2010s Abstract Sculptures

Spectacular and sumptuous sculpture by Caroline Cheng, 2016. Unique piece comprising thousands of handmade cobalt-blue porcelain butterflies sewn onto fabric backing, punctuated by ...

MIYA ANDO Winter Dawn Clouds (The Glass House), 2023 4 x 4 x 4 inches Solid, Colored Optical Glass Edition of 15 Accompanied by a signature label Shizen (Nature) Kumo (Cloud) for Gl...

Individual pieces of glass are hand cut and placed over a welded metal frame on different elevations to create a 3D dynamic and harmonious composition. Each piece is hand created by ...

In this spatial ceramic research, developed over the years, Ingrid Van Munster undeniably gives life to earth and fluidity to colour. Ingrid developed and then found a common threa...

In this spatial ceramic research, developed over the years, Ingrid Van Munster undeniably gives life to earth and fluidity to colour. Ingrid developed and then found a common threa...

Standing out for its curvilinear shape and range of colors, this linear long centrepiece designed by Orfeo Quagliata transmits an atmosphere that attracts. A fused and thermoformed g...

Botifarra wall sculptures by Tero Kuitunen Material: Hand built ceramic, glazing. Dimensions: D20 x x W7 x H5cm Also Available: different colors. Wall sculptures, handbuild ...

Individual pieces of glass are hand cut and placed over a welded metal frame on different elevations to create a 3D dynamic and harmonious composition. Each piece is hand created by ...

Individual pieces of glass are hand cut and placed over a welded metal frame on different elevations to create a 3D dynamic and harmonious composition. Each piece is hand created by ...

Individual pieces of glass are hand cut and placed over a welded metal frame on different elevations to create a 3D dynamic and harmonious composition. Each piece is hand created by ...

“Ataraxia” is an hand-made series of vases born out of the designers’' reflections on resilience and vulnerability in times of crisis. The collaborative project between Illustrator R...

Individual pieces of glass are hand cut and placed over a welded metal frame on different elevations to create a 3D dynamic and harmonious composition. Each piece is hand created by ...

A stunning contemporary multicoloured acrylic block. A perfect riser for a small sculpture or a statement on its own on the table or desk, this beautiful block will reveal different ...

Randy Polumbo Orb, 2022 Dimensions: 13” H x 19” W x 5” D Cast-glass, steel frame, video composition, LED’s From Polumbo's Oculus series, in which large-panels of hand-cast glas...

Vug in Turquoise and Purple is a unique hand-blown sculpture by the British artist Samantha Donaldson. Created by layers of colored glass in deep blue and rich purple, the transparen...

'The Cobalt Voyager' is a unique intense electric blue and black hand-blown and cut glass artwork with steel hull by the American and Swiss artists, Philip Baldwin and Monica Guggisberg. Combining Scandinavian and Venetian glass making techniques, their sculptural boat centerpieces are made from smaller blown and cut glass components nestled (in sand) inside a metallic hull. 'We are migratory creatures; the history of our species is about journeys, departures, leaving and arriving, starting over. And none more so than ourselves. Our new work is both culturally and personally inclined. An autobiographical touch in civilizational reflection. Wherever man goes he builds, laying down cultural lines which gradually transform into relics and artefacts over time's inevitable march. Urban landscapes and complex designs grow and expand, deteriorate and decay. And on again we move, taking the memories of our exploits with us to use in the next story.' B&G Baldwin (1947, New York) and Guggisberg (1955, Bern) have been a collaborative team for over forty years. They share an instinctive appreciation for the subtle blending of art and design, functionality and abstract expression, combined with a love of material – especially glass. The list of museums and collections which have acquired their works is long and impressive. Individual showings, as well as participation in group shows, have given them opportunities to present their works at leading galleries and in major museums in Europe, Japan and the United States and their works rank among the best to be found in the international glass art scene. Working freelance, they have also designed successful products for international glass manufacturers since 1985. Their clients have included renowned firms like Rosenthal, Steuben, Corning and Venini. Over time their work has developed its own distinctive signature, based in Italian cold-working (battuto) combined with the Swedish overlay process for layering colours. They have been pioneers in adapting these techniques and in creating a distinct expression of their own. Colour, light, texture, pattern, and shape together reveal an undercurrent of meaning and value, adhering to the simplest of forms and clear lines. Over the years they have become more sculptural in focus, while seeking to imbue their work with a deep connection to archetypal forms and shapes, and striving for the highest level of craftsmanship. They address eternal symbols of human culture and history, while embracing contemporary evolution in form and meaning. In recent years large installations and major exhibitions in public spaces, such as Canterbury Cathedral...

Contemporary modern Murano Art Glass abstract sculpture lamp, a decorative illuminated curved glass panel on a black lacquered metal base, realized as a colorful Mosaic, tones of azu...

Francisco Trêpa was born in Lisbon in 1995, where he lives and works. Trêpa was awarded with, among other prizes and recognitions, MUSEU BORDALO PINHEIRO residency funding.

A collaboration between Studio Orfeo Quagliata and Tony Wurman of Wunderwurks Design. An unprecedented marriage of Orfeo's spectacular glass wor...

Polychromatic Interleave 006, is a unique handblown glass vessel with fine filigree white cane detail by the British artist Liam Reeves. The three colours of glass in red, blue and green, merge in the making to create a larger spectrum of hues where they meet, covering the white canes below. A truly exquisite piece. Liam Reeves has been making glass professionally since 1998 when he graduated from Middlesex University with a BA (Hons) in three-dimensional design. During this time he has honed his skills whilst working in the glass industry for some of the best glassmakers in the UK. In 2009 Reeves studied for an MA at the RCA in order to explore the creative possibilities of the medium of glassblowing. He is currently hot-glass technician at the very same and prestigious Royal College of Art in London. While at the RCA Liam discovered a passion for investigating pivotal techniques from glassblowing’s two-millennia of rich history. From the mould blowing of ancient Rome to the complex goblet-making techniques of Renaissance Venice...

Three small Ceramic Totems in Mottled Turquoise and Dark Blue. They each consist of a single vertical ring on a small curved leg. Each part is hand built...

'Clovis in Grey to Ruby' is a unique tall glass sculpture by the British artist James Devereux. Refinement and daring combine within this statues...

Cryptograph 0402511 (in Violet and Aquamarine Light) is a unique solid glass sculpture created by the British artist, Louis Thompson. Employing a variety of glass techniques, the enc...

Anna Torfs large valenta glass bowl in water blue with sanded finish. Available in other colors.

Warp & Fade 017 is a unique handblown glass vessel with fine white cane detail created by the British artist Liam Reeves. Incorporating layers of glass, the top colours in blue and red merge to create a larger spectrum, as the hues blur from one to the other. The entire piece is finally sandblasted creating a soft satin, diffused finish. Liam Reeves has been making glass professionally since 1998 when he graduated from Middlesex University with a BA (Hons) in three-dimensional design. During this time he has honed his skills whilst working in the glass industry for some of the best glassmakers in the UK. In 2009 Reeves studied for an MA at the RCA in order to explore the creative possibilities of the medium of glassblowing. He is currently hot-glass technician at the very same and prestigious Royal College of Art in London. While at the RCA Liam discovered a passion for investigating pivotal techniques from glassblowing’s two-millennia of rich history. From the mould blowing of ancient Rome to the complex goblet-making techniques of Renaissance Venice...

A collaboration between Studio Orfeo Quagliata and Tony Wurman of Wunderwurks Design. An unprecedented marriage of Orfeo's spectacular glass work, an obsessive process created by b...

Stratiform Cobaltum 1.0.001 is a unique handblown glass vessel with fine filigree cane detail created by the British artist Liam Reeves. Handblown in colbalt blue and white coloured ...

A collaboration between Studio Orfeo Quagliata and Tony Wurman of Wunderwurks design. An unprecedented marriage of Orfeo's spectacular glass wor...

This work intends to highlight glass details, such as colors and patterns, that can be intensified when a light source is present.The glass sculptures are joyful through colors and g...

"Kogetsudai (navy)", 2015 coiled nylon cord, sewing thread "Kogetsudai (navy)" is one of four works made in the approximate shape of the Kogetsudai gravel mound in the garden of ...

"Untitled (Navy Shroud)", 2015 coiled nylon cord, sewing thread, urethane resin "Untitled (Navy Shroud)" was made as part of a group of works exploring objects as shroud spaces. The pieces create a space, the contents unknown, upon which the viewer's understanding becomes one reality, while another reality of the object itself is in continuous withdrawal from the viewers' perception. The exploration was based on contemplations of "Schrödinger's cat" and Object-Oriented Ontology. The work was made by coiling nylon cordage and sewing it together on an industrial zig-zag sewing machine. In the process of coiling, irregularities are introduced that alter the overall form as it is being made. These irregularities are placed and responded to improvisationally, working towards a composition that appears as if a thick cloth is loosely draped over an object of indeterminate form. The interior of the nylon vessel was then coated by hand with a black epoxy resin, which solidified the textile into a rigid shell. The result is a free-standing shroud-like object, which is to be placed into a space as a sculptural object, to conceal other objects, unsightly architectural features, etc. This work was first exhibited in 2015 at Patrick Parrish Gallery as part of my solo exhibition "what it is". It was later shown in 2017-2018 at the Cranbrook Art Museum in Bloomfield Hills, Michigan, as well as several other group exhibitions. It has also appeared in several design and art publications in print and online. Since 2010 Doug Johnston has produced a wide range of functional and sculptural objects using a process of coiling and stitching rope using industrial sewing machines...

Raphael Fenice infinity mirror Lucite and Rgb Can be controlled for display different colors with a remote.