German Renaissance Turret Clock

An incredibly rare 19th century horizontal table mystery clock with single hand by German clockmaker F.S. Rosenlehner of Munich. This fascinating antique timepiece...

The extraordinary beauty and superior craftsmanship of 17th century German clockmaking is on full display in this exceptionally rare horizontal tabletop timepiece dating to 1650 Augsburg. Created by Johannes Buschman the Younger, the eminent Buschman family of clockmakers are lauded for designing some of the finest timepieces to ever be created in the South German town of Augsburg during the late Renaissance and early Modern periods. A finely moulded ebony and turtleshell casing veneered in a mottled red hue holds the clock’s fusée and chain movement with verge escapement and balance with hogs-bristle regulation. A silver figure of Minerva, Roman goddess of war and wisdom, centers the Roman numeral-engraved chapter ring, indicating the time by pointing to the hour with an authoritative military staff as the sun rotates below her feet to indicate the minute. The incredible design is finished by a gilded backplate intricately pierced and engraved with a floral motif and the signature of Johannes Buschman. Clocks are one of the greatest and most important inventions of the Renaissance period, improving steadily into the Age of Discovery. Embodying a renewed interest in science, the arts and humanism, the first mechanical timepieces began appearing in the 14th century and were large, weight-driven devices placed in the turrets of public buildings that struck the hour and lacked hands and faces. This clock was created during the first period of household clocks, when spring-driven movements made it possible to create smaller and more complex mechanisms. Such creations, however, were a luxury accessible only to the wealthy upper classes. Affluent patrons placed pressure upon artisans to create more elaborate and ornate clocks...

This magnificent English longcase, or grandfather, clock boasts a fine rosewood case inlaid with an intricate, balanced design. The face is crafted of chased silver in a foliate motif with fully hallmarked numerals by London silversmith James Stedstone Gouldsmith. The clock is a three-train movement run by three silver-plated weights and a mercury pendulum. The three weights power the time, the hour chime and the quarter-hour chime, and the clock strikes on nine tubular bells with a choice of either Whittington or Westminster chimes. Known commonly as “grandfather” clocks, it was not until the late 19th century that longcase clocks garnered this name. According to the origin tale, two brothers named Jenkins owned the George Hotel...

The famed Patek Philippe crafted this spectacular gilt bronze cartel clock. The case is exuberantly embellished in the Louis XV style with scrolling foliate work and an argyle-patterned screen punctuated with rosettes. The decorative screen conceals a panel of solar cells on the front of the timepiece. These photoelectric cells, along with a backup lithium battery, power the caliber 17-250 mechanical movement. It tells the time on a white enamel dial with both Roman and Arabic numerals and ornate brass hands. The timepiece comes complete with its original fitted Patek Philippe box. Overall, this clock displays the lasting quality and style of this legendary Swiss firm. Patek Philippe is one of the world’s premier luxury brands and is widely regarded as the world's most prestigious watchmaker. Founded in 1851 by Polish watchmaker Antoni Patek and French watchmaker Adrien Philippe...

This elegant desk clock by Cartier features a soft blue guilloché enamel and gold frame. With Roman numerals marking the hours, the dial's radiant guilloché pattern is well-complem...

A work of exceptional detail, this magnificent Viennese clock takes the art form of enameling to new heights. The elaborately fashioned timepiece rests atop the head of a soldier, who stands on a pedestal populated by sphinxes. Exceptional details encase the entire piece, from the rooster finial to the gem-studded base. A hand-painted portrait of the heroic soldier on the reverse completes this stunning piece. Particularly popular during the 19th century, Viennese enamels...

An exceptional and highly important Louis XV style astronomical regulator clock, attributed to François Linke, after the model by Passe...

Each piece painted in underglaze-blue and heightened in gilding with an exotic bird perched upon peony branches, comprising: an oval soup tureen, cover and two stands, an 18" oval platter, six 13" oval platters, a 23.5" fish platter, a 21.5" fish platter, four vegetable dishes and covers, two two-handled sauce tureens, covers and stands, a similar smaller sauce tureen, cover and stand, two butter dishes and one cover, two cake stands (one as is), four leaf-shaped dishes, a pierced berry dish, a rectangular stand, two pairs of figural double salts, a shell-shaped pickle dish, a pair of reticulated sweetmeat...

This ormolu clock is an exemplary work by the famous French 19th century metalworker and foundry-owner, Ferdiand Barbedienne. Working with a design made by the acclaimed onamentalist, Louis-Constant...

Art Nouveau silver, crystal, and pate de verre table centrepiece by Falize, French, 1902 Measures: Height 35.5cm, width 150cm, depth 52cm This exceptional piece demonstrates the...

Charles II walnut and mulberry marquetry cabinet on giltwood stand, c. 1650-1670. Giltwood cresting and stand appear to be from a few decades later. The form of furniture now described as a cabinet developed across Spain and France in the 16th Century. In architecture, a cabinet is a small private room for the housing or display of precious objects, hence the term could be aptly applied to the small, portable pieces of furniture made for the carriage and display of valuable items and able to stand upon a table, trestle stand...

A unique monumental Louis XVI Style giltwood centre table with a Brèche Violette marble top by François Linke. French, circa 1914. Giltwood furniture by Linke is not only rare, but can be difficult to identify as it tends to be unmarked. This table can however be confidently attributed to Linke, as an early black and white photograph of the piece, Linke index no. 2575, survives in the Linke Archive (see page 428 pl. 501, in Christopher Payne: François Linke, 1855-1946, The Belle Époque of French Furniture). The only one of its kind known to have been produced, it was carved for Linke in May 1914 by the outworker Derivry. It formed part of the important commission of furniture ordered by the Italian born Argentinean banker Antonio Devoto...

Gilt bronze and Sèvres style porcelain Louis XVI style casket on stand This magnificent Louis XVI style ormolu casket is supported by a mirror-topped table stand, which sits on four tapered, fluted legs connected by a curving X-form stretcher. In the centre of this stretcher is an ormolu urn decorated with rams heads, four hoof feet and birds on the top. The legs of the table are also ornately decorated with draped garlands and scrolled detailing. The apron is inset with Sèvres style porcelain plaques depicting scenes of cherubs and children in landscapes as well as decorative floral detailing, and is surmounted with laurel leaf mounts. The casket itself is of oval architectural form, and is set on fourteen small feet. It features further porcelain plaques depicting cherubs, musical instruments and a central oval portrait of Queen Marie Antoinette within a crowned gilt cartouche. Her portrait is flanked by two cherubs and is sat within a decorative royal blue border, matching the turquoise colored borders of the other plaques. The reverse of the casket is similarly decorated and features a painted plaque of her husband King Louis XVI. The plaques are separated by mounted ormolu columns decorated with crowns and draped laurel leaves, and each column is surmounted by floral crowns. Each curved side of the casket features an ormolu mask of a female figure, and the hinged lid is surmounted by two reclining female figures wearing draped dresses and holding a central crown. The casket opens at the lid to reveal a velvet interior. There is an inscription below the portrait of Marie Antoinette which spuriously reads ‘This casket formerly property of Marie Antoinette, presented to my beloved wife as souvenir of our European tour / Sept 8th 1886 / Louis L...

An Exceptional Exhibition Austrian Neo-Baroque Carved Mahogany Bed The Foot and Headboard Finely Carved With Figural Crests and Inset with Gilt-...

One large compote, one medium sized compote, pair of low compotes, 12 plates.

Set of four large gilt bronze mounted Chinese porcelain vases Porcelain: Chinese, 19th century Gilt bronze: French, 20...

circa Early 20thc Monumental French Iron Brille Electrique Turret Clock Facia Excellent patination sku 1281 W121 x D4 x H123 cm

French Renaissance style gilt bronze and enamel mounted onyx standing clock French, late 19th century Height 126cm, width 36cm, depth 29cm This colorful longcase clock was created in France in the late 19th Century. It has been crafted from red marble and green onyx and decorated with gilt bronze and champlevé enamel. The clock consists of a circular enamel dial, mounted onto a cube-shaped case, placed on a tall body which is set on a short marble plinth. The circular clock dial features Arabic numerals and is ornamented with gilt bronze and colourful champlevé enamel designs. This is set within a circular gilt bronze and enamel frame and mounted onto the green onyx block. The corners of the block are lined with gilt bronze bands, and the sides are set with circular, gilt-bronze-framed champlevé enamel forms. The clock case is surmounted by a slim projecting green onyx and red marble top. This is edged with curvaceous champlevé enamel forms with gilt bronze drop-finials, which imitate fabric. This clock case is mounted onto a slim, red marble slab...

German Meissen (19th Century) porcelain group of men and women with floral and bronze branches around mantel clock (not working)

- Germany Kienzle wall clock from 1930. - The clock is mechanical and they is wounding up with the key. - The chimes were proffessionaly clean ...

Black Forest German clock, circa 1870 Carved in Switzerland.

Table clock German, 19th century XX , wooden box covered with "de Boulle" marquetry, inlaid in metal Gold and pierced metal inserts, representing plant ...