Large, Cast Bronze Doe

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Large, Cast Bronze Doe

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This large French bronze sculpture depicts a family of deer traversing across a rocky terrain dotted with flowers. Sculpted in the late 1800s by Clovis-Edmond Masson, the sculpture has fantastic movement, as all three deer are depicted in full stride, with their hooves off the ground. The largest of the group is a stag with a wide antler spread and detailed musculature. To the stag’s left is a doe looking back towards a fawn, who is looking up at the stag. The sculpture has a rich, green-brown patination with areas that have retained the gold of the bronze. Behind the doe are two engravings: “C. Masson” and “Salon des Beaux-Arts”, indicating that the sculpture is the work of Clovis-Edmond Masson and was exhibited at the Paris Salon (the original). Clovis-Edmond Masson was born in Paris in 1838 and specialized in sculptures that accurately depicted animal behavior. Masson exhibited at the Salon regularly from 1867-1881, placing this sculpture in that time frame. The most famous work by Masson was commissioned by Rama V...

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CHARLES KORSCHANN Czech, 1872-1943 Putto Riding a Doe Medium-brown patinated bronze over an original marble base Signed "CH. KORRSCHANN." and sealed with foundry cachet for Louchet Item # 301LCJ14L A very fine lifetime casting of Charles Korschann's Putto Riding a Doe, the model is steeped in the elements of the Art Nouveau with a distinct celebration of the naturalistic. The putto grasps a simple harp in his hand while a loose garment bound in a belt encircling his waist billows in the unseen wind. The doe looks on with disinterest, unconcerned about its surroundings and almost at one with its rider. It is a carefully composed idealization of the natural world and the potential for harmony between man and beast. The casting is exquisite, typical of work from Louchet, and is finished in a medium-brown translucent patina. Charles Korschann Born in Brno, Monrovia in 1872 as Charles Korschmann, later dropping the "m" to appear less Germanic, he studied at the fine arts academies of Vienna, Berlin and Paris before finally establishing himself in Paris in 1894. He spent his entire career working in Paris, exhibiting at the 1900 Exposition Universelle where he was awarded a Bronze Medal and from 1894 through 1905 at the Société des Artistes Français. His work is very distinctive and immediately recognizable, a most important trait as an artist and a particular accomplishment in light of the output of his contemporaries. He was to sculpture what Alphonse Mucha was to graphics, both men originating from the same province in Czechoslovakia and having similar influences in Paris. It is rather fitting that he would execute a bust of Alphonse Mucha for the Museum of Brno in honor of his accomplishments. Artist Listings...

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