18th Century and Earlier Clocks

Italian neoclassical parcel-gilt clock. Roman military Empire period mantel clock of obelisk form topped by an extraordinary eagle with outstretched wings on a red orb, above gilt-ca...

The clock case decorated overall with very fine ‘Vernis Martin’ lacquer paint with floral sprays and garlands. The waisted case with pierced foliate bronze mounts and surmounted by a foliate finial with a bird. On scroll feet, the bracked conformingly mounted and decorated with a scene with dogs. A fine three week going movement, striking half and full hours on a silvered bronze bell. Festeau Le Jeune became master in 1769. Clock case and bracket are stamped by the ebenist ‘A. Gosselin’ (Antoine Gosselin 1731-1794, Paris, master in 1752), as well as the stamp of the Parisian gilt ‘JME’. In French interior design, Vernis Martin is a type of lustrous lacquer substitute widely used in the 18th century to decorate a wide variety of items from furniture and coaches to such personal articles as fans and snuffboxes. The technique was named after the French brothers Guillaume and Etienne-Simon Martin, who perfected the process, but covers work by other craftsmen as well. Highly praised by Voltaire, it was developed to imitate East Asian lacquerware...

Louis XVI white marble and gilt bronze marble clock, the white enamel dial with Arabic numerals within a lyra-shaped marble case surmounted by pi...

An elegant French gilded wood barometer with thermometer (period Louis XV, Circa 1760). Barometer has been fitted with a new mercury tube, ...

This English George II period 18th century table clock consists in a scarlet-japanned and parcel-gilt rectangular case with elaborate chinoiserie decoration and pierced frets to the sides. Resting on a molded base with a shaped apron and bracket feet, the case presents an inverted bell top with a brass fold-down handle flanked by four vase-shaped finials as well as a foliate engraved backplate. The door opens on a break arch brass dial featuring a Roman chapter ring with Arabic minutes, nicely laid out with gilt foliate corner spandrels and a subsidiary strike/silent dial within the arch. The matted centre presents a date aperture as well as the signature of the well-known British clockmaker William...

Very beautiful and original painted Folk Art watch holder, made for the pocket watch when you were not wearing it.

An 18th Century Louis XVI Gilt-Bronze and White Marble Mantel Clock, circa 1780 An 18th century Louis XVI gilt-bronze and white marble clock, the white enamel dial with Roman and Ar...

This French Louis XV ormolu bronze clock, crafted by Etienne Le Noir A Paris in the 18th century, is a testament to exquisite craftsmanship. The metal dial, featuring a blend of Roma...

Important Louis XVI mantle clock with exceptional bronze detail and chasing.

Very handsome moulded bronze dorè mantel clock, glass door covered dial with roman numerals and numbered quarter hour points, reverse door with interior pierced cover plate and signed mechanism; "Albert Baillon A Paris" mounted atop a fluted Roman column with laurel surround and swag beneath on a rectangular base with well articulated architects tools...

Large 18th Century French Louis XVI White Marble Mantel Clock with Pallas Athena A large late 18th century white marble and gilt-bronze mantel clock, th...

German mahogany tall case flute clock with original painted ,gilt, and porcelain dial surrounded by original hand blown glass. The upper section has four ...

Clock Mantle Gilt Bronze Neoclassical Empire French 19th Century France. A French mantel clock in gilt bronze. Neoclassical symbols such Cup...

A superb 18th century Swedish giltwood wall clock with eight day movement, signed by the clockmaker: "Rundelius Stockholm" (Anders Rundeliu...

18th century Viennese dark green painted and giltwood pendule of unusual size in the form of a classical urn, the gilt-bronze dial with Roman numerals, surmounted by giltwood flowers...

A Fine Louis XVI Marble & Gilt Bronze Clock 18th Century Signed Corrier A Paris A large Louis XVI ormolu French clock by Corrier à Paris. The symmetrical case has numer...

Rare Louis XVI period enamel and gilt bronze clock on a black marble base.

An extremely rare and important splendid Louis XV bronze pendulum clock “Pendule au Sanglier”, with half hour/hour self strike and musical movement with 9 tunes that activates on the...

Unrestored French lantern clock with alarm clock from the early 18th century. Pendulum and weights are present. This clock needs restoration! H ...

Very unusual and important finely chased and gilt French Pendule ’Cercle a tournant’. Louis XVI circa 1780. This ‘Cercle a tournant’ clock symbolising THE ALTAR OF VENUS . The revolving dial indicates hours in Arabic numbers alternated with finely cut and assembled paste rosettes. Mounted in a tuncated column decorated with a ribbon-tied laurel torus, a leaf frieze and a shield whose medallion at one bore engraved initials surmounted by a German Prince’s crown...

The enamel dial indicating the hours, minutes and date, bears the signature Godon a Paris. It is set in a footed vase of hard-paste Paris porcelain, with angular handles. Painted wit...

This is a fully-functioning late 18th century English bracket clock by Joshua Trewinnard of London. The moon phase dial was useful i...

This carved wooden clock is an example of excellent craftsmanship typical of Italy in the Neoclassical period, around 1790. The carved wood used to make it was skillfully carved by s...

This large and impressive clock is by the renown French Bronzier Lemerle Charpentier & Cie. It features Classical maidens holding a large urn form case surmounted by Cupid with his ...

Louis Seize pendulum with enamelled dial with Roman hours and Arabic minutes in a carved wooden case with gold-patinated elements.

Important ETIENNE LENOIR Clock 18th century French, 18th century in chiseled and gilded bronze. Mythological decoration representing the triumph of Neptune. Enamel dial with R...

The outstanding mantel clock is in the style of Louis XV – Louis Seize (1774-1792). Royal breath appears in each motif. Almost the entire upper part of the clock is inlaid with ormol...

Unusual pair of Gustavian corner clock cabinets, origin: Mora, Sweden, circa 1780 Each cabinet with matching working, tall case clocks decorated with four fluted diamond patterns an...

Late 18th century Carrara and black marble ormolu mantel clock, the white enamel dial with Arabic numerals signed „Poudra à Paris“, surmounted by ...

A Swedish 18th century birchwood clock with rectangular head, circa 1765. This clock retains it's original metal face, hands and movement. This clock features beautiful birch wood, ...

A fine and rare late 18th century George III period satinwood bracket clock of unusually large proportions, by Thomas Wright of Poultry in London, who was 'Watch-maker to the King.' ...

Important white marble “Cercles Tournants” mantel clock. Gilt bronze mounts attributed to Pierre Gouthière. Paris, Louis XVI period, circa 1775...

François Viger, reçu maître horloger reçu maître en 1744 Case Attributed to Robert Osmond (1711-1789), reçu maître fondeur en janvier 1746 Im...

Dieudonné Kinable Enamel Dial Attributed to Dubuisson (1731-1815) Exceptional Porcelain Lyre Mantel Clock from the Royal Sèvres Porcelain Manufactory Paris, late Louis XVI period, circa 1785-1790 Height 62 cm; width 26 cm; depth 16 cm The round enamel dial, signed “Kinable”, indicates the hours in Roman numerals, the fifteen-minute intervals in Arabic numerals, the annual calendar and the signs of the Zodiac, by means of four hands, two of which are made of pierced gilt bronze, the two others in blued steel. The magnificent lyre-shaped case is made of “bleu nouveau” Sèvres porcelain and finely chased and gilt bronze. The bezel is made up of a gilt bronze twisted rope; the pendulum is adorned with brilliant-cut paste stones; the body of the lyre is adorned with gilt bronze beading and with laurel leaf and seed motifs, with two rosettes issuing floral and foliate swags. The clock is surmounted by a mask with radiating sunrays. The spreading foot is decorated with beading and twisted rope motifs and a leafy garland. The en-suite decorated oval base is raised upon four flattened ball feet. The Royal Sèvres Porcelain Factory produced the lyre clock model as of 1785. Four colours were offered: turquoise, green, pink and bleu nouveau. These exceptional clocks were made for the connoisseurs of the time. Louis XVI had a similar clock in his Salon des jeux in Versailles; its dial bore the signature of the clockmaker Courieult (this is almost certainly the example illustrated in P. Verlet, Les bronzes dorés français du XVIIIe siècle, Paris, 1999, p. 41). Kinable, however, was the clockmaker who purchased the greatest number of lyre cases from the factory, and he developed the model in the late 18th century. Among the porcelain lyre clocks signed by this brilliant horologer, one example is in the Victoria & Albert Museum in London (illustrated in H. Ottomeyer and P. Pröschel, Vergoldete Bronzen, Band I, Munich, 1986, p. 252, fig. 4.6.26). A second such clock is in the Royal British Collection (see C. Jagger, Royal Clocks, The British Monarchy & its Timekeepers 1300-1900, 1983, p. 130, fig. 176). Bibliography: M. Gay and A. Lemaire, “Les pendules lyre”, in Bulletin de l’Association nationale des Collectionneurs et Amateurs d’Horlogerie ancienne, Winter 1993, n° 68, p. 5-40. Dieudonné Kinable (active circa 1785-1810) One of the most important Parisian clockmakers of the late 18th century. His shop was located at n° 131 Palais Royal. He purchased a great number of lyre-type porcelain clock cases...

A Very Fine Unusually Large Louis XVI Period antique French, Patinated and Dore bronze Mounted Figural Clock. A pair of maidens are mounted on either side of the clock, which rests o...