Venetian Louis XV lacquered and carved frame - 18th century

Fine Florentine shelf dating from the mid-19th century, entirely hand-carved in solid wood and finely gilded with gold leaf. The work features very rich sculptural work, with phytomo...

Venetian mirror from the second half of the 19th century, entirely hand-carved, polychromatically lacquered and gilded with gouache. The frame is a veritable masterpiece of craftsman...

Elegant oval mirror from Piedmont, made of finely carved linden wood gilded with gold leaf. The object, small in size (57 cm in maximum width by 48 cm in height), is distinguished by...

Elegant Emilian living room in the Charles X style, an authentic example of 19th-century aristocratic furniture, consisting of a sofa, two armchairs and a coffee table. The set is di...

Hand carved Baroque Cartouche frame of rectangular shape formed by deep volutes that connect with two central keys and foliage with the bulbous ribbing near the corners. Gilded in ...

Early 19th century French frame, Louis XVI style.

Richly carved wooden frame with guilloché decoration, 17th century. Guilloché decoration is a decorative technique of engraving regular geometric patterns on wood; these patterns, o...

Framework. Carved wood, late 17th-early 18th century. Rectangular frame that presents a "base structure" of straight lines, combining moldings of different widths and finishes (inside, a golden band with Fine plant details towards the corners; then a thin red one, and a wider green one, these two the latter imitating marble; outside, another fine gilt molding), enhanced with a series of carvings of vegetal elements in the corners (symmetrical composition), two ovoid elements on the long sides and a highly elaborate cresting with vegetal elements, rockeries, scrolls, flowers and imitation of fabrics (which are joined with those ovoid elements mentioned). The combination of red, green and gold is common in certain types of frames (compare, for example, with the terracotta of Salamanca made around the middle of the 16th century by Juan de Juni, which is kept in the Victoria and Albert Museum). On it, a series of carvings with a lot of movement and depth have been added, showing Baroque influence (reminiscent in certain details of works such as the frame of the Immaculate Conception by Alonso Cano...