Lacquered Frame, Veneto, Last Quarter of the 18th Century

Baroque mirror, the frame is carved with powerful leafy volutes, it is entirely gilded; with lacks and restorations.

Large mirror from the Umbertine period. Carved with large scrolls, curls and overlapping lambrequins, in the cymatium medallion with a knight's head and carved rose branches, mercury...

Framework. Carved wood, late 17th-early 18th century. Rectangular frame that presents a "base structure" of straight lines, combining moldings of different widths and finishes (inside, a golden band with Fine plant details towards the corners; then a thin red one, and a wider green one, these two the latter imitating marble; outside, another fine gilt molding), enhanced with a series of carvings of vegetal elements in the corners (symmetrical composition), two ovoid elements on the long sides and a highly elaborate cresting with vegetal elements, rockeries, scrolls, flowers and imitation of fabrics (which are joined with those ovoid elements mentioned). The combination of red, green and gold is common in certain types of frames (compare, for example, with the terracotta of Salamanca made around the middle of the 16th century by Juan de Juni, which is kept in the Victoria and Albert Museum). On it, a series of carvings with a lot of movement and depth have been added, showing Baroque influence (reminiscent in certain details of works such as the frame of the Immaculate Conception by Alonso Cano...

Framework. Gilded and polychrome wood, 17th century. Presents loss in lower left area. Frame made of carved wood gilded and polychrome in certain areas that presents a decoration bas...