Portal by Pepe Valenti

Perspective N2 by OS And OOS Edition: 3 + PT Dimensions: 120 x 45 x 174 cm Materials: Glass Perspective no.1 has the user act as the main interaction element for they are invi...

Sunrise Wall Piece by Pepe Valenti Dimensions: D 7 x W 70 x H 150 cm. Materials: Brass-plated stainless steel. Inspired by the immersive experience of th...

El Mar Wall Piece by Pepe Valenti Dimensions: D 7 x W 70 x H 190 cm. Materials: Chrome-plated stainless steel. Inspired by the immersive experience of th...

II Segunda sculpture by Joel Escalona Dimensions: D 45 x W 45 x H 175 cm Materials: oak wood, metal. Also available in burnt finish. S...

A concrete and metal large abstract sculpture signed and dated 1978 by the noted artist Robert Edward Hamilton. It has been repaired in an area near the base, which is pictured.

André Longeon (1926-2010) Abstract sculpture Plaster/socle h 130 cms Base 40x40 cms Ref PM/6 1200 euros

Portal welded steel Measures: 8.5 x 12.5 x 17.5 in. This abstract steel sculpture explores the balance between solidity and openness. A vertical arm rises from an irregularly shaped base, terminating in a cantilevered form that projects outward. The composition is simple yet evocative, suggesting movement or transition—an architectural gesture frozen in time. Surface textures, visible welds, and the rawness of the metal emphasize the hand of the maker and the industrial origins of the material. The work invites contemplation of spatial tension, negative space, and the quiet power of restraint. Both grounded and reaching, it speaks to themes of structure, memory, and impermanence. Artist statement: I work with materials that have already lived a life — steel that’s rusted, bent, scarred. These imperfections hold a kind of quiet beauty, one that speaks not of utility but of presence. Though my work sometimes carries figurative echoes, I’m drawn to the non-figurative: the essential, the raw. Steel, once loud and forceful in its industrial context, becomes still and intimate in this new form. Each composition emerges through direct interaction with found parts. I rarely alter the materials beyond what is necessary. Instead, I allow them to dictate form — interlocking, balancing, and aligning until their relationship feels complete. The process is intuitive, the engineering elemental. Art, for me, is a spiritual act — a practice of selflessness and stillness. It doesn't seek acclaim or commercial appeal. It simply exists, honest and sacred. Biography Scott Gordon (b. 1966, Ridgewood, NJ) lives and works in Vermont. He studied business at the University of Denver and earned an MFA in creative writing from the University of Washington. During his time in Seattle, he worked at David Gulassa...

Sculpture by Virginio Ferrari 1983, brass and marble.