Stone More Desk Accessories

Along with paper, ink, and inkstone, the brush is one of the Four Treasures of the scholar’s studio. Arguably the most important tool, the brush served as a direct link to the artist...

Along with paper, ink, and inkstone, the brush is one of the Four Treasures of the scholar’s studio. Arguably the most important tool, the brush served as a direct link to the artist...

Mughal ladies Tom Pouce lighter designed by Cartier. Fabulous and extremely rare ladies cylindrical gasoline lighter. Created in Paris during the art deco period by the house of Cartier, back in the middle of the 1920's. This miniature Tom Pouce lighter, takes its name from the classic short fairy tales by the Grimm's brothers, Tom Thumb (Tom Pouce being the French translation). It was crafted with Champlevé colored enamels over rustic bronze and accented with details in yellow gold of 18 karats. Embellished with natural lapis lazuli and an emerald. The main outside body is decorated with organics elements and figures of red and blue birds. Gorgeous look and surely a great conversation piece which is accompanied by the round Cartier red box. Champlevé, in the decorative arts, is an enameling technique or an object made by the champlevé process, which consists of cutting away troughs or cells in a metal plate and filling the depressions with pulverized vitreous enamel. The raised metal lines between the cutout areas form the design outline. Emerald: Accented on top in a bezel setting, with 1 square faceted cut of a natural green emerald of about 0.15 carats. Lapis: Mount with 1 flat round cabochon cut, carved from lapis lazuli of about 1.25 carats. Birthstone: Emerald for the month of May. Weight: 21.95 Grams, (14.07 Dwt). Measurements: Have a diameter of 16 mm and a height of 33 mm (0.63 x 1.30 Inches). Hallmarks Stamped with the maker's mark, the serial numbers, the French taxation mark for luxury items BL inside a rectangular cartouche and signed, "CARTIER 5554", stamped with matching cases numbers, 13 & 13. Ministere Des Finances Lighter Tax 1911-1945 Note: On 10th December 1910 the French state adopted a new tax regulations on all devices indented to produce spark or fire by friction, or by any other means, and of the combustion of a flammable substance. Since 1st January 1911 every lighter in France that was intended for sale in the French market had to be taxed and adequately marked. To confirm that the excise duty was paid to the Ministry of Finance a special duty metal plate (stamp) was attached (usually welded) to the lighter by the lighter manufacturers. The fees charged by the French state were high but the tax rates levied by the state were varying depending on the type and finish of the lighter. Following tax rates were used: 2 French francs for common pocket lighters, 5 Fr for pocket lighters made of silver, 20 Fr for luxury pocket lighters (e.g. made of gold), 5 Fr for common table/desk lighters (over 10 cm), 10 Fr for table/desk lighters (over 10 cm) made of silver, 50 Fr for luxury table/desk lighters (over 10 cm) made of gold or platinum. Between 1911 and 1916 a simple copper plate was used which had the date 1911 engraved. Later, between 1916 and 1945 a new plate (undated) was introduced with the letters "C" and "I" (stands for indirect taxes) and a profile of Mercury (patron god of financial gain, commerce and messengers) with an inscription "Ministère Des Finances" (eng. Ministry of Finance). Two shapes were used for the plate – oval for table lighters, the other one for pocket lighters. Additional to the two duty plates a marking "BL" (Briquet de Luxe, eng. luxury lighter) was introduced in 1926. It was a small hallmark which was considered as more discreet and applied only on luxury lighters like Quercia or Lancel. It is worth to mention that France was not the sole country where lighters were taxed and marked with special plates...

The extra large, extraordinary 17" Chinese calligraphy brush captivates with its fusion of history, symbolism, and artistic finesse. Comprising a collection of seven jade Archer's ri...

A beautiful 1.2 lb malachite box. The box is made of gemstone malachite with spectacular natural swirls and patterns. A remarkable objet d'art of quality, luxury and sophistication. ...

This exquisite coral-form picture frame was realized by the esteemed artist Claude Victor Boeltz in France. They are among artists 24-karat gold plated "exploded-bronze" pieces made ...

The red marble sarchophagus mounted on a slate base. Removing the top reveals an empty well.

Unique marble and brass sculptural paper weight of a dog or animal.

Catch loose change or other odds and ends with this pair of 19th century decorative tazza dishes. Crafted in France circa 1880, each compote sits on a square green marble base with r...

Bronze Sculpture Lioness / Roger Godchaux Jewish Artist & Susse Lost Wax Bibelot . An important bronze sculpture By the great Jewish Bronze Master animalier , Estampille 1- Cire perdue Lost Wax Stamp "La Lionne" by Roger Godchaux. See Photo 2- 2- With A Stamp of Susse. See Photo 3- 3- the signature of the Artist on the bronze. See Photo Incredible Executed and very fine details with Dark Brown Patina with a hue of green . The movement of the lionesse is very graceful and sinuous (as most of the lion Sculpture he produced) Mounted on a black stone base 5 1/2" x 11 1/2" Antique Dealer West Hollywood CA Melrose Ave La Cienega Blvd. Godchaux Né à Vendôme le 21 décembre 1878 et mort le 6 mars 1958 à Paris. Roger Godchaux Sculpteur animalier regularly produces animal drawings and paintings. Thus, unlike his sculptures which mainly represent wild animals, especially elephants and felines that he was going to study at the Jardin des Plantes, his paintings are often inspired by farm animals that he could observe in a small village of Brie where lived the mother of his companion. He also paints commissioned portraits or portraits of his family or friends, such as Gaston Switzerland or René Huchet . But it is above all a sculptor. He made some works by direct carving of the wood. However, he mainly worked by modeling the earth. It treats surfaces by smoothing and oblique streaks. In this respect, unlike other animal sculptors like Édouard-Marcel Sandoz , François Pompon or Armand Petersen whose works are smooth, his work is close to the art of Paul Jouve which leaves apparent textures. The lioness is finished with Godchaux’s distinctive surface modeling where the flesh is left textured like a wax model on the artists bench, still being formed and tooled. Godchaux’s animal work is characterized by gentleness and a sensitivity towards his subjects that showcases their playfulness and personality. This is captured beautifully in the present example where her curiosity and intensity of focus are fully developed; the anatomical and muscular realism is noteworthy. The naturalistic base is signed in his standard script “Roger Godchaux” and is also signed “Susse Fres. Edit. Paris” with the Susse cachet; a tiny stamp “France” is impressed into the edge below the cachet. Models in mud are most often cast plaster. It is often in this material that he exhibits in Salons and galleries. The works for sale are cast in bronze. They are entrusted to famous founders like Susse , with whom he signs publishing contracts, or Valsuani . He also works with lesser known smelters like Gatti, Andro or Planquette. Some of his bronzes do not wear a cast iron seal. While there are some large models, most are modest in size, easily finding their place in collectors' homes. Some of his works are terracotta or sandstone. Models were published by Susse both in bronze and terracotta. Terracotta remains raw or is glazed. He also worked at the Sèvres factory in the late 1930s. Roger Godchaux , born in Vendôme on December 21 , 1878 and dead the March 6 , 1958in Paris , is a painter , draftsman and sculptor of animals French . If all domestic and wild bestiary is part of his artistic universe, it is the wild beasts and elephants that have been his favorite subjects. Figurative sculptor, he represents the animal without artifice, in his attitudes of everyday life. Roger Godchaux's father is an antique dealer. His mother, Jeanne Godchaux, is a concert pianist. He has a brother Yvan with whom he studies in Vendôme under the care of his maternal grandparents, music teachers in high school. Having joined Paris, he prepared in 1894 admission to the School of Fine Arts . He soon turned to animal art . He became a pupil of Jules Adler and Jean-Léon Gérôme . In 1896, he is a pupil of the Julian Academy . Great admirer of Antoine-Louis Barye , he will build a collection of works produced in the workshop of the master 1 . In 1905, he began to exhibit in Paris. He regularly participates in the Salon des artistes français . In 1914, he was mobilized in Saint-Lô . Reformed, he is assigned to the offices of the Ministry of War. During this period, he put his drawing skills at the service of propaganda for the Allies. After the war, he saw rue Descombes . He resumes the exhibitions at the Salon des artistes français where, in 1922, he won the bronze medal. The state orders two bronze plates for the Army Museum Library . In 1924, his second companion gives him a daughter, Luce. In 1925, the jury of the International Exhibition of Modern Decorative and Industrial Arts awarded him a silver medal. In 1927, he won the contest of car manufacturer Chenard and Walcker for the creation of an emblem for their cars. In February 1928, the State bought him a bronze sculpture: Elephant , exhibited at the National Salon of animal artists, of which he becomes the treasurer in November of the same year. It was at this time that the Newark Museum in the United States bought him works. It was also in 1928 that he won the silver medal at the Salon des artistes français. In 1929, the state bought him a sculpture ( Pigeon ) again. During the inter-war period, he exhibited regularly in various galleries: Galerie Charpentier , Galerie Georges Petit , Galerie Edgar Brandt , group of animals of the Malesherbes Art Gallery. He has friendly relations with other animals, including Henri Valette and Gaston Switzerland, with whom he regularly works at the Jardin des Plantes . In 1937, he signed a contract with the Manufacture Nationale de Sèvres for the edition of terracotta. During the Second World War , he stayed in Paris and continued to work in his studio on Boileau Street , but was forced to wear the yellow star . He lives with his girlfriend and daughter Avenue de La Motte...

Antique Victorian Brass and Scottish Agate Postal scale with Weights, Circa 1865-1870.

A stunning malachite box with a fantastic stripe pattern resembling images of inside of a cave. This exceptional piece uses carefully selected fine grade gemstone malachite in brilli...

FACTORY / HOUSE: E. Gubelin Watch Company STYLE / REFERENCE: Table Clock METAL / MATERIAL: Stone CIRCA / YEAR: 1930's DIMENSIONS: 5" x 5" MOVEMENT / CALI...

FACTORY / HOUSE: Asprey London STYLE / REFERENCE: Strut Desk Clock METAL / MATERIAL: Polished Beveled Agate and Nickel CIRCA / YEAR: 1920's / 1930's DIMENSIONS / SIZE: 9.5" X 5.25"...

Brass Accented Crystal Prism Tray by Dainte Dimensions: D 26 x W 28 x H 4 cm. Materials: Crystal and brass. The decorative prism tray is designed to fascinate and delight. Creating ...

A beautiful, polished rock crystal Obelisk sculpture, in the Modern style, circa 20th century. Piece is hand-carved and polished smooth from one piece...

A Fantastic 19th Century French Louis XVI Style Dore Bronze Mounted Blue Opaline Crystal Box. The box is composed of two sections of French opaline crystal which are mounted to a fa...

Perfume bottle designed by Elsa Peretti (1940-2021) for Tiffany & Co. Exceptional piece of modern art, designed at the Tiffany Studios by Elsa Peretti. This rare perfume-scent bottle was made in a limited edition of only 1000 pieces, back in the 1981. It was carefully carved in Hong Kong from a single piece of translucent rock quartz with curved in shape to echo an sculptural bean, with separate stopper lid. ELSA PERETTI DESIGN: the scent bottle Manufacturing Process This bottle was designed and made in 1981 to hold an eighth of an ounce of Elsa Peretti's perfume, which she had worked on for four years. One thousand examples were carved and numbered (this is no. 751) in conjunction with the launch of the perfume. Peretti's hardstone carving is all done by Chinese carvers in Hong Kong. The Chinese have long excelled in the carving of hardstones. Peretti's scent-bottle echoes the Chinese hardstone snuff-bottle, made to be held in the hand, exquisitely decorated and highly prized in the 17th and 18th centuries. Weight: 65.3 Grams, (41.86 Dwt) or 326.5 carats. Measurements: 64 mm by 19 mm by 44 mm (2.51 x 0.75 x 1.75 Inches). Hallmarks: Acid stamped and etched with the maker's mark, the edition number and signed, "TIFFANY PERETTI© 751". Elsa Peretti, was a very famous designer that joined Tiffany & Co in the 1974 and change the complete role of diamonds and color gemstones in fashion for the everyday wear and elevating the status of the sterling silver jewelry. mostly using unusual gemstones and materials. all her creations are as modern today as ever. Literature: Advertisement in the Los Angeles Times, November 29, 1981. Tiffany & Co. Blue Book for years 1981-1982, illustrated Collections: The British Museum, London, UK. The Museum Of Modern Art (MOMA), NYC, United States. The Corning Museum Of Glass, NYC, United States. Exhibitions and Awards: 2009 1 May-2010 31 Jan, London, BM, Room 2, 'Elsa Peretti: Jewellery and objects for Tiffany & Co. Premio award "Credere Nella Ricerca", 2010. Note: Today you can purchase a similar one at Tiffany & Co., but is a re-issue of this work of art and is not numbered. At the time, the bottle was sold with a half-ounce of pure perfume created just for this purpose. Information about the actual scent is hard to come by; apparently it was a blend of florals, spices, and vetiver, but that’s a very general description, of course. Various news stories noted the high price ($450) of this set, but some also admitted that you were buying a piece of modern design rather than a typical perfume bottle. According to the British Museum, where one of these bottles is on display, artisans in Hong Kong were commissioned to carve these bottles, each out of a single piece of rock. These artisans were chosen because they specialize in carving hardstone. Elsa Peretti for Halston Perfume...

Handcrafted unique rare perpetual calendar circa 1970's solid green marble with gold numbers days and months, great design, and craftsmanship some of the l...

James de Wulf Concrete color samples in light grey, natural, dark grey, black, and creamy white.

A round Brazilian agate onyx and wood trinket or jewelry box, in the Modern style Post-Modern period, circa-late 20th century, 1980s early 1990s, Brazil. Box has a rich brown wood wi...

Crystal Pen Tray by Dainte Dimensions: D 11 x W 28 x H 3 cm. Materials: Crystal and brass. A stylish desk tray uniquely combines clear crystal with brass metallic accents. Minimalist yet distinctive, the beautiful design will showcase your elevated taste. Universal grooves fit any sized pen, and an extendable brass tray slides out to hold even more desktop essentials. This modern crystal and brass pen tray...

Set of three graduated flower table decorations centered by a Quartz geode, supported by chrome rod, all resting on square marble bases. Large Flower Dimensions: H. 27" x W. 5.25"...

Crystal and Brass Business Card Holder by Dainte Dimensions: D 9 x W 13 x H 8 cm. Materials: Crystal and brass. The sturdy yet minimalist b...

A Beautiful Empire style malachite orb on a bronze doré stand retour d'Egypte of 3 figures of standing maidens with a pine cone in the center an detailed crown holder hosting a large...

Cast in one pour, this piece is derived from classic bathroom tile to organize and curate your personal belongings. Perfect for your everyday bedside table items, including a tube for a fresh flower. A play on a classic architectural sample : the bathroom tile. Everyday it exists in the corner of our eye, an invisible actor of our daily routine. Out of context it becomes an object full of the rituals it witnessed. On the "wrong" surface it attracts the eye - desires a touch. Used the "wrong" way it is this newly found friend - that was always there. The Salle de Bain series plays on an oft-overlooked architectural detail: the bathroom tile. By displacing the familiar shape from a quotidian surface to its own distinct form, the cast-in- concrete tray...

Cast in one pour, this piece is derived from classic bathroom tile to organize and curate your personal belongings. Perfect for your everyday bathroom or desk items. A play on a classic architectural sample: the bathroom tile. Everyday it exists in the corner of our eye, an invisible actor of our daily routine. Out of context it becomes an object full of the rituals it witnessed. On the "wrong" surface it attracts the eye - desires a touch. Used the "wrong" way it is this newly found friend - that was always there. The Salle de Bain series plays on an oft-overlooked architectural detail: the bathroom tile. By displacing the familiar shape from a quotidian surface to its own distinct form, the cast-in- concrete tray...

An extraordinary, oversize, 5.25 lb (2.4 kg) natural malachite box with mesmerizing patterns and an unique dome top. This exceptional piece uses carefully selected fine grade gemston...

A desk clock designed by Cartier. A beautiful and sober desk clock, created in Paris France by the the house of Cartier during the late art deco period, back in the early 1935. This desk clock is very rare and has been designed with geometric art deco patterns and assembled from several polished pieces carved from natural black onyx and reddish translucent agate. All parts mounted in gilded bronze and sterling silver settings of .935/.999. Movement: Swiss mechanical wingding Imhof movement, Caliber 244, Fifteen Jewels, 8 days, Serial 2449074. The dial is octagonal with a unique painted scene depicting an ancient Greek ship...

A beautiful 3.3 lb malachite box. This exceptional piece uses carefully selected fine grade gemstone malachite in brilliant green, displaying concentric rings, swirls and stripes. Bo...

A beautiful Italian travertine marble Obelisk, in the Modern style, circa 1970s, Italy. A great decorative object for a shelf, credenza, office, library, cocktail table, etc. Very go...

A Fantastic 19th century French Louis XVI Style Dore Bronze Mounted Blue Opaline Crystal Box. The box is composed of two sections of French opaline crystal which are mounted to a fab...

Art Deco stylized horse head paperweight. Midcentury marble horse head bookend. Vintage hand carved in onyx in a shade of ivory, honey cream in color with caramel veined marble. B...

A wallet minaudiere designed by Cartier Paris. An exceptional, beautiful and extremely rare wallet minaudiere, created in Paris France by the luxury house of Cartier, back in the 1970. This incredible piece has been specially crafted for the exclusive Cartier department "S" of "Select de Cartier", in genuine iridescent lizard leather with accents made in 18 karats yellow gold and mount in a bezel with a round cabochon cut of a natural blue sapphire. Has a measurements of 101.6 mm by 146 mm (4 x 5.75 Inches) and the Size of Euro or Dollar currency banknotes perfectly fit inside. Stamped with the maker's cartouche, French hallmark and signed, "Cartier PARIS MADE IN FRANCE". History: On the 19th of June, 1920, the House of Cartier in Paris created a collection of accessories so special they resembled jewels in their precious materials and expert craftsmanship. This collection was known as "Cartier S...

A beautiful natural grey quartz geode specimen. Great as a standalone object on shelf, table, atop books, on a desk, as a paperweight, etc. Very good condi...

A jeweled gem-set Scottish dirk letter opener in Agate. Fabulous and unusual antique letter opener made in Scotland, between the 1880 and 1900. This ...

Nephrite jade and gilded silver desk frame. Beautiful neo classic desk picture frame, created in Moscow Russia, back in the 1915. Carefully crafted in the Russian imperial and Louis XVI style, with solid gilded silver, translucent nephrite green jade...

A desk clock designed by Cartier. An impressive and beautiful desk clock, created in Paris France by the house of Cartier, during the art deco period, back in the 1920. This stunning rare piece has been designed with Chinoiserie patterns and carefully crafted up with parts in yellow gold of 18 karats and carved nephrite green jadeite jade. Accented with applications of navy blue enamel and fitted on top, with a hinged retractable handle. The movement is mechanical It is accompanied with the associated original key for the winding. The dial is silver with guilloche, Roman numerals with gold hands and inscribed, Cartier. Weight: 320.95 Grams, (205.74 Dwt). Measurements: 69 mm by 31 mm by 78 mm (2.72 x 1.22 x 3.07 Inches). Hallmarks: Stamped with French marks, five times with the head of the eagle for the assay and guaranty of the gold, two times with the maker's mark JM inside of a lozange cartouche and signed on the reverse, "CARTIER 1649". Literature: Olivier Bachet & Alain Cartier, Cartier Exceptional...

A French 19th century Louis XVI Style Ormolu Mounted and Footed Prismic Pattern Cream Opaline Crystal Box. The box is composed of two sections of French ...

French etui sealing wax case. Exquisite objet d'art, created in Paris France in the late 19th century, circa 1890. This is a etui sealing wax case, mast...

A beautiful, small, and substantial French crystal vase from luxury Maison, Daum, in the modern Minimalist styles, circa 20th century, France. The piece is rectangular in shape with ...

Luscious soap and unique shapes, form and function work together to add a different kind of beauty to the daily ritual of bathing. Created with an abundance of unique botanicals, antioxidants, mineral rich clays, and skin-nurturing essential oils to cleanse, hydrate & nourish all skin types. Perfect for daily use. Each Erode Summit is poured and cast by hand. As each batch is unique for each pour, no two are the same. Certified organic Measures : ~ 1.35" round x 3.75" tall. ~ 87g e3.1oz Jasmine Ylang Ylang...

Cards case designed by Ghiso Paris. Gorgeous piece, created in the art deco style in Paris France by the luxury makers and jewelry house of Ghiso, back in the 1920. It was carved ...

A hinged box designed by Ernest Cambeau. A beautiful hinged box, created in Paris France by the silversmith Ernest Cambeau, back in the 1920. This box has been crafted in a cushio...

Desk clock designed by Arthur Imhof. Fabulous desk-table clock, created in Switzerland by the clocks makers house of Imhof, back in the 1950. This clock is very rare and has been ...

A fine small sized Italian Mid-Century Modern dresser or table box. With sheets of lapis lazuli on black marble and mounted with a fine 800 silver mount and hinge. Simply a won...

A Silver Panther Paperweight on a Black Marble Ball By: Mary Jurek Design Inc. Mary Jurek Panther Paperweight Marble Ball and Chrome. Designed as a p...

Large square tray designed by Michael Verheyden is a sophisticated piece available in different marbles and two sizes serving a number of functions in any...

The grand tour porphyry columns with yellow marble Corinthian capitals and bases on black slate and gray Brescia ogee formed squares. Measures: height: 16” base: 3 1/4” square.

A substantial crystal ball sphere bud vase in the style of Baccara, in the modern or minimalist style. Beautiful as a standalone piece or for a sin...

Luscious soap and unique shapes, form and function work together to add a different kind of beauty to the daily ritual of bathing. Created with an abundance of unique botanicals, antioxidants, mineral rich clays, and skin-nurturing essential oils to cleanse, hydrate & nourish all skin types. Perfect for daily use. Each Erode Summit is poured and cast by hand. As each batch is unique for each pour, no two are the same. Certified organic ~ 1.35" round x 3.75" tall ~ 87g e3.1oz Lavender Creme Notes: Creamy, rich and uplifting Brazilian clay / goatmilk / indigo leaf Jasmine Ylang Ylang...

Luscious soap and unique shapes, form and function work together to add a different kind of beauty to the daily ritual of bathing. Created with an abundance of unique botanicals, antioxidants, mineral rich clays, and skin-nurturing essential oils to cleanse, hydrate & nourish all skin types. Perfect for daily use. Each Erode Summit is poured and cast by hand. As each batch is unique for each pour, no two are the same. Use: Brush wet hands or cloth over the soap's surfaces to create, lather, release the aromatic essential oils and reveal the changing slopes. As the soaps use and form are unique, the Bouton plate was designed hand in hand to serve as the Erode Summit's designated dish. Certified organic Measure: 5" round x 2" tall 320g e11.6oz Bouton 5" round. Lavender Creme Notes: Creamy, rich and uplifting Brazilian clay / goatmilk / indigo leaf Jasmine Ylang Ylang...

An Italian '70s modern or Post-Modern period dark green marble obelisk sculpture, circa 1970s, Italy. Obelisk is green with white veining. Very go...

Small and elegant crystal inkwell with a brass collar with a square base and faceted lid makes a wonderful accent on your desk or table top. Ink-well, ink well, inkwell.

A small green, black and white alabaster marble decorative object sphere or paperweight, '70 Modern, circa 1970s, Italy. A great decorative object or paperweight for an office, desk,...

A beautiful and substantial crystal and brass magnifying glass, circa mid to late-20th century. Piece has a beautiful, faceted crystal handle with brass hardware. A great piece for a...

Falcon's Eye semi precious stone box with hinged lid. Falcon's eye, AKA Blue Tiger's Eye, famed for its chatoyancy, is reminiscent of the 'eye...

A set of three (3) Italian male sculpture busts by R. Santini, in the classical Roman design style, circa mid-20th century, Italy. This set of busts could be used for a library, office, etc., on a shelf, table, etc. Marked on bottom as shown in images. Dimensions L to R: Nerone: 4.63" Width x 6" Height Augusto: 4.13" Width x 5.75" Height Traiano: 4.63" Width x 6.19" Height For Corinthian capitol columns...