Prisma Clock Designed by Jay Kirsch and James Hamilton

Ormolu and hand-painted French clock.

Lovely brass and glass carriage clock by C.R. Crookshank for Tiffany & Co. Made in France in the 20th century. Adorned with endearing botanical and floral motifs all around the piece...

A neoclassical bronze and rouge marble mantel clock, retailed by Miller & Sons, London, clockworks by Japy Freres marked with number 15411, 44, and...

Detailed marble French clock set embellished with gilded bronze.

Graceful bronze carriage clock by Jules, Paris, c. 1840 (Late 19th Century), numbered 542 and includes "Jules A Paris" stamp as well. The piece is finely decorated with foliate engra...

Gorgeous and mythical sculptural clock made of patinated and gilt bronze, depicting a young Bacchanalian faun wearing a leaf crown on his head and a grape leaf sash around his body. ...

American Mid-Century Modern Prisma aluminum aurora clock, Kirsch Hamilton, 1970s. A vintage 1970s Aurora clock. These stunning clocks are in the collection of the Museum of Modern A...

An Egyptian Revival Black Marble Clock Circa 1860s made by the renowned clock and jewellery makers Hamilton and Inches of Edinburgh with Royal ...

This solid mahogany traveling clock with balance wheel escapement was crafted by celebrated London clockmaker James McCabe for London’s Royal Exchange. Known for exquisite workmanshi...

Unusual and rare boxed gilded bronze strut clock by the famous makers Howell James and Co. This strut clock is in the form of a padlock. Th...

A black chinoiserie lacquered clock of small proportions, the rectangular case beautifully decorated in relief with garden scenes in shades of red, brown, green, black and gold highl...

An exceptional English fusee carriage clock timepeice by two of the nineteenth centuries greatest clock makers. The eight day single chain fusee movement with maintaining power and jewelled underslung English lever escapement, the back plate numbered 151. The movement is housed in a unique gilt case with unusual faceted feet and finials surmounted by a sprung cruciform finial. The case is undoubtedly the work of Thomas Cole the engraved panels depicting scenes from Sir Walter Scott’s Waverley novels, the figures contrasted with Cole’s unique horizontally lined background technique. The layered plate construction of the case with concave faceted columns is also typical the brothers’ period of collaboration. The silver engine turned dial with breguet style moon hands suggest the work of J.F. Cole as does the distinctive bridge on the back of the movement that gives extra strength to the mainspring and is documented in several other Cole clocks. We believe this clock is unique the finial and key are a distinctive cross shape, the finial is ingeniously sprung so that if knocked it will not snap but yield and spring back into place (see video). The Cole Brothers worked together supplying clocks to other retails after J.F. Cole narrowly avoided bankruptcy, their work was retailed by Garrards, James McCabe, Arnold and...