Large Spore Sculpture by Lewis Trimble

A nerikomi stoneware bowl by Lewis Trimble, made in black and white clay then stained and sealed with a water based non yellowing polyurethane. The bowl is for decorative use only an...

Large nerikomi stoneware 'spore' bowl by Lewis Trimble, 2022. The bowl is constructed using a time consuming process called Nerikomi, usinf black and white clays and it is hand built...

Large nerikomi stoneware 'spore' bowl by Lewis Trimble, 2022. The bowl is constructed using a time consuming process called Nerikomi, usinf black and white clays and it is hand bui...

Large nerikomi stoneware 'spore' bowl by Lewis Trimble, 2022. The bowl is constructed using a time consuming process called Nerikomi, usinf black and white clays and it is hand bui...

Large nerikomi stoneware 'spore' bowl by Lewis Trimble, 2022. The bowl is constructed using a time consuming process called Nerikomi, usinf black and white clays and it is hand built...

A large freeform organic 'spore' sculpture in stoneware hand crafted using the nerikomi technique by Lewis Trimble. The sculpture is constructed using the time consuming process of N...

A large dark green marble dated 1957 by the Canadian artist Stanley Lewis. It is inscribed on the base Lewis 57. Depicts a face carved into the sides. The piece is quite large and he...

'Phateon' is a unique sculpture by the British artist, Jon Lewis, created from cast glass, steel, dicroic filter and a 3 1/5 inch gauge steam chassis. Lewis’ first introduction to glassmaking was in 1989 at Wolverhampton University, where he instantly fell in love with glass as a material. A reoccurring theme throughout the years within his work has been the synthesis of glass with metal, which under the creative influence of the artist, often results in corrosion, patination and texture. With his Apertura series, blown vessels created from recycled Bang & Olufsen Television glass are coated by ‘spark impregnation’. Lewis intensely grinds iron and other metals, creating a multitude of small, hot, airborne metal particles that instantly bond and finally cover, the surface of his glass. Forever evolving works, the consistent detail for each is a window of pure transparent coloured glass, a framed aperture to the internal space, encased and surrounded by this metallic shell. In a parallel and completely different body of work, are Lewis' Moonrock sculptures, which combine glass with dichroic filters and employ his own unique technique which began in 1994. Whilst working as a glass blowing assistant in Oregon, an introduction to ‘dichroic thin film interference filters’ as a form of surface decoration on blown glass, saw Lewis see vast potential. This amazing and very technical material, similar to iridescent butterfly wings, produces colour formed by selective reflection as opposed to absorption. The refractive transformation of light through convex and concave lenses and a diffused projection which this film creates, results in artworks that appear to glow from within, emanating a myriad of colours. A constant in Lewis’ glassmaking palette, this series and technique has featured in many notable sculptural & architectural works and derivations.? These two opposing praxis of the artist’s artistic inquiry, often merge into a single expression. Lewis’ work has evolved into a distinctive vision, a fusion of beauty and uniqueness. Every piece of Lewis' art has a twist, in that each of his designs can be traced back to a single sketch. In many instances scribbled several years before just waiting for that last ingredient of inspiration for it to become a reality and brought to life in his multidisciplinary hot glass and metalwork studio in Essex. In the artist’s own words; “In my work I try to create pieces which are hard to identify materially and have an unknown. I enjoy making things whether a glass vessel or a glass furnace, I appreciate things crafted by hand. My history is of engineering and consequently, I love to push the boundaries of what is expected of materials” Lewis was awarded the Glass Society Prize in the British Glass Biennale 2019. His Transceiver received an Honourable Mention in Trace - Showcasing Sustainable Glass Art, in the Glass Art Society’s Virtual 2021 Conference. His dichroic glass has been used in a number of prestigious architectural commissions, including in the Space Pyramidion at the Child Museum of Cairo and the Bliegiessen Sculpture by Thomas Heatherwick...

A recumbent goat sculpture in red painted terracotta pottery mounted on an integral wooden plinth. By J Stephen Lewis (1917-2017 Russian/US), a noted Philadelphia sculptor and tea...

5.5" diameter. USA, 1980s large sphere glass tabletop or mantel or shelf sculpture by studio artist Robert L. Hamon. Hamon glass produced paperweights and on occasion would produce v...

Large Pleomorph 50B sculpture by Abid Javed Dimensions: W 25 x D 10 x 50 cm (Dimensions are variable) Materials: stoneware. Multiple clay color and size options. Handmade stone...

Large Pleomorph 50A sculpture by Abid Javed Dimensions: W 15 x D 10 x 50 cm (Dimensions are variable) Materials: Stoneware Available in multiple clay color and size options. Ha...