Glass Desk Accessories

Seal Stamp "Soucis" made in yellow amber glass by René Lalique in 1931. Engraved signature on edge. Perfect condition.  height: 8.5 cm Félix Marcilhac, René Lalique - Catalogue Ra...

Elegant Art Deco 1930's Monochrome Desk Set. Befit With Two Engine Turned Inkwells with Glass Linings and Lids That Retract. Fixed Pen Tidy and A Central Calendar. With A Green Baiz...

A superb 20th Century perpetual desk calendar, made from mahogany. Featuring four knobs on one side, these are used to move forward and rewind the day and date behind three glazed ap...

Art Deco Desk Set is a captivating blend of timeless elegance and functional design. The centerpiece of this ensemble is the charming Penguin Statue, reminiscent of the iconic design...

Fantastic three-piece Czechoslovakian dresser set from 1930s. The dark green glass with deep cut cherubs playing music framed in bronze is so beautifully d...

Charming and Unusual Art Deco / Folk aRT Candy Store National Cash Register, stenciled and painted.. Great little decorative item.. Fully functional.. Retains original stenciled and ...

Art Deco Unigraph Desktop Weather Station. Featuring a Barometer, Thermometer & Calendar In A Chrome Frame With Black Painted Base Reg. No 843105 Art Deco 'Unigraph' desk weather station...

Very rare and amazing pewter inkstand with glass tube by Nils Fougstedt, adorned with a flute playing, crosslegged Pan figurine -1930. Good vintage condit...

A desk clock designed by Jaz Paris. A beautiful and very handsome desk clock, created in Paris France by the the clock company of Jaz during the art deco period, back in the early 1930. This very decorative piece is very hard to find has been designed with geometric art deco patterns and assembled from an octagonal beveled cranberry glass and stainless steel steeped mountings. Deceptively weighty time piece showing the quality that one expects from this maker. Movement: French mechanical wingding Jaz movement, Eleven Jewels, 8 days. The dial is round with metallic cranberry color, Arabic silver...

Original French Art Deco Chrome Table or Desk Lamp Inset With Purple Stained Glass Panels & Boom Arm Pivotable Shade - 1930s Has been Pat Teste...

French designer Jacques Adnet (1901 - 1984) designed this elegant Art Deco modernist chromed metal heavy desk accessory. The piece features a minimalist geometric shape double inkwel...

A large and impressive vintage Italian Murano glass paperweight made by Arte Vetreria Muranese (A.V.e.M.) and dating from around 1935. The large hand blown domed clear glass paperwei...

Paperweight" Taureau Sacre" made in frosted glass with sepia patina by René Lalique in 1938 for the Royal Dutch Mail. Acid-stamped signature and entitling on bottle. Edition limi...

Art Deco desk set with ink wells & calendar. Modernist design with glass base and streamlined metal with black vitrolite glass tops for the ink wells...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Cartier, Paris A remarkable and most likely unique Sterling silver table lighter in the form of a 1930s gas street lamp. The tapering lantern reflector with blue and frosted glass panes, holds the wick which is revealed by removing the chained silver finial...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Salviati & C Measures: Violet : 33 long x 10 high x 5.5 depth Green: 30 long x 9 high x 5.5 depth The lawyer Antonio Salviati and his dream In 1859 in his premises at Number 731 of Dorsoduro, Venice the “Salviati Dott. Antonio fu Bartolomeo” company was established. This is when, Vicenza-born lawyer Antonio Salviati started the entrepreneurial career, moved by a passion for the precious mosaics of the Basilica of San Marco and fascinated by Murano glass art, he decided to start-up his own production of mosaics and objects in Murano glass. An ambitious and far-sighted goal pushed him along this path: to revive the fate of Murano glass production that has been fallen for decades. A challenge which finds the maximum support from two fundamental figures in the history of Murano glass: the mayor of the island, Antonio Colleoni, and the Abbot Vincenzo Zanetti, founder of the glass museum and of the first art school for glass masters. The first successes and international investments The launchpad was the “First Glassmakers’ Exhibition” in 1864 in which Salviati participated with a monumental mosaic that earns him a prize superior to the Gold Medal. The success achieved affirmed the credibility of the Company which thus started its glass production in Palazzo da Mula. The new corporate and productive reality needed investors and the lawyer started to internationalise the company by addressing the economic and financial market across the Channel. The UK immediately showed huge interest in Salviati’s mosaics – as testified by the mosaic that can be seen on the façade of the current Apple Store in Regent Street, London. It was also in London, on 21st December 1866, that the “Società Anonima per Azioni Salviati & C.” was established with the support of diplomat Sir Austen Henry Layard and historian William Drake. The new corporate set-up was further established with the purchase of a new headquarter, this time on the Riva dei Vetrai in Murano. The universal show of Paris in 1867 celebrated the relaunch project of Antonio Salviati “Venice owes a debt of gratitude to the knight Salviati in the resurgence for one of the most legitimately famous of its industries”. From Esposizione Illustrata di Parigi, 1867 pg. 275. “Venice and Italy have gain huge success in the Universal Exhibition. The resurgence of one of the city’s most famous industries is consecrated in this very occasion by the gold medal awarded by the jury to Mr Salviati […] the crowd […] is gathering around the display cases that hold those pieces of glass that are so transparent and so light as to appear like woven air, impregnated, when in their elegant forms that become rainbows of those iridescent reflections that cover them at the artist’s whim – the author of a real ray of sunshine from the beautiful and splendid Venice”. From Esposizione Illustrata di Parigi, 1867 pg. 311 The fundamental role of training in murano glass Training plays a fundamental role for the Company; attendance at the Art School was made compulsory for “[…] all the young workers of the Factory who don’t only tire themselves in manual work. This was established with the idea not only to lift their dignity and their initially limited aspirations, […] but also to improve their artistic education and thereby facilitate an improvement also in their economic situation”. Together with the art school, a free school was also set up to teach all employees to read and write. Diversification in production and made-to-measure projects In a short time, Salviati & C. diversified its production to include glasses, cups, amphoras, and vials which guaranteed the first prize in the universal exhibition for three consecutive years. Its mosaic production also flourished, being used in world-class projects: from the Houses of Parliament in London, to the Viceroy’s palace in Alessandria in Egypt, to the Opera House of Paris, including the private homes of wealthy New York personality. The entire 19th century for Salviati & C. was represented by development, success and fame in the national and international markets, and the Company became a symbol and reference point of Murano glass art throughout the world. The Salviati legacy at the turn of the century On the death of Antonio Salviati in 1890, first his three children followed one another at the helm of the company and then Maurizio Camerino, previously general manager. It was thanks to him that the decorative mosaic project of the Stanford Memorial Church in Palo Alto (California, USA) took place after 12 years of work. As well as the opening of a sales point in Via Montenapoleone in Milan and the institution of a museum collection of Murano glass from the 19th and 20th centuries. The post-war years, biennials and lighting After Maurizio Camerino’s death in 1931, his three children took over the helm of the company: its solid foundations allowed them to strive for new important goals in the art world, participating in the Biennials of 1932 and 1934. Not even the Second World War could tarnish the strength of the Salviati brand: in the post-war years Renzo Camerino renewed the ruined production headquarter and enthusiastically restored all his commercial contacts. Thanks to his grandson Renzo Tedeschi (newly graduated in Engineering at the Polytechnic of Turin and upon his return from an apprenticeship in the United States), Salviati launched its production in lighting appliances. The following years saw intense growth in the number of collaborations with renowned artists and designers. In 1959, the production site was moved to Fondamenta Radi 16, where it still stands today. The great lighting projects The larger production area allowed the company to further expand the international market in the field of architectural lighting. A number of projects were undertaken, such as the 9-tonne, 22-metres high chandelier in the Chamber of Commerce in Parma, the ceiling illumination in the premises of the World Intellectual Property Organisation in Geneva and the Kowloon Hotel in Hong Kong; not to mention the sound-absorbing windows of the Aula Nervi in the Vatican and the lighting system of the great honour hall of the Philippine Plaza Hotel in Manila in collaboration with architect John Marsteller. The reputation of Salviati & C. was further affirmed by the commission – after an international call for bids – for twelve 11-metre high chandeliers for the Tonhalle concert hall in Dusseldorf, made using an innovative system of modular glass elements – “LS- System” – one of the today company’s cornerstones. Salviati from the modern age to the present The story of Salviati continues in the modern era, keeping the focus on creating an innovative style that had distinguished it since its inception. Participation in international exhibitions increased, such as the Venice Biennials from 1958 to 1972 (the final year in which Murano glass was allowed) thanks to projects by designers of the calibre of Betha and Teff Sarasin, Claire Falkestein, and Luciano Gaspari. In 1962 Salviati was awarded with the highest recognition in the Design world, the “Compasso d’Oro” prize assigned by A.D.I. for the Marco vase designed by architect Sergio Asti. In 1965 the company changed its name to Salviati & C. s.p.a.; then it was purchased by the Gruppo Ferruzzi in 1987 which later on it was transferred to a French company. Since 2015 the company returned to be Venetian with the acquisition by the Umana group. Salviati and its designers Salviati’s designers: Luciano Gaspari, Sergio Asti (Compasso d’Oro 1962), Claire Falkenstein, Ward Bennet, Teff and Betha Sarasin, Ingo Maurer, Ross Lovegrove, Amanda Levete, Tom Dixon, Nigel Coates, Thomas Heatherwick, Luca Nichetto, Ben Gorham...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'V...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Art Deco desk set in black leather, brass and glass. The leather with contrast saddle stitching is handcrafted and exquisitely done using brass elements that give the set a luxuriou...

Vintage Notre Dame De Lorette copper double inkwell, France 1930, H556 France 1930 Copper + Glass Central Monument Pair of pictured lids with glas...

Antique brass inkstand, rectangular base, Scotland 1930, H559 Scotland 1930 Brass + Glass Rectangular base with a square crystal inkwell with brass lid Pen holder to the front Dec...

Ink-stand designed by Nils Fougstedt. Produced by Fabriksaktiebolaget Kronsilver in Sweden.  

Stylish desk set made in France, it's in wood and metal, composed by an inkstand and a mail holder. Inkwell dimensions cm 30 x 13, height cm 19.  

1930s Curt Schlevogt, Ingrid collection Bohemian Malachite glass dresser set Czechoslovakian moulded in deep relief Bohemian malachite glass dresser set by Curt Schlevogt from the...

This sophisticated Art Deco Machine Age desk set was realized by the celebrated American maker, Victor, circa 1930. It features a inkwell/pen holder, a blotter and a clock. The inkwell offers a square body composed of translucent Lucite with a cylindrical depression in the centre intended for storing ink and a cobalt mirrored...

Charming and unique little desk accessory. Picket fence letter rack, place to hold a pen, and a lovely silver plate top inkwell. Feather pen.

Art Deco triple mirror adjustable forward and backward motion featuring three bevel mirrors, wonderful scale and proportion, metal, Industrial yet sleek, elegant design, mint origina...

Seal "Soucis" made in clear and frosted with blue patina by René Lalique in 1931. Engraved signature.  Perfect condition. Measures: height: 8.5 cm Félix Marcilhac, René Lal...