Metal Decorative Objects

Vintage Bohemian crystal vase from the Fipop series was crafted by Ludwig Moser & Sons Glassworks in Karlsbad, former Czechoslovakia, in 1920s. The vase features faceted cut sides i...

Little is known about the origins of this amazing piece, apart from it being from France, circa 1900. Note: We highly recommend shipping through 1stDibs for its cost effectiveness, ...

This is a highly collectible Bibendum Michelin Man bronze car mascot, Hood Ornament, Mascotte voiture. It´s approximate 4 inch tall depiction of ...

An Important and Monumental Art Nouveau Ormolu-Mounted Ceramic "Exhibition" Vase, C. 1895 This important and monumental vase was done by four different artists in the late 19th century: Alphonse Adolphe Lamarre, French, 1837 - 1912 (Artist who designed the vase) Paul Louchet, French (founder of bronze mounts) (Founder) Charles Pillivuyt Porcelain Manufactory, French, Paris, 1853 - 1922 (Manufacturer) Louis Chalon, French, born 1866 (modeler of mounts) (Modeler) "An Art Nouveau Collaboration" The vase in this case is an exceptional example of the collaboration between numerous artists during the late 19th century. The ceramic was made by Alphone Adolphe Lamarre (1837-1922) for the Charles Pillivuyt Porcelain Manufactory; the gilded bronze mounts, modeled by sculptor Louis Chalon and cast by Paul Louchet. Spectacularly mounted naturalist vase; the base dressed and balustered, the neck finished in double openwork bulb, the surface describing sinuous reliefs. Polychrome glazed ceramic in Beige, blue, and green. The shoulder is decorated with a gilded bronze roundel with five ormolu bronze female...

Gustave Serrurier-Bovy (1858-1910) Moulin Mahogany, brass, painted glass paste numbers Creation date: 1905 H 59 CM XL 34 CM Original movement, running Bibliography: - Françoise Bi...

Austrian Art Nouveau Three Rooster Diminutive Vase with Talon Legs Austria, Circa 1890s, Franz Bergmann School, Unmarked This rare and striking Art Nouveau vase exemplifies the o...

A stunning sculpture of a cherub holding a cornucopia, after Auguste Moreau. French, early 20th century. At 35" high, this is a beautifully substantial bronze in excellent condition....

Beautiful tall bronze & marble base by listed artist Charles Renee Masse, signed title Jeune Arabe, this piece its part of a series that have many auction results. Signed dated " Ch....

A highly coveted Franz Bergmann Vienna Cold Painted Bronze Figure of an Arab Snake Charmer on an alluring carpet of alluring colors and patt...

A turn of the 20th century Emmanuel Villanis styled Virgin Mary bust sculpture exudes the ethereal grace reminiscent of the virgin saint in an Art Nou...

This is a Girl with Wheat bronze sculpture by Hippolyte F. Moreau. He is famous for his bronze statues of young women. He is also the son of another renown French sculptor named Jean Baptiste Moreau. It depicts a young lady with long curly hair who is dressed with a see-through robe. She is holding a basket of wheat with one arm and some branches of them with the other one. She appears to be in the countryside and is observing a pair of doves that are on the ground. The bronze sculpture is standing over two...

A large and impressive late 19th Century bronze study of the famous Venus de Milo sculpture of antiquity with excellent rich brown patina and good hand finished surface detail, inscribed F.Barbedienne foundry ADDITIONAL INFORMATION Height: 95 cm Width: 28 cm Depth: 28 cm Condition: Excellent Original Condition Circa: 1890 Materials: Bronze Foundry: F.Barbedienne SKU: 7741 ABOUT The Barbedienne Foundry is a famous 19th century bronze foundry, whose statues and art objects became rapidly very renowned. This bronze studio co-worked with other trades, and put his name to a great variety of works, such as furnishing in particular. Attending every World's Fair of its time, the Barbedienne Foundry was regularly awarded, notably at the World's Fair of 1855 where it was awarded the Great Medal of Honor. A Parisian bronze maker and caster, Ferdinand Barbedienne (1810-1892) creates a firm in 1839 in collaboration with Achille Collas, the inventor of the mechanical method to obtain copies of sculptures at a smaller scale. With this groundbreaking proceed, they facilitated an unprecedented production. Under the “Collas et Barbedienne” name, they specialized in Antiquity copies and perfected new chemical methods for the color and patina finish of their bronzes. As a true Romantic, Ferdinand Barbedienne is committed to democratization of arts, he thus realizes numerous Antiquity copies and stimulates his contemporaries’ works broadcasting. A great deal of famous sculptures are hence cast by the Barbedienne Foundry. All his life, Barbedienne co-worked with the greatest artists, sculptors or designers of his time, such as Edouard Lievre, Ferdinand Levillain, Attarge, Aizelin, Barye or Fremiet. Statues aside, he products a great deal of decorative artifacts, such as clocks, vases, mirrors, etc. Since 1855, Ferdinand Barbedienne collaborates with the famous decoration designer Louis-Constant Sévin (1821-1888). Joining the firm as a sculptor-designer, he stays loyal to it his life long, always finding more new designs for daily objects, which hence become true art works. Sevin’s creations, specialized in the “Neo-Greek” style, were particularly appreciated for antiquity reference in decorative arts, just like the great mirror preserved by the Orsay Museum. He also teams up with enamelers including Alfred Serre, and develops a set of “cloisonnés” enamels that made the headlines at the World's Fair of 1862 in London, which was the very beginning of the art of enamel’s return. In collaboration with Serre, Barbedienne realized between 1878 and 1889 the Monumental Clock in Renaissance style, decorated with enamels, which is preserved in the Paris City Hall. Venus de Milo Facts about Venus de Milo sculpture. For much of the world, the mystery of the Venus de Milo lies in her missing arms. But there’s much more to this iconic statue than a couple of absent appendages. 1. Venus de Milo‘s title is a bit misleading. It’s popularly believed that this Grecian statue depicts the Greek Goddess of love and beauty, who was often rendered half-naked. However, the Greeks would have called this deity Aphrodite. Nonetheless, the Roman-inspired Venus de Milo caught on. 2. She’s named in part for where she was discovered. On April 8, 1820, a farmer named Yorgos Kentrotas came across the statue in pieces within the ruins of an ancient city on the island of Milos (formerly known as Melos). 3. Alexandros of Antioch is credited with her creation. A sculptor of the Hellenistic period, Alexandros is believed to have carved this masterpiece between 130 and 100 BCE. The inscription on the plinth—the slab on which the statue rested—that identified him as Venus de Milo‘s creator was lost nearly 200 years ago. 4. She might not be Venus. Some have suggested the sculpture is not Aphrodite/Venus, but Amphitrite, the sea goddess who was particularly adored on Milos. Still others have proposed she’s Victory, or perhaps a prostitute. With her arms long missing, would-be context clues have been lost for centuries. A spear could have meant one thing, a spool of thread another. If she held an apple—as some reports claim—it could mean she was Aphrodite, holding the award given to her by Paris before the Trojan War began. To this day, it’s a matter of passionate debate. 5. She became a gift to the King of France. When Kentrotas called upon a French naval officer to help him unearth the spectacular sculpture, he began a chain of events that would eventually lead to the Marquis de Rivière presenting Venus de Milo to Louis XVIII. In turn, the ruler gave the statue to the Louvre, where it is on display to this very day. 6. The loss of her limbs is the fault of the French. Kentrotas did find fragments of an arm and a hand when he uncovered the statue in the ruins, but as Venus de Milo was being reassembled, those arms were discarded for having a “rougher” appearance. Modern art historians believe that the variation of finish does not mean those arms did not belong to Venus, but both the arms and the original plinth have been lost since the piece moved to Paris in 1820. 7. The original plinth was ditched on purpose. Sight unseen, early 19th century art historians decided the newly discovered Venus must have been the work of Greek artist Praxiteles, and publicized the work as such. This attribution would have placed the piece in the Classical period (5th through 4th centuries BCE), which was more respected artistically than the Hellenistic period. To save face and better promote Venus de Milo—even at the cost of misinforming the public—the plinth was removed before it was presented to the King. 8. Venus de Milo was meant to make up for a national embarrassment. During his conquests, Napoleon Bonaparte had plundered one of the finest examples of Greek sculpture, Venus de’ Medici, from Italy. In 1815, the French government returned that beloved sculpture, but in 1820, France embraced the chance to fill the hole its absence left in the French culture and national pride. As such, Venus de Milo was promoted as being even greater than Venus de’ Medici upon her Louvre debut. The ploy worked, and the piece was met with almost universal praise from artists and critics. 9. Renoir was not impressed. Perhaps the most famous of Venus de Milo‘s detractors, the celebrated Impressionist painter dismissed this delicate depiction of grace and female beauty as “a big gendarme.” 10. She went into hiding during World War II. By the autumn of 1939, war threatened to descend on Paris, so Venus de Milo along with some other priceless pieces, such as Winged Victory of Samothrace and Michelangelo’s Slaves, were whisked away for safekeeping at various châteaux in the French countryside. 11. She’s been robbed! Venus is missing more than just her arms. She was originally draped in jewellery including a bracelet, earrings and a headband. These flourishes are long lost, but the holes for fixing them to the piece remain in the marble, giving clues to the missing accessories. 12. She lost her colour. While it’s easy for today’s art admirers to think of Greek statues as white, the marble was often painted in the style of polychromy. However, no trace of the original paint scheme remains on Venus de Milo today. 13. She’s taller than most people. Even with her slight slouch, Venus de Milo stands at 6 feet 8 inches tall. 14. She could be a copy. Art historians have noted that Venus de Milo bears a striking resemblance to Aphrodite of Capua, which is a Roman era copy of a possibly late 4th century BCE bronze Greek original. That would be at least 170 years before Alexandros carved his goddess, leading some to speculate that both statues are actually replicas of an older statue...

Sterling Silver Birmingham Hallmarks From our Silver collection, we are delighted to introduce this Art Nouveau Silver and Enamel Cigarette Case by Robert Chandler. The Silver and ...

A Stylish Example of a Fine Single Bohemian Hand Cut Crystal Black Enamel Luster or Candlestick of outstanding quality and of standard proportions. Third Quarter of the Nineteenth Ce...

'Bohemienne' An Art Nouveau bronze sculpture by Emmanuel Villanis (1858-1914), depicting an elegant young woman holding a lyre with her other arm raised behind her head with robes fl...

1900s Jugendstil golden and silver brass jewelry casket with blue velvet-lined interior by Erhard & Söhne, Germany By: Erhard & Söhne Material: brass, copper, metal, velvet, zinc Te...

Classic early 1910s Desk Catchall figurine. This polychromed cold painted metal is probably something you need if you’re a Vienna bronze or a dog figure collector. Also nice as a gif...

Large spectacular Art Nouveau centrepiece attributed to Kayser in Germany, circa 1900. Very impressive, this stunning piece gathers all the ...

Splendid Art Nouveau antique pewter tazza for Liberty & Co., Regent Street, London Tall, impressive table centrepiece with hand hammered and stylised decoration Circa 1910 Signed 'Tu...

Antique French Blue Opaline Crystal Glass Hinged Trinket Box, trimmed in beautiful ormolu gilt metal around the opening of box. France, Circa 1920

This beautiful piece of functional art is a gorgeous reflection of the Art Nouveau era from which it came. Used primarily as a perfume bottle, this stunning work of art was created b...

An impressive mid 19th Century Animalier bronze study of a jockey standing with his horse exhibiting fabulous rich brown patina and excellent surface detail. Raised on naturalistic b...

An Art Nouveau rose bowl vase, crafted by the renowned Czech glassmaker Kralik circa 1910. A perfect example of the organic elegance and style of the...

This beautiful young woman is a fine example of the creations of the noted French sculptor, Emmanuel Villanis (1858-1914). You will find his works to be predominantly art nouveau wo...

Monumental Antique French Art Nouveau Auguste Moreau garniture clock set. Made of bronze with gilt accents featuring a peasant woman and child carrying a shieth of wheat flanked by large candelabra urns...

Alfred Louis Achille DAGUET (1875 - 1942) was a metalsmith active in Paris during the first part of the 20th century. His metalwork created prior to the outbreak of World War I, note...

A superb pair of antique French brass altar candlesticks with a triangular base, circa 1920. These fine cathedral candlesticks are decorated with stylized acanthus leave and handsome...

Arts and Crafts copper and brass candleholder Jugendstil Aesthetic Movement. Candleholder retains original patinated surface.

Condition: Original Vintage Condition Materials: Pewter Metal This exquisite Art Nouveau pewter vase by Kayserzinn, designed by Hugo Leven in the early 1900s, embodies the fluid, ...

French Art Nouveau centerpiece planter by Victor SAGLIER, 12 rue d'Enghien , Paris, France, ca.1890. Silverplate metal. Black patina in the hollows to accentuate the reliefs. Height ...

Art Nouveau glass vase with engraved silver overlay by historic Loetz, ca 1900. Ovoid with pinched shoulder. Overlay pattern comprising vertical ovals inset with entwined loops risin...

A rare and unusual German Jugendstil copper and brass smokers companion or candleholder formed as a goat pulling a sleigh the design attributed to renowned sculptor Ignatius Taschner...

Art Nouveau Frog Motif Dish/ Vide-Poche by Achile Gamba-WMF Whimsical motif of a flute playing frog romancing fish in a lake. Stamped Achile Gamba a...

Antique Set of Three Glass Apothecary Jars, 19th Century, France. Lovely amber glass with reverse painted labels and red toleware lids. Original paper label on back of Serpentine De ...

1930s Metal Dog, St. Bernard, Mastiff Type, or Retriever Type. Solid. *****NOTICE: OUR 1ST DIBS SHOP CLOSES AT THE END OF MAY***** This very handsome guardian breed or working dog b...

An Art Nouveau rectangular box with a bobsledding motif Designed and manufactured by Erhard & Söhne. Burlwood, and brass. The brass inlay on top depicts a bobsled with a four-man cre...

19th century diana the huntress bronze bas relief wall plaque. Diana with raised bow and hunting dog near her side.

Small shaped frame for 2 oval photographs in 925/1000 sterling silver gold plated with translucent fired enamel on guilloche in Art Nouveau style. External dimensions cm. 5.2 x 7 int...

Vintage Art Nouveau Silver Plated Covered Butter Dish w/ Glass Liner by Pilgrim. Circa Mid 20th Century. Measurements: 3.75" H x 8.5" W x 4.25" D.

A tin box from the Art Nouveau period is a beautiful example of the artistic movement that flourished in Europe at the end of the 19th and beginning of the 20th century. The Art Nouv...

A fine quality Art Nouveau style art glass vase, by Loetz the historic glass maker from the municipality of Austria featuring Alvin Sterling Silver overlay. Overlay in form of open and horizontal patterns with stylized leaves and scrollwork. A great find, handcrafted vase skillfully made using centuries old techniques of art glass works from the world-renowned maker, Loetz. Simply stunning this Art Nouveau glass vase with Alvin Sterling Silver overlay by Loetz would enhance any shelf, table, nightstand or countertop. This is a rare antique Loetz Green Glass...

This is the silver overlayed 1900s Bohemian Art-Nouveau vase in uranium glass, not to mix-up with pieces from Loetz. Just to get this straight from the beginning; Loetz did not apply metal or silver to its glass. Loetz only sold blanks and special commissioned glass...

Beautiful pocket watch holder in the shape of a moon. France, around 1910.

Tiffany Studios bronze desk lamp with original iridescent shade, scrolled bulbous harp, and resting on circular fluted base with the original five bal...

Bottiglia in Porcellana di Meissen con tappo in argento 800, realizzata nei primi anni del XX Secolo Ø cm 10 h cm 28 La porcellana di Meissen è considerata uno dei primi e più preg...

Classic early 1920s Austrian letter opener. It has a nice patina. I did not clean it, so the next owner can decide what he wants to do with it. This highly collectible vintage piece ...

Stunning Bronze Art Nouveau French Jardiniere with removable insert. Exquisite details that shows the level of high quality of metalworke...

Charles Korschann Czechoslovakian Art Nouveau Gilt-Bronze Figural Bud Vase. Cast from a model by Charles (Karl) Korschann, circa 1899, of urn form, with a handle in the form of a...

Antique Art Nouveau hammered Sterling Silver flower vase, Birmingham 1902 Henry Matthews. The vase on plain moulded pedestal base, rising to plain ...

This Art Nouveau ring/candy dish by Pemco, showcases the elegance of the Edwardian era with its cast iron construction and light green/teal color palette. Featuring a depiction of a ...

Beautiful, antique, early Venetian / Murano hand blown pink, blue and gold flecks Italian art glass flower vase. Created in the manner of the Salviati and Fratelli Toso companies. Th...

Excellent original Viennese Art Nouveau centerpiece around 1900: A wide, round, trumpet-shaped silver pedestal, curved at the bottom, tapering upwards, on four lion's paw feet with f...

A very stylish and quality Art Nouveau pair of twin handled silver candlesticks by renowned London silversmiths Goldsmiths & Silversmiths and dating from 1909. These elegantly and si...

This exquisite Art Nouveau pewter bowl by Kayserzinn, designed by Hugo Leven, showcases the fluid, organic aesthetics of the Jugendstil movement. Crafted circa early 20th century, th...

An exceptional quality Art Nouveau Egyptian revival Continental brass and copper desk stand raised on four puma feet and dating from the early 20th Century. Probably French the heavi...

Exceptionally rare silver overlay vase by Alvin Mfg Co. of Providence Rhode Island from the late 19th century. This vase is a tour de force of Art Nouveau silver work on glass. The intricate sterling floral base design is overlaid onto the emerald green glass and is finely etched and detailed. Then, above these swirling Art Nouveau florals which wrap around the vase, are vines sprouting three dimensional blown out poppies throughout. Even the vines are treated in three dimensions as they wrap around the central cartouche (conjoined Victorian monogram...

Important vase for museum display from the full Art Nouveau period. A large handled vase made of Bohemian glass with metal mount decoration in relief and chiselled in Art Nouveau sty...

Raoul Larche (1860-1912) Monumental Inwell vide pouch. 'L'Idée, Allégorie sur un Rocher' A Gilt-Bronze Inkwell, circa 1900 Figural Centerpiece, Inkwell and vide pouch. Gilt-bronze H...