Papua New Guinean Abstract Sculptures

Early 20th century shell money ring mounted on a custom made stand, Papua New Guinea.

Early Large Food Bowl, Tami Islands, Huon Gulf, Papua New Guinea This large food bowl exhibits a pleasing asymmetry in the raised relief carving of the t...

A Garra hook by Bahinemo People of Hustein Mountains from Mid-Sepik River region in Papua New Guinea. The highly sculptural mask is one of the most iconic and mysterious designs from...

A pair of Papua New Guinea wooden shields on custom stands from the mid-20th century. These oceanic war shields were not only created for protecting oneself for tribal warfare, but also in ancestral and ritual worship. They are adorn in various motifs, coloring and symbolism, intended to protect the carrier from magic and bring fear to the opponent. The shorter shield is from the Mendi area within the Southern Highlands. The taller shield originates from the Melpa tribe of the Western Highlands (Mount Hagen and Wahgi Valley), an area which was not discovered by the outside world until three Australian gold prospectors entered the region during their explorations in 1934. These shields are displayed upright on a custom black iron stand, with the tallest of the set standing at a height of over 5.5 ft tall. This pair of Papua New Guinea shields...

Sago peg, tapak, Abelam/Wosera people, East Sepik Province, Papua New Guinea Sago pegs are used to secure a screen mesh during the preparation of sago flour. This example depicts a ...

Tapa dance shield. Baining People, New Britain, Papua New Guinea. First half, 20th century Pounded mulberry bark painted with natural pigments Measure...

A Papua New Guinea carved-wood Lumi shield from the mid-20th century. This vintage war shield from the West Sepik region, the northwestern most province of...

Abstract and anthropomorphic large figure from the Pie River, located to the east of the Era River. Abstract, anthropomorphic form stands on separate legs with dynamic varying outline, wide hips, and torso leading straight to a rounded head. Figure represents Irivake, the ancestor hero who is considered as the founder of headhunting, also believed to have climbed to the sky and to command lightning. It is enlivened with various curvilinear details highlighted with red and white pigments. The back appears with a collection number in red, and the following: Ipigau (village), Upper Pie River, Papua, P63.20. This is a 'later example', not a first generation piece with several age cracks. It has likely seen field use, but not extensive field use. Provenance: Private New Jersey Collection, ex. Michael Rockefeller...