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Renaissance Horizontal Table Clock

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Buschman “Minerva” German Horizontal Table Clock
Located in New Orleans, LA
The extraordinary beauty and superior craftsmanship of 17th century German clockmaking is on full display in this exceptionally rare horizontal tabletop timepiece dating to 1650 Augsburg. Created by Johannes Buschman the Younger, the eminent Buschman family of clockmakers are lauded for designing some of the finest timepieces to ever be created in the South German town of Augsburg during the late Renaissance and early Modern periods. A finely moulded ebony and turtleshell casing veneered in a mottled red hue holds the clock’s fusée and chain movement with verge escapement and balance with hogs-bristle regulation. A silver figure of Minerva, Roman goddess of war and wisdom, centers the Roman numeral-engraved chapter ring, indicating the time by pointing to the hour with an authoritative military staff as the sun rotates below her feet to indicate the minute. The incredible design is finished by a gilded backplate intricately pierced and engraved with a floral motif and the signature of Johannes Buschman. Clocks are one of the greatest and most important inventions of the Renaissance period, improving steadily into the Age of Discovery. Embodying a renewed interest in science, the arts and humanism, the first mechanical timepieces began appearing in the 14th century and were large, weight-driven devices placed in the turrets of public buildings that struck the hour and lacked hands and faces. This clock was created during the first period of household clocks, when spring-driven movements made it possible to create smaller and more complex mechanisms. Such creations, however, were a luxury accessible only to the wealthy upper classes. Affluent patrons placed pressure upon artisans to create more elaborate and ornate clocks...
Category

Antique 17th Century German Renaissance Table Clocks and Desk Clocks

Materials

Silver

Cartier Art Deco Table Clock
By Cartier
Located in New Orleans, LA
This Art Deco period table clock by Cartier is an extremely rare find and in a class of its own. Crafted of black lacquer, no detail was spared by the famed firm in creating this hig...
Category

20th Century French Art Deco Table Clocks and Desk Clocks

Materials

Silver, Brass

Gübelin Turtle Mystery Clock Table
By Gubelin
Located in New Orleans, LA
Turtle Mystery Clock Table Gübelin Crafted 1926 A marvel of horological ingenuity, this rare Gübelin turtle mystery table clock is one of only several ...
Category

20th Century Swiss Table Clocks and Desk Clocks

Materials

Marble

Patek Philippe Cartel Clock
By Patek Philippe
Located in New Orleans, LA
The famed Patek Philippe crafted this spectacular gilt bronze cartel clock. The case is exuberantly embellished in the Louis XV style with scrolling foliate work and an argyle-patterned screen punctuated with rosettes. The decorative screen conceals a panel of solar cells on the front of the timepiece. These photoelectric cells, along with a backup lithium battery, power the caliber 17-250 mechanical movement. It tells the time on a white enamel dial with both Roman and Arabic numerals and ornate brass hands. The timepiece comes complete with its original fitted Patek Philippe box. Overall, this clock displays the lasting quality and style of this legendary Swiss firm. Patek Philippe is one of the world’s premier luxury brands and is widely regarded as the world's most prestigious watchmaker. Founded in 1851 by Polish watchmaker Antoni Patek and French watchmaker Adrien Philippe...
Category

Mid-20th Century Swiss Other Wall Clocks

Materials

Bronze

Viennese Enamel Soldier Clock
By Tobias Katzenberger
Located in New Orleans, LA
A work of exceptional detail, this magnificent Viennese clock takes the art form of enameling to new heights. The elaborately fashioned timepiece rests atop the head of a soldier, who stands on a pedestal populated by sphinxes. Exceptional details encase the entire piece, from the rooster finial to the gem-studded base. A hand-painted portrait of the heroic soldier on the reverse completes this stunning piece. Particularly popular during the 19th century, Viennese enamels...
Category

Antique Early 19th Century Austrian Other Mantel Clocks

Materials

Multi-gemstone, Enamel

Joe DiMaggio's Presentation Desk Clock
Located in New Orleans, LA
From the personal collection of the legendary Joe DiMaggio, this incredible vintage desk clock was presented to the Yankee Clipper by Harrah's for his par...
Category

20th Century Swiss Other Table Clocks and Desk Clocks

Materials

Brass

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Renaissance Revival Enamel and Gilt Bronze Mantel Clock
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Renaissance Revival enamel and gilt bronze mantel clock French, late 19th century Size: Height 53cm, width 29cm, depth 22cm The mantel clock i...
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Renaissance Style Gilt Bronze and Enamel Mantel Clock
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Renaissance style gilt bronze and enamel mantel clock French, late 19th century Measures: Height 53cm, width 28cm, depth 23cm This exquisite mantel clock is crafted in the idios...
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A Monumental Renaissance Revival Clock Garniture, Attributed to Feuchère
Located in Brighton, West Sussex
A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...
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Omega G Table Clock
Located in NEW YORK, NY
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Omega G Table Clock
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