Pink Granite Sculpture by Aldo Flecchia

Here is an uncommon artwork by a lesser known Italian artist named Lino Tiné. Crafted from three sheets of steel, each decorated with a different pattern, it has a nice materic appea...

Offered here is an uncommon and interesting abstract sculpture crafted in solid Murano glass in the sixties. Reminescent of marine animals or astronomical shapes, it is a fascinating...

This thick and heavy Murano sculpture, coming from the collection of Spinzi Milano, is a beautiful decorative piece obtained by casting and hand-melting a solid block of grey/greenis...

Contemporary Metal Sculpture - Collectible Design - Decorative Coat Hanger Playful, unexpected and bright is the new Cactus sculpture from our Spinzi collection. Designed and handcr...

Music historian, art critic and collector, and one of the most eminent men of culture in his days: Luigi Magnani Rocca has been a key feature in Italian modern history...

Offered for sale is a slender vintage floor lamp in solid brass, with finely hand-decorated base and lampshade and extruded body. The main body has a peculiar "gear" section, while t...

Simplistic Native American pink granite sculpture on wood base. Piece is signed. Photographed with Eames chair for scale. Wood base photographed darker. See photos.

Yongjin Han was born in Seoul, South Korea in 1934. After the Korean War—in which he fought, lying about his age in order to enlist—he was one of six students admitted to the sculpture program at the Seoul National University. At the time of his enrollment little of his native city remained intact; nonetheless, he had never felt more responsible to his work, firm in the conviction that artistic expression is every bit as essential to life and human nature as eating, drinking, or breathing. One of Han’s teachers was Kim Chong Yung, a pioneer of Korean abstract sculpture, and by the time of his graduation he had adopted the abstraction that had seized both Europe and the United States several years before. . In 1967 he relocated to the USA, where he studied at Dartmouth and Columbia. Over the course of his long career the artist returned to Korea with frequency and made extended stays in Japan and Europe. Trips to Korea signified something more than mere homesickness: Han’s work, though made largely in America, remained grounded in his rich cultural heritage. Korea rests on a bedrock of granite, and freestanding sculpture produced of the stone has for centuries demarcated sites of historical and religious significance. Han’s sculpture bridges this past with modernity. Richard A. Born, former Curator at the Smart Museum at the University of Chicago, has said that Han “brought Korea’s tradition of direct stone carving out of figuration into a refined, non-objective abstraction.” For his part, Han put very little stock in designations; his focus, instead, was on the stone itself. His pieces explore a certain harmonization with nature. Han, when describing his work, said, "As stone has been around since the beginning of time, it has much to teach us if we care to slow down and listen." He believed that each stone has its own history, character, and energy and that his task was to draw out these inherently spiritual qualities. He described his process as a “dialogue” with his material: "The stone tells me it has an itch in a certain spot, so I scratch it—and we both feel better!" Han worked alone and with manual tools, and the process is arduous. Carving stone this way takes time, and, what’s more, required great force—yet Han’s sculptures, even the monumental ones, are, as friend and fellow artist David Parker says, “all gentle grace and warmth” … [the sculptor] “engages with the stone as an equal—like wayfarers meeting on a path, Han and a stone spend time together and when they part, both are marked and changed forever.” Yongjin Han's career spanned decades and continents, and included several prestigious large-scale public commissions. In Seoul his work can be found at the National Museum of Contemporary Art, the IE Young Museum of Contemporary Art, the Whanki Museum, the Ewha Woman’s University Museum, Posong High School, and the 88 Olympics...

Large 1970's modern woman abstract torso carved in granite, in vintage original condition with minor wear and patina due to age and use, this piece is very heavy It weights 107 pounds.

Ceramic Sculpture by Aldo Londi, 1950’s Additional Information: Material: Ceramic Style: Mid century, Italian Produced by Bitossi in Italy Dimensions: (W x D x H): 32 x 15 x 16 cm ...

This striking sculpture in the shape of a tiger-skin cat ("gatto tigrato" in Italian) is crafted of top-rate ceramic painted using white and black enamels. Rendered in whimsical and impressive details, this original decorative piece belongs to the Riedizioni Archivio Storico Collection, which includes Bitossi's cult designs...

Beautiful yellow ceramic bird by Aldo londi for Rosenthal Netter. Marked on underside and has label attached.