1830s Mantel Clocks

This is a SUPERB L&JG Stickley Antique Period Mantle Clock circa 1907. It is in excellent working condition with good original finish, along with original dial and hands. The clock ...

A spectacular Art Deco illuminated clock featuring a sculpture of the water carrier / Nude with Vase. The exquisite geometric design of the clock c...

Brocot type suspension very rare early 30 day perpetual slander clock with moon phase, barometer and Fahrenheit and Centigrade thermometers. Stri...

This elegant period Empire ormolu-mounted white marble portico clock, circa 1830, is from France. The floral-and-foliate ormolu-mounted frieze sits above four Doric columns with gilt...

A gothic revival bronze and brass bracket clock with a 5-inch silvered convex Roman dial. The twin fusee movement strikes on a bell, with a heavy high quality pendulum and hold fast...

Transport yourself to the elegance of the 19th century with this exquisite French Gilt Bronze-Mounted Slate and Rouge Marble Mantel Clock. Meticulously crafted, this timepiece is a ...

A fine antique French eight day mantle clock, gilded and fitted with Sevres porcelain plaques, circa 1830. An early French silk suspension clock, with an eight day time and strike movement, gently sounding the hours and half hour on a bell. The clock is housed in an extravagant gilded gesso Rococo style case and standing on an integral plinth. The clock with a silvered dial having a cuff of engine turned decoration around the center and black Roman numerals to the outside of the dial and the retailer's name "Carl Muller in Berlin" to the center. The base of the clock is fitted with a round hand-painted floral 'Sevres' porcelain plaque, the clock plinth is fitted with a rectangular 'Sevres' plaque, hand-painted with a pastoral scene with a young courting couple and grazing sheep & goats. The clock has just been professionally overhauled and cleaned, it runs and keeps good time, the gilded case and silvered dial and porcelain plaques are in remarkable condition, a very fine clock...

This elegant clock is distinguished by its crisply modeled subject and the extraordinary completeness of its original finish. The seated figure is of Urania, muse of astrology, leani...

A William IV Skeleton clock of fine quality with two massive scroll plates sitting on rectangular, silvered plinths and standing on a mahogany base with block feet. Eight day doubl...

French ormolu mantel clock standing on a stepped base and resting on turned, chased feet with acanthus leaf decoration below a finely chased...

Dial signed Polti Frères Measures: With base or glass: Height 61 cm (24 in.), width 51,5 cm (20.3 in.), depth 23.5 cm (9,2 in.) Without base: Height 52 cm (20,5 in.), width 42 cm (16.5 in.), depth 12.5 cm (4.9 in.) Important philhellenic clock in burnished and amati gilded bronze, finely chiseled, representing on the terrace a couple elegantly dressed in "the turkish style", and richly decorated with foliage, scrolls and flowers. The feet, decorated with water leaves, rest on an oval wooden base covered with a globe. The theme of the clock comes from The Giaour, a fragment of a Turkish Tale, an English poem by Lord Byron published in may 1813 which tells the thwarted love of a Venetian, the Giaour – term by which the Turks designate infidels and especially Christians – and of Leila, a slave belonging to Hassan’s seraglio, military leader of a Turkish province. The betrayal of Leila discovered, she will be thrown into the sea and her lover will avenge her by killing Hassan, then taking refuge in a monastery. Symbol of prestige and modernity, the decorative clocks are a reflection of the taste of the era of a wealthy bourgeoisie and may be the subject of diplomatic gifts or between individuals. Beyond the purely decorative aspect of such objects, watchmaking in the 19th century is part of a subtle mix of political, historical and literary references. This philhellenic movement converning the West finds a particular echo in France, one of the countries with the United Kingdom and Russia having suported the Greeks during their war of independance (1821-1830) to free oneself from the grip of the Ottoman Empire. Many clocks...

Fire-gilt bronze mantle clock with an amphora-shaped case on an octagonal stand and applied decorations in the form of ears of grain, velaria, laurel wreaths and butterflies. The ena...

French Charles X period Greek Revolution or Hellenistic mantel clock. The clock in original ormolu with a Turkish figure to the top. The silvered dial ha...

A French antique Charles X period ormolu mantel clock. The ormolu in excellent original condition and the case of very heavy, dense construction. All parts are beautifully cast. The ...

French Restoration bronze mantel clock set, France, 1820-1830s. 1 clock and two candelabras. Original golden patina 2 centuries old. Represents a Roman general seated at the height o...

Portal clock on rectangular stepped base in mahogany veneer with small squeeze feet and fire-gilded applications in the form of rose festoons. The stepped...

Fireplace clock made of fire-gilt bronze with a rectangular base with a relief depicting winged putti with the attributes of the various sciences. Above it is a clock case in the sha...

French Charles X malachite, lapis lazuli, and gilt bronze figurative clock French, c. 1830 Measures: Height 75cm, width 53cm, depth 23cm This fine mantel clock is a superb example of the Charles X style. The clock, wrought from malachite, lapis lazuli, and gilt bronze, features the distinctive feature of most Charles X period clocks: a large sculptural surmount. In the present clock, the sculptural surmount depicts Urania, Greek muse of astronomy. She is accompanied by a lapis lazuli globe...

The case carved in high relief with scrolls and an acanthus leaf finial, the gilt face finely chased with further scrolls and signed on the dial, with a discreet/silent lever above t...

With sun god atop a lyre form case the lower part holding an enameled dial face above a cut glass and bronze base.

Fine and rare English Coalbrookdale porcelain clock in excellent condition. 8 day English fusee movement signed and numbered by the renowned ma...

Antique mantel clock from the french Romantic period in patinated bronze, gilt bronze and antique very marble. On bracket feet and antique vert marble base the clock is surmounted by a superb patinated bronze sculpture of a seated Cupid with gilt bronze bow and quiver...

Clock in gilded and chiseled bronze representing a young woman sitting sideways dressed in the antique style, wearing a laurel crown and flowers, holding a veil above her head. She i...

Porcelain clock by Le Roy Et Fills A Paris Elegant porcelain clock from the beginning of 1800 with a wine allegory scene. It is in working condition. It has its pendulum and origina...

A large Charles X Sienna marble and patinated bronze clock and matching candelabra. The architectural style case made of Sienna marble has a patinated bronze gallery and lower bronze...

French Charles X patinated bronze, ormolu and black marble clock with bust of Apollo. Very well proportioned clock with a fine bronze taken from the classical marble of Apollo. The bronze was created by the feted Paris bronziers of Choiselat and Gallien who also made some of the fine bronze clocks of "Jason and the Golden fleece...

Charles X Bronze and Ormolu mounted mantel clock with stepped top surmounted by a gilded figure of Cupid holding silver Bees and with a rocking silver Bee automation. The case on a ...

William IV rosewood and bronze bracket clock by Frodsham 185 & Baker, the brass eight-day movement striking on a bell, the backplate numbered ‘292’, the circular brass dial with roman numerals and an engine turned centre, signed ‘Frodsham & Baker Gracechurch St. London‘, in an architectural case with applied panels, the front decorated with a lion and foliage, the corners with quoins, the sides with scrolling leaves and palmettes, with a fan pagoda top with a retractable oriental gateway handle, on leaf scroll feet, with pendulum, winding key and case key. English, circa 1830. William Frodsham was an established London clockmaker. One of his sons, John Frodsham (1785-1849), went into partnership with Baker to form ‘Frodsham and Baker’ in 1809’. They were chronometer makers to the Admiralty and also made wall...