Early 19th Century Mantel Clocks

A gold, antique French table clock, pendulum made of hand crafted fire-gilded bronze, in good condition. The circular enamel dial of the Pa...

Small mantel clock with bas-relief France Bronze, enamel early 19th century Dimensions: H x W x D: 33 x 19 x 9 cm Description: Antique, fire-gilt portal clock with figurative, Gre...

Rare and wonderful antique clock from the early 1800s. Marked: S. Devaulx, Paris. Having an impressive, stylish and sizable antique clock like this gracing your mantel piece or sid...

A French Empire table clock, first half of the 19th century. Measures: Width 30, depth 11, height 38 cm. Key included. Later added hatch at back. F...

Stunning antique Victorian quality burr walnut mantle clock, having a quality burr walnut case with carved scrolls, circular dial with Roman numerals ...

A quality Victorian Marble mantle clock with black Roman numerals with a white enamel face, the bronzed figural case surmounted by an Elizabeth...

Elegant quality French 19th century gilt metal and porcelain mantle clock, having a quality antique Victorian mantle clock with a beautiful blue and white porcelain dial decorated wi...

Fantastic quality large antique Victorian mantle clock, having outstanding quality gilded mounts of classical figures of a lady, cherub ...

An exquisite French Empire ormolu and cut-crystal clock, c. 1815, attributed to Baccarat. Made from the finest quality mercury gilding ormolu, this c...

Outstanding quality large antique marble mantle clock, Having an outstanding quality marble case with green columns and gold detail, with an 8 day movement striking the hour & half h...

Antique Victorian quality marble eight day mantle clock having a quality black marble mantle clock with ornate gilded brass mounts, circular ornate brass dial with the original hands...

Mantel Clock "Atala and Chactas" Paris Bronze (fire-gilt and patinated), enamel Empire around 1810 Dimensions: H x W x D: 40 x 32 x 11 cm Description: Very rare and extremely high quality French mantel clock, so-called Pendule Au Bon Sauvage. Depicted are scenes from the love story "Atala or the love of two savages in the desert" written by Francois René Vicomte de Chateaubriand in 1801. At the beginning of the 19th century, this was probably the most famous love story in Europe, but today it has been forgotten. The story, set in present-day Louisiana (USA), is roughly rewritten about the forbidden love between Chactas, a young Indian, and Atala, the beautiful daughter of a Spaniard. Chactas is captured in a battle between two Indian tribes, chained to a palm tree and is to be sacrificed. Atala wants to save his life and convert him to Christianity. She unties him from the palm tree at night and they flee together into the wilderness of North America. Their love for each other grows stronger and stronger and they have prospects for a future together. The story takes a tragic turn when Atala, who must remain a virgin due to a vow made by her mother, can no longer withstand the conflict of her feelings and commits suicide. The main group of characters thus shows Chacta's liberation through Atala. Atala is leaning against a pile of logs. The animal fur thrown over the logs and the weapons leaning against the stack on the right give the impression of a night camp. The bronze is of rarely beautiful quality, finely chiselled and makes the scene appear very lively. The contrast of fire-gilded and patinated bronze adds tension to the composition. In the base we see the Entombment as the end of the tragic love story. This bronze work is also very detailed, the interplay of bright and matt gilding makes the flat relief appear much deeper than it is. The depiction of the mantel clock presented here shows that the exotic was only known from stories and that the bronzier had his own ideas about the appearance of this distant world. The Indian, for example, has very European facial features and his skin was not black in reality, of course. The palm tree was also certainly not found in the North American wilderness. The heart of the clock is a French pendulum movement, integrated into the wooden pile, with an eight-day power reserve and a lock plate striking a bell on the half and full hour. The pendulum is suspended on a thread, typical of the period. The classically shaped hands, so-called Breguet hands, are also typical of the time. The enamelled dial has black Roman hour numerals, Arabic quarter hours and bears the signature: Le Roy hr. de Madame A PARIS. Interesting facts: The period from 1795 to about 1815 saw the creation of probably the most spectacular group of bronzes: The "Au bon Sauvage" pendulums - depictions of the "Noble Savage". Today's viewers react to these objects with both fascination and irritation. Enthusiastic on the one hand about the obvious quality of the detailed bronzes and the allure of the exotic, on the other hand distanced and cautious because of the possible discrimination that is suspected behind them. The ambivalence of this feeling motivates the search for the conditions of origin of these pendulums. Europeans found their new ideal of the natural man primarily in fictional and realistic travelogues about the Indians of North America...

Empire mantel clock made of fire-gilded bronze. The scene shows a putto in a richly decorated chariot pulled by a jumping poodle. The clockwork is elegantly integrated into the wheel...

Large fire-gilded bronze pendulum clock on lion's paws with a rectangular pedestal featuring lyre and torch motifs. Above it rises the full-figure depiction of the god Apollo with a ...

Miniature Empire Bronze Clock - Matelot Paris fire-gilded and patinated bronze early 19th century Dimensions: H x W x D: 18 x 14 x 9 cm Description: Very rare miniature of the famous Pendule Matelot "Au Bon Sauvage". The depiction deals with an important topic of the time, trade with the colonies. The rectangular base stands on pressed ball feet. Attached to the front, we see two cornucopias filled with exotic fruits and held by a bow. A young sailor, dressed in a raffia skirt and feather jewellery...

Antique Empire Gold Gilt Patinated Bronze Ormolu Mantel Clock French, c. 1810 Height 48cm, width 31cm, depth 20cm A superb example of early 19th-century French decorative arts, thi...

Portal clock on a rectangular, stepped base in mahogany veneered with small bun feet. The stepped architrave is supported by four smooth columns, the capi...

A fine quality empire ormolu-mounted patinated bronze and rouge royale marble mantel clock. The patinated bronze figures depicting cupid and psyche. Attributed to Pierre-Victor Ledure...

Early 19th century French Empire period marble and ormolu clock. French Carrara marble Portico clock with extensive ormolu fretwork mounted on two finely decorated marble columns ...

A large and impressive French Empire period gilt bronze mantel clock of exceptional quality and colour. French (possibly retailed in Italy) - Circa 1820. The finely chased and original gilt bronze case depicting Orpheus playing his lyre with an eight-day bell striking movement, outside countwheel, backplate initialled and numbered 'A C D 1516’. The dial with Roman numerals and inscribed Riccardo Pacinoti of Lavourne. It is a French movement (silk suspension) striking the hour and half hour. The case in the form of an oblong pillar cast with anthemium and cornucopia beneath a draped urn and a laurel wreath, flanked by the figure of Orpheus playing his lyre, the stepped plinth cast with wonderfully detailed underworld scenes, on leaf scroll feet. In excellent condition the clock case has been cleaned with the movement completely overhauled and serviced to the highest standard by a specialist restorer. In general 19th century French bronze clocks...

Antique portal clock France marble, bronze, enamel Directoire around 1800 Dimensions: H x W x D: 46 x 28 x 14 cm Description: Antique portal c...

In the form of a putto with a wheel barrow carrying a keg mounted with a clock face topped by a crane, on a rectangular chased plinth ending in bun feet.

Large quality antique Victorian marble mantle clock having a quality ornate marble case with a circular brass dial, original hands with a eight...

A beautifully made, French, inlaid rosewood mantel clock from 1820, with 8 day striking movement and silk-suspended pendulum. Original porcelain dial mounted in brass. The marquetry ...

American Federal mahogany pillar and scroll mantel clock with a broken arch pediment, three urn wood finials, flanking ringed columns, hinged glass d...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

Pretty antique Victorian marble mantle clock, having a quality antique Victorian marble mantle clock with pretty blue, green and gold decoration surrounding the brass bezel and porce...

Outstanding quality large antique Victorian marble mantle clock. Having an outstanding quality marble and ornate gilded brass case, with an 8 day movement striking the hour & half ho...

A gold, antique French table clock, pendulum made of hand crafted fire-gilded bronze, in good condition. The circular enamel dial of the Pa...

This extremely rare swinging portico clock by Béchot Paris, in an ormolu case of exquisite quality, finely cast and gilded with its original burnished and chased finish, this clock i...

This mantle clock is by a well-respected Paris maker in a fashionable style. The oval base supports a vase shaped clock case in turn supported by winged dolphin heads and flanked by ...

An Exquisite Period Empire Clock, featuring Cupid (in patinated bronze) with his bow & arrow, next to him a quiver & torch. The body of the clock with bas relier decoration and anthe...

A magnificent large gilded and patinated bronze period French Empire mantle clock depicting Urania the Greek Muse of Astronomy standing on a stepped rectangular gilded bronze base her left elbow resting on a large gilded globe of the heavens with a central band showing the signs of the zodiac...

Empire period neoclassical malachite and gilt bronze mantel clock French, early 19th century Dimensions: Height 48cm, width 23.5cm, depth 11cm This mantel clock was finely crafted in the Empire period, wrought from ormolu and a later malachite veneer. The design of the clock is based on classical architecture. It features a malachite entablature—with an ormolu pierced mount to the front—which is supported on four ormolu bun feet. The malachite column shafts are smooth and each culminate in a capital, supporting the malachite top. Between the columns, there is a drum clock...

Fine miniature French Empire clock in ormolu. Dating from the First French Empire period with original ormolu and with fine enamel dial and movement signed The clock stands upon fine and delicate toupee feet. The the base is an applied ormolu mount of crossed standards tied with ribbon and with laurel branches. To the left of the dial stands a soldier in greatcoat and bearskin chapeau with moustache epaulets and his arm in a sling and a decoration on his breast. He has his left hand raised and resting on a forget-me-not flower and laurel wreath in front of two crossed battle axes. The white enamel convex dial...

A Fine Ormolu mantle Clock after a Design by Thomire. This theme is constantly repeated during the Directoire & Empire period. Thomire is known to have used this model. The quality ...

Gilt bronze and marble mantel clock, signed F. Berthoud, Paris, France, early 19th century. Clock works.

A magnificent 19th-century Empire-style mantel clock, signed by the esteemed clockmaker Leroy à Paris. This timepiece exudes classical elegance, featuring a finely detailed gilt bron...

A fabulous quality early 19th century French marble and bronze mantle clock, the bronze with Napoleon being helped to mount his horse by...

Antique Julien Leroy French Louis XIV Rococo Gilt Bronze Mantle Clock Signed C1820. Measures - 12 1/8" x 16 1/4" x 6" An exquisite antique mantle clock...

An extremely rare antique French Charles X period ormolu musical mantel clock of Gaius Marius amidst the ruins of Carthage by the noted maker Jean Eugène Robert-Houdin. The superb an...

This large and impressive gilt bronze mantel clock is by the French Michel-François Piolaine. The clock body is raised by an architecturally formed, plinth-shaped base, set to the fr...

Empire period ormolu mounted malachite allegorical mantel clock French, early 19th century Measures: Height 50m, width 21cm, depth 14cm This fine mantel clock is an excellent ex...

Antique Early 19th Century Empire Gold Brown Gilt Patinated Bronze Mantel Clock French, Early 19th Century Height 54cm, width 52cm, depth 20cm Dating to the early 1800s and desi...

A Fine quality French 19th century gilded ormolu and white marble mantel clock in the Louis XVI style. Having a two handled urn to the top with flowers and garlands draping down to t...

A French Charles X period ormolu mantel clock. The drum case flanked by a young couple standing under a palm tree with flowers all around, while the lady touched the man's hand. The...

Large and very Fine French Empire period ormolu and malachite mantel clock French, circa 1825 Height 89cm, width 57cm, depth 23cm This very Fine, sculpturally decorated mantel clock dates to the first French Empire period, and combines excellent antique clockmaking with Fine Classically-inspired sculpture to make a beautiful decorative piece. Both the backplate and the silvered brass dial, painted with Roman numerals, are stamped 'JACQUIER, A PARIS.' It bears the serial number 146 to upper left hand margin, and features steel moon hands set within a generous gilt laurel wreath cast bezel; it is cased in malachite (a later veneer), and richly adorned with gilt-bronze. The case is surmounted with a gilt-bronze sculpture of the Roman leader Caesar who wears a toga and a laurel crown...

Claude Galle, (1759–1815, master in 1786) is one of the most renowned bronziers active during the Napoleonic period, such as Pierre-Philippe Thomire, André-Antoine Ravrio and Louis-S...

French Empire Ormolu Bronze Portico Mantel Clock by Gaston Jolly, Paris, Circa 1810s, with original pendulum.

A superb gilt and patinated bronze Empire clock. Rouge griotte marble. Signed bled a Paris. Silk thread suspension. France, circa 1804 Dimensions: Height 32" x width 21" x depth 11...

Outstanding quality large antique regency brass inlaid bracket clock by George Orpwood, having an outstanding quality unusual architecture design mahogany case inlaid with ebony and ...

This clock set is designed in a wonderful ‘chinoiserie’ style. This style was inspired by the art of China, and it was very fashionable in Europe in the 18th and 19th centuries. The ...

Odysseus and Theseus French Empire Mantel Clock André Antoine Ravrio Circa 1800 This monumental Empire mantel clock by André Antoine Ravrio, whose case is crafted entirely of gilded...

Biedermeier Mantel Clock, Early 19th Century A sophisticated Biedermeier mantel clock, crafted in Austria circa 1810–1830. This exceptional piece combines timeless elegance with out...

Of majestic scale with the ormolu gilding in very good condition in working order.

A very striking twin fusee bracket clock in an Egyptian revival style case by Paul Philip Barraud. The eight day movement with unusual round plates of thick brass engraved on the bac...

An Important Early 19th Century Gilt and Patinated Bronze Figural Mantle Clock By Andre-Antoine Ravrio and Mesnil Modeled with a large and beautiful gilt bronze figure of recumbent...

This beautiful Gothic Revival style porcelain clock was made by the prestigious French firm Dagoty and Honore, founded by the esteemed porcelain makers Pierre-Louis Dagoty and Edouard Honore...

A French Empire figurative clock of a Roman youth holding a scroll in gilded bronze showing a seated classically draped youth sitting atop the clock case holding a lyre in one hand a...

Gilt and patinated bronze. The original movement has been cleaned and revised and is in perfect working condition (runs for around one week). Overall authentic condition with its ori...