Louis XV Style Porcelain Clock Attributed Samson & Cie, France, circa 1880

Pair of Louis XVI style baluster shaped covered vases attributed to Samson & Cie, made in porcelain with green background and gold dots, flanked by two applied handles made of white ...

Bearing the mark AR interlaced A pair of large Chinese style white porcelain baluster shaped vases and covers attributed to Samson & Cie. Each finely painted with polychrome 18th c...

Black and red marble pyramid shaped Egyptian style clock attributed to G. Servant, surmounted by a patinated bronze figure representing the Egyptian goddess Isis sitting on her throne. Wearing the Hathor hairdress (the solar disc surrounded by the sacred cow horns), she holds in her right hand the Ouadj, the goddesses scepter surmounted by a canopy of papyrus, symbolizing health and eternal youth and in her left hand, the cross of life Ankh, symbol of rebirth and eternity. That Egyptian style in fashion since Napoleon the First and his military campaigns in Egypt around 1799 was rediscovered in France in the 1830's and above all in the 1860's. Some renowned French artists, such the sculptors and bronze-casters Guillaume Denière (1815-1903), Emile Hébert (1828-1893) et Georges Servant (1828-1890), presented at the 1867 and 1878 Paris Universal Exhibitions, an a-part section dedicated to their Egyptian style production. Their shows drew then considerable attention from the public and the wealthy collectors. During the 1867 Universal Exhibition, one could admire the Stand realized by the French silversmith-jeweller Gustave Baugrand (1826-1870), where his works executed in most Fine materials took inspiration from the Egyptian Antiques, exhibited then in the Louvre museum. Georges Emile Henri Servant (1828-c.1890), who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860’s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York. But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...

Large veneered wood flat desk attributed to G. Durand, opening with three frieze drawers. Mounted with Rocaille style chiseled ormolu representing shells, foliage and flower garlands. Raised on four cabriole legs ornamented with chiseled ormolu. This flat desk is inspired by the one executed by the cabinet-maker Joseph Baumhauer, which was offered by King Louis XV to Empress Elisabeth...

A breathtaking antique French Belle Époque period (1871-1914) porcelain mounted mixed metal mantel clock. Born in France in the late 19th / early 20th century, fine quality Parisian work, exceptionally executed in luxuriously opulent 18th century Louis XV Rocaille taste, finished on all sides so it can be placed anywhere in the room, featuring a visually striking sculptural floral fiolate adorned gilt metal case, heavily embellished with fine porcelain flowers...

A fine 19th century french Louis XV style ormolu-mounted mahogany grandfather clock, having wonderful gilded ormolu mounts, with three cherubs in clouds around the white and black en...

A very fine and most attractive 19th century French Louis XV Rococo Style ormolu and porcelain mantle clock, modelled as an urn with floral finial and goat head masks to the sides, o...

French Louis XV-style (19th Century) large bronze dore wall clock with two figures on top and floral trim. (Not working)