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Henry Summa Sommerso Helix Sculpture, American Studio Art Glass

$440
$55020% Off
£328.66
£410.8220% Off
€381.03
€476.2820% Off
CA$610.93
CA$763.6620% Off
A$684.77
A$855.9720% Off
CHF 356.54
CHF 445.6820% Off
MX$8,361.37
MX$10,451.7120% Off
NOK 4,526.78
NOK 5,658.4720% Off
SEK 4,290.98
SEK 5,363.7220% Off
DKK 2,842.88
DKK 3,553.6020% Off
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About the Item

Graphic art glass sculpture or paperweight was created with intertwining blue glass spiral coil helixes and controlled bubbles core fused in clear glass layer in sommerso technique. The sculpture has triangular shape with slightly elevated base and soft, rounded edges; the minimal shape of the piece allows the bold flow of the pattern to take the center stage. The vase is signed and dated by the artist in etching on the bottom; it is in good vintage condition with minimal, age-appropriate signs of use on the bottom. Rare, hard to find example of New Mexico studio glass would make a great gift to any studio glass or art collector. Henry Summa (1949-2008) has been working in glass since 1972. His early training in the glass arts was based on an apprenticeship at renowned Glory Hole Glassworks in New Mexico. Canyon Road Studio, known then as Glory Hole Glassworks, was owned by Peter Vanderlaan who, with Dale Chihuly and Bruce Chow, built the glass furnace at the Santa Fe Indian School. Vanderlaan studied and taught at Pilchuck; Glory Hole Glassworks became a training field for artists who became instrumental in building the art-glass movement in New Mexico, such as Mel Knowles and Jack Miller, Peter Vanderlaan, Henry Summa, Daphne Morrissey, Jenny Langston, Charlie Miner, Peet and Susan Robison, Paul White, Waine Archer and Elodie Holmes. The Canyon Road Studio spun off six “hot shops” and numerous associates who blew glass but who then went on to work with torch-blown, fused or cast productions. Summa built his first studio in New York near Woodstock; in 1973-1974 Nancy Freeman, a well-known early studio glass artist based in Catskills Mountains of New York, apprenticed at Summa's studio. Though she closed her studio in the late 1980s, Freeman’s work is part of several museums and private collections. After 2 years in New York Summa moved his studio back to New Mexico, returning to established relationship with art galleries and stores around the country. His work was growing away from functional forms into more sculptural and complex designs. Summa's work can be seen in galleries, museums, and personal art collections around the world.

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