Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 13

Table clock with Muse and writers. Bronze, Paris movement. France, 19th century.

About the Item

Table clock with Muse and writers. Blued and gilded bronze, Paris movement. France, 19th century. Perfectly working mechanism. Table clock in blued and gilt bronze with Paris machinery, and white dial with gilt bronze centre (Roman numerals for the hours, lines for the minutes and Breguet-type hands). The rectangular pedestal stands on supports and has architectural decoration; the base of the clock, also rectangular, has vegetal crowns with scrolls enhancing cartouches (with names: Virgile, Tasse, Homere, Racine, Voltaire); the dial and machinery are housed in a gilt-bronze piece that resembles a bookcase, on which books, a crown of laurels and a musical instrument are displayed. A female figure in blued bronze, dressed in a tunic, holds this kithara, a plucked stringed instrument from ancient Greece, similar to the lyre (the difference being the sound box, so it could be a lyre of the present day). The female figure would be a Muse: these classical divinities of Greek mythology inspired the arts; daughters of Zeus and Mnemosyne, companions of the god Apollo in his retinue, each is related to a branch of art and knowledge. They are linked to the lyre Calliope (muse of eloquence, beauty and epic poetry) and to the zither Erato (muse of lyrical-amorous poetry). As for the names mentioned, the first refers to Publius Virgil Maron (70 BC-19 BC), a Roman poet and author of the Aeneid, the Georgics, etc., who was also known for his role as a guide in Dante Alighieri's Divine Comedy. Torquato Tasso (1544-1595), Italian poet and author of The Liberated Jerusalem, Rinaldo, etc., is known as "Le Tasse" in French. Homer is the name given to the author of the Iliad and the Odyssey, the basis of Greco-Latin epic literature. Racine is the surname of, among others, the French playwright Jean Racine (1639-1699) and his son and poet Louis Racine (1692-1763). François-Marie Arouet (Paris, 1694-1778), better known as Voltaire, was a French writer, historian, philosopher and lawyer, with numerous literary and philosophical writings. Curiously, we know of an Empire clock (in a private French collection) in the shape of a library with books, very similar to the present piece. It should be remembered that the high level of specialisation of French bronze craftsmen, which gave rise to high-quality works of art, meant that several pieces of the same model were created if the aristocracy and the upper classes liked it. For this reason, there is evidence of several clocks, with slight differences from the present one (particularly in the dial and the absence of blued bronze), preserved in private collections and dating from the early 19th century. Weight: 12.7 kg. - Measurements: 40x15x57 cms International Buyers – Please Note: for those articles that need Export Permits (those older than 100 years), the obtaining of the Permit will be processed without additional expenses (if you choose the seller sends it to you), but the period for the obtention of it may vary from 10 to 35 days.
  • Dimensions:
    Height: 22.45 in (57 cm)Width: 15.75 in (40 cm)Depth: 5.91 in (15 cm)
  • Style:
    Neoclassical Revival (Of the Period)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    19th century
  • Condition:
    Wear consistent with age and use. Minor losses. Minor fading. Machinery in working condition (in place of origin).
  • Seller Location:
    Madrid, ES
  • Reference Number:
    Seller: zf10691stDibs: LU2951338692502

More From This Seller

View All
Garniture, clock and candelabra. Bronze, porcelain. France, 19th century.
Located in Madrid, ES
Garnish with clock and candelabra in porcelain and gilt bronze. France, 19th century. Mechanism in perfect working order. Fireplace garnish composed of a clock and two five-light candelabras, all three pieces made by combining gilt bronze, with relief elements and round bulges and cold-chiseled details, and porcelain decorated with low-temperature enamels, including gold enamel. The porcelain pieces follow models from the Sèvres National Manufacture of the 18th century, with large pictorial cartouches on a cobalt blue background adorned with golden plant motifs. The set follows a historicist design that combines baroque and neoclassical elements with enamelled scenes of Rococo inspiration, representing landscapes and scenes with mythological themes alluding to the arts and the goddess Venus. The clockwork is stamped “Chles. MT”, with serial number 17420. The main glazed porcelain plates are signed DP Boncher. The clock follows an architectural structure, with an oval base with a prominent front in plan, raised on four molded feet in the shape of a top, on which a large ornamental vase is placed. This plinth has a distinct pinto and, above it, a main body as a façade, with a circular pediment that houses the clock face. This includes black enamelled Roman numerals on white medallions with a gold border, arranged around the central representation of a putti reclining among clouds, holding a floral garland and accompanied by musical instruments. Among the medallions that house the numbers, a small jeweled decoration that evokes pearls and embedded rubies, which is echoed in the secondary areas of the body of the piece and also the vase, always combined with delicate golden filigrees. On both sides of the sphere are two female portraits of ladies from the 18th century, in oval frames. Below, a classically inspired scene with a muse holding musical instruments, probably Euterpe or Erató, accompanied by a putti reading a sheet of music. On the sides of the clock body, two large curved rectangular plates house highly pictorial enameled landscapes, worked with the same miniaturist precision as the rest of the enameled cartouches. These are landscapes of romantic heritage, again inspired by the 18th century, with ideal settings for a twilight atmosphere, featuring classical ruins. The vase that tops the body of the clock has a hemispherical tank, shoulders ending in an edge, an openwork truncated conical neck, which opens smoothly towards the shoulders, and a domed lid, also openwork. The handles are figurative, in bronze, with two female sisters crowned with flowers, of clear Greco-Latin inspiration, worked in a round shape. In the tank, the vase houses two enameled porcelain cartouches, the front one with two putti and a dove - a symbolic allusion to Venus - and the back one with musical instruments. The design of the clock is completed by two thick bronze S-shaped plant braces, under the vase, and counter moldings and plant motifs cast in relief and cold chiseled, combining matte and polished finishes. The candelabras follow a similar design, with large vases of neoclassical design on pedestals, in this case cylindrical, raised on four low feet of turned design. The bases house porcelain cartouches with scenes of putti related to the arts; In one of them we see two putti practicing painting, and in the other two others in a scene related to classical lyric poetry, with one putto writing while the other, holding a lyre, raises a laurel wreath above his head. The cartouches that occupy the front of the candelabra vases...
Category

Antique 19th Century French Neoclassical Revival Mantel Clocks

Materials

Metal, Bronze, Other

Clock and candelabra garniture. Paris, France, second half 19th century.
By Raingo Frères
Located in Madrid, ES
Clock and candelabra trim. Blued and gilded bronze, marble. Raingo Frères, Aaria, Clodion. Paris, France, second half of the 19th century. Working. The two candelabras follow a model highly appreciated in the 19th century of a bronze figure of a bacchante (a common figure in the procession of the classical god...
Category

Antique 19th Century French Neoclassical Revival Mantel Clocks

Materials

Marble, Bronze, Other

Table clock, Cupid with rooster. Bronze, marble. Posib France, circa late 19th c
Located in Madrid, ES
Table clock. Gilt and blued bronze, marble base. Possibly France, late 19th century. Working. Table clock with Paris machinery in working order that has a rectangular light marble base with the front slightly forward to allow space for the clock case. It has a white dial, Louis XVI type hands and Roman numerals for the hours and Arabic numerals five by five for the minutes. This part is sheltered in a golden marble pedestal, which has a base of Greek fretwork...
Category

Antique Late 19th Century European Neoclassical Revival Mantel Clocks

Materials

Marble, Bronze, Other

Carriage clock with case. 19th century
Located in Madrid, ES
Travel clock with case. Metal, glass, leather, etc. XIX century. Case with lid at the top and front with a transparent glass sheet, upholstered on the inside, containing a travel cl...
Category

Antique 19th Century European Neoclassical Revival Carriage Clocks and T...

Materials

Metal, Other

Table clock. Marble, bronze. Japy Freres; Boursier. Paris, France, circa 1849-1
By L.P. Japy & Cie
Located in Madrid, ES
Table clock. Marble, bronze. Japy Freres; Boursier. Paris, France, circa 1849-1854. Machinery in perfect condition and working order. Table clock made of patinated and gilt bronze...
Category

Antique Mid-19th Century French Neoclassical Revival Mantel Clocks

Materials

Bronze, Other

Table Clock, Ormolu, 19th Century
Located in Madrid, ES
Table clock made of gilded bronze with a powerful base, enhanced with legs decorated with vegetal and architectural motifs of classicist inspiration and a series of details on the fr...
Category

Antique 19th Century European Neoclassical Mantel Clocks

Materials

Bronze

You May Also Like

19th Century French Comtoise Clock Movement
Located in Denton, TX
A great industrial accent for a tabletop or bookshelf the combination of brass and steel gears and a bronze bell. This movement is in non working condition and is used for decorative...
Category

Antique 19th Century French Directoire Table Clocks and Desk Clocks

Materials

Brass, Bronze, Steel, Iron

Early 19th Century French Bronze and Ormolu Eight Day Striking Clock
Located in London, GB
An early 19th century French eight day silk-suspension, striking clock, contained in ormolu case mounted with vases and urns of flowers with well-cast b...
Category

Antique Early 19th Century French Neoclassical Revival Mantel Clocks

Materials

Bronze, Ormolu

Aesthetic Movement Carriage Clock, France, 19th Century
Located in PARIS, FR
Fine aesthetic movement clock in cloisonné enamel and gilded bronze, decorated with polychromed birds and flowers, and geometric gilded ornaments on a ...
Category

Antique Late 19th Century French Aesthetic Movement Table Clocks and Des...

Materials

Bronze, Enamel

19th Century Aesthetic Movement Mantle Clock
Located in Ross, CA
Aesthetic movement mantle clock made in France in the late 19th century. The face is blue and white hand painted enamel centered over blue and white porcelain. The round case which i...
Category

Antique Late 19th Century French Aesthetic Movement Mantel Clocks

Materials

Porcelain

19th Century French Bronze and Ormolu Clock
By Claude Galle
Located in Scottsdale, AZ
19th Century French Bronze and Ormolu Clock. circa 1810 clock Napoleonic Empire Bronze Dore. La Liseuse" clock after Reiche, by Claude Galle & Grand Girad.  Signed in Paris
Category

Antique Mid-19th Century French Napoleon III Table Clocks and Desk Clocks

Materials

Bronze

19th Century, French Chiselled and Gilt Bronze Table Clock
Located in IT
19th century, French chiselled and gilt bronze table clock This table clock was made of chiselled and gilded bronze in the early 19th centur...
Category

Antique Early 19th Century French Empire Table Clocks and Desk Clocks

Materials

Bronze

Recently Viewed

View All