Items Similar to Mantel Clock 19th Century Styl Empire by Ferdinand Berthoud À Paris

Mantel Clock 19th Century Styl Empire by Cérés À Paris

Mantel Clock 19th Century Styl Empire by Bonieris À Paris

Mantel Clock 19th Century Styl Empire by Hartmann À Paris

Mantel Clock 19th Century Styl Empire by Leroy à Paris

Mantel Clock 19th Century Styl Empire

Mantel Clock 19th Century Styl Empire by Galle, Rue Vivienne À Paris

Want more images or videos?

Request additional images or videos from the seller

1 of 7

Mantel Clock 19th Century Styl Empire by Ferdinand Berthoud À Paris

About the Item

Ormolu bronze mantel clock flanked by a troubadour and musical instruments, signed 'Ferdinand Berthoud a Paris'. The end of the 18th and beginning of the 19th century was a crucial time in which new technological advances helped to make watches more accurate and more portable. During the 1790s, the production of gilded bronze increased considerably as working conditions improved. The freedom of trade initiated by the French Revolution allowed many casters to develop large factories. The new factory environment gave them a chance to execute all stages of bronze work including drawing, casting, gilding, assembly, and trade of art objects. While the bronzers took creative liberty in creating all kinds of clocks in contrast to the noble and rigorous structure carried by the movement of neoclassicism. Under the reign of Empire, the case designs started gradually to develop away from a proportionate and strict classicism towards a baroque style and revival style. The rediscovery of medieval civilization was one of the intellectual curiosities of the beginning of the 19th century, with much input from the Ancien Régime and its institutions, rites and the medieval churches in which family ceremonies occurred. This early nineteenth-century figural mantel clock is surmounted by a medieval musician. To be more precise, it is a french troubadour. Troubadours were known for composing and performing lyric poetry for the nobility back during medieval times. The clock is featuring a chiselled bronze troubadour, dressed in medieval fashion while holding a flute, playing a tune from sheet music called "Du Troubadour" that is resting on top of the rectangular clock case. In addition to that, the clock features a gilt bronze lute or vielle resting on a small stool on the opposite side of the clock’s case. The white enamel dial features the inscription Berthoud and is underlined by a bronze entourage chiselled with palmette motif, plus encompassed by c-scrolls and wreaths. The original hands are in blued steel and encircled by Roman numerals indicating hour next to Arabic numerals indicating minutes. The small details that adorn the hexagonal plinth are reliefs, depicting two water fountains or basins on both sides with a lyre in between. The sculpted image of a lyre raised above the background features also foliage garlands tied on top with ribbons. The clock rests on seven spinning feet. The clock was made in the well-known workshop of the Berthoud’s family that was recognized for their excellent work by the King. Berthoud Clockmakers History. Ferdinand Berthoud was a horologist and author of extensive treatises on timekeeping as well as a Swiss clockmaker serving the king of France, that produced many marine clocks, including a weight-driven version that inspired the first American sea-going clock. He was born in Plancemont, Switzerland, the son of an architect and judiciary. In 1741 he began a three-year apprenticeship as a clockmaker under his brother, Jean-Henri. He made his first marine chronometer in 1754 (sent for trial in 1761) and in 1764 was appointed a member of the Royal Society, London and Horloger Mécanicien de Sa Majesté et de la Marine ayant l'inspection de la construction des Horloges Marines. In 1769, Ferdinand Berthoud sent for his nephew Pierre-Louis Berthoud (1754–1813), commonly known as Louis Berthoud, a talented young watchmaker and clockmaker, inviting him to come to Paris from Couvet, Switzerland, to pursue his apprenticeship. Louis helped Ferdinand manufacture and repair the sea clocks his uncle supplied to the French and Spanish navies. In 1802, after many years of research, Ferdinand Berthoud published one of his most important works: "Histoire de la Mesure du Temps par Les Horloges”[1], in which he demonstrated his exceptional knowledge of the art of horological mechanics. The titles, privileges, and testimonials of recognition throughout his career, extending from the reign of Louis XV through to the First Empire, as well as the tributes and studies that highlight his critical renown through to the present day, reflect the importance of his place in the long quest for accuracy. Pierre-Louis Berthoud In 1775, preoccupied with perfecting his marine clocks, Ferdinand Berthoud entrusted the running of his Paris workshop to his nephew, Henry Berthoud, who was responsible for producing high-quality decorative clocks and watches for the public. When Henry died in 1783, Ferdinand handed the reins to his other nephew, Pierre-Louis Berthoud (known as Louis Berthoud) who, since 1769, had assisted him in the construction of marine clocks and who distinguished himself as an excellent manager. Demonstrating a remarkable talent, in 1784 Louis Berthoud was awarded the title of "apprentice watchmaker-mechanic to the navy" following delivery of the first longitude pocket watch to the Prince of Asturias, the future King Charles IV of Spain. Louis' work was continued by his two sons, Jean-Louis Berthoud (1793-1880) and Charles-Auguste Berthoud (1798-1876), who were trained by Henri Motel, one of Louis Berthoud's former students. Literature: An identical model of this clock can be found in the Pierre Kjellberg, "La Pendule Française du Moyen Age au XXe Siècle", 1997, p. 437, pl. F , which is a simplified version of the clock on the same page in picture E, illustrating two troubadours on the oposite sides of the clock’s case, with different feet at the base.

Dimensions:

Height: 14.97 in (38 cm)Width: 12.21 in (31 cm)Depth: 3.94 in (10 cm)

Style:

Louis XVI (Of the Period)

Materials and Techniques:

Bronze,Gilt

Place of Origin:

France

Period:

Late 18th Century

Date of Manufacture:

1780-1790

Condition:

Rewired: The clock is in a excellent and perfect working condition. Also it has recently been cleaned and serviced by a professional clock maker. The clock is in a excellent and perfect working condition. Also it has recently been cleaned and serviced by a professional clock maker.

Seller Location:

Warsaw, PL

Materials

Marble, Bronze

Mantel Clock 19th Century Styl Empire by Galle, Rue Vivienne À Paris

$9,767

Antique 19th Century French Mantel Clocks

Materials

Bronze

19th Century Louis XVI Style Regulator Gilt Bronze Clock by Ferdinand Berthoud

$4,879 Sale Price

20% Off

19th Century Empire Mantel Clock

Located in Ljungby, SE

An Empire mantel clock in gilded wood, made in Austria or Germany 1820-1830. It features a warrior dressed in classical armor with his arm resting atop the clock. The clock pillar is...

Category

Antique 19th Century European Empire Mantel Clocks

Materials

Wood

$28,000

Exquisite 19th Century Mantel Clock – Planchon Paris

Located in Stahnsdorf, DE

Exquisite 19th Century Mantel Clock – Planchon Paris This exceptional mantel clock, crafted by the renowned Planchon manufactory in Paris during the second half of the 19th century,...

Category