vr. Paillard, Paris. Rodier Paris Stamp & Medaille Dor', 1837 Dimensions: Height 22" (56 cm) Width 37" (94 cm) Depth 9" (22 cm) Victor Paillard (1805-1886) designed and made various bronze decorative and functional objects including chenets, lighting and clocks. He also cast bronzes for some of the most important sculptors of the day including Barye, Carrier-Belleuse and Pradier He opened his first workshop in the 1830s at 105, boulevard Beaumarchais and 6, rue Saint-Claude and by the 1850s was employing around 100 people. His success at numerous international exhibitions including the 1851 Great Exhibition (where he displayed a bronze of the Standing Sappho after Pradier) further enhanced his reputation Day and night by Michelangelo: Though never finished, the tomb of Giuliano de' Medici in the Medici Chapel is the only one of Michelangelo great architectural-sculptural projects to be realized in a form approaching completion. Built between 1520 and 1534, it is widely held to be one of Michelangelo's most stunning achievements. The pose of the central figure on the tomb of Giuliano de' Medici, arms resting at his sides and legs comfortably apart, and its open composition suggest a cheerful Duke, generous in both mind and spirit. In fact, the figure holds in his hand several coins, as if an intended gift. Light plays freely on his beautiful face, yet the figure is lacking in energy and seems to wilt under the burden of the Roman armor...

This fine French clock, in an arched verde antico marble case, is set with a bas relief panel depicting Homer. The declaiming blind poet carries his lyre, a young boy leading him. It...

Bronze and marble mantel clock from 18th century signed De Bontems a Pairs: Measures: 13.5" x 4.5" x 21.5" Weighs: 23