George III Mahogany Twin Fusee Verge Bracket Clock by Thomas Pace, London

George III bracket clock by H.Thomas, London Mahogany bell top case surmounted with hinged carrying handle and four brass ball finials stan...

Regency bracket clock in an arch top case with brass inlay and dentil moulding, side carrying handles and standing on four brass ball feet. Painted dial with Roman numerals and original spade hands signed ‘Memess, Trafalgar Square, London’. Glazed rear door to the fine quality eight day single fuse movement with arch shaped plates and ‘regulating’ pendulum. C.1820. ‘Watchmakers and clockmakers of the world’ by Brian Loomes...

Georgian Bracket Clock Mahogany brass bound case standing on a raised stepped plinth and resting on brass bracket feet with silk lined fishscale sound frets surmounted by a break arch with three brass bound pads with central mounted carrying handle. Silvered dial with Roman numerals, strike / silent feature above the twelve O c'lock and subsidiary dial for the calendar signed 'Geo. Turner, Honiton' Fine eight day twin fuse movement with four knopped pillars, striking and repeating at will on a large silvered top mounted bell. The movement retains its original verge escapement...

George II bracket clock by Thomas Wagstaffe, London Ebonised bell top case surmounted by a hinged brass carrying handle standing on a raised plinth...

Thomas Moss Fusee bracket clock, London, brass silvered dial signed by the maker. "Thomas Moss, London." A mahogany veneered case with brass trim and bracket top. The movement is an ...

A lovely late George III single pad ebonized eight-day, twin fusee table clock with original verge escapement and rack striking by O. Hamley, circa 1800-1815. The moulded single pad ebonized domed top case with original carrying handle is raised on all four of its original ogee bracket feet onto a detailed base moulding. Gilt-brass sound frets adorn the sides and front in a 'fish scale' pattern backed with bright burgundy silk. The enameled white dial displays Roman numerals, minute and quarter-hour markers housed inside a gilt-brass bezel and domed glass, signed Hamley, Warwick Place, London. The clock features a strike/silent switch on the front dial and a repeat to the right-hand-side. The backplate has border engraving and a short pendulum. Date: 1800-1815 O. Hamley is recorded in Loomes (2006) as being active, circa 1811. He also worked at Bedford Row...

An 18th century balloon shaped bracket or table clock by John Leroux of Charing Cross, dating from circa 1790. The waisted case surmounted by a brass pineapple finial over a drum housing the movement. The dial is behind a hinged convex glazed cast brass bezel to front and brass carrying handles to sides, over hipped concave-sided section forming the base. The front has an applied mount of a sunburst mask, the rear with keyhole shaped door incorporating fine scroll-pierced sound fret set within the frame of the case, on generous cavetto moulded skirt base incorporating break-arch recess to apron and with ogee bracket feet. The five knopped pillar twin fusee bell striking movement with rounded angles to the rectangular plates and anchor escapement regulated by a long bob pendulum with an effective length of approximately 11.5 inches, the backplate signed J. Leroux, London to centre, the 7 inch circular single sheet silvered brass Roman numeral dial signed Leroux, Charing Cross to centre, with fine pierced steel hands and Arabic five minutes to outer track. An identical clock is illustrated in English Bracket and Mantel Clocks by Andrew Nicholls...

A striking drum head bracket clock by Barraud and Lund of exceptional quality. The case is made of quarter sawn mahogany with a beautifully crisp silv...