Table clock. Bronze. 1990s, modeled after August Moreau.

Table clock, Apollo. Bronze, marble. Model of Lenoir-Ravrio, Louis-Stanislas(1783-1846). Paris, around 1820. Table clock composed of a staggered rectangular base made of red veined...

Table clock, Aníbal Barca. Ormolu bronze, metal. France, 19th century. Table clock with Paris machinery and a case made of mercury-gilded bronze. in mercury-gilded bronze, with a rectangular base on four rectangular base on four legs (the front ones decorated with scrolls and decorated with scrolls and ending in claws), decorated with a series of mouldings in relief with vegetal and architectural elements. vegetal and architectural elements in relief. The dial The dial (metal with Roman numerals for the hours) is set within a square shape, on which sits the male figure that decorates the piece. A bearded man, dressed in armour (a muscular loriga or cuirass) and a cape fixed over one shoulder with a fibula, resting his left arm on the helmet holding a rolled-up document, and with his left hand document, and with his left hand he holds a Roman standard (another Roman standard (another is broken, under his foot). Note, to the right and next to a sword, a vase full of rings. vase full of rings. Hannibal Barca (247-183 BC) was a Carthaginian general and statesman who was well known for his Carthaginian general and statesman, well known for his the ancient Roman Empire. No He was often depicted as counting the rings of fallen Roman knights in the fallen Roman knights at the battle of Cannas (216 BC). , as can be seen in the sculpture by sculpture by Sébastien Slodtz (made in 1704, Louvre Museum, Paris), where he also carries a Roman banner. Roman standard. With these two elements (vase with rings and with rings and a banner) is also shown on a table clock...

Table clock made of gilded bronze with a powerful base, enhanced with legs decorated with vegetal and architectural motifs of classicist inspiration and a series of details on the fr...

Table clock. Gilt and blued bronze, marble base. Possibly France, late 19th century. Working. Table clock with Paris machinery in working order that has a rectangular light marble base with the front slightly forward to allow space for the clock case. It has a white dial, Louis XVI type hands and Roman numerals for the hours and Arabic numerals five by five for the minutes. This part is sheltered in a golden marble pedestal, which has a base of Greek fretwork...

A bronze figural clock by Deniere, Paris, circa 1870. Modeled as Cupid seated on his bow and quiver, a dove at his rear, the enamel dial signed Deniere Ft...

Victorian style gilded spelter figural mantel clock from the Mid -20th century. Featuring a well-cast bronze figure of a young boy / child dressed in Victorian era garment, sheaves ...

Gilded and chiseled bronze clock. On the large rectangular base there is a scene with mythological divinities in relief on a finely chiseled background. Decorations with plant motifs...

After Mathurin Moreau (French, 1822-1912) Patinated Bronze and White Marble Figural Clock, late 19th century, surmounted by two embracing muses, on a cir...