Postmodern Light and Space Sculpture, 1983

Large Postmodern Lucite and Mixed Media Light Sculpture With Pedestal and a Box Acrylic Cover. Circa 1980s. Features an abstract Southwestern...

Unveil the creativity of postmodern design with the Black Tessellated Stone and Metal Sculpture, a blend of intricate patterns and contrasting materials. Composed of meticulously ar...

Unique Curtis Jere sculpture of a kissing couple. Black steel sculpture with whimsical sleek lines casting great shadows throughout the day. Matte black finish topped of with gold ba...

Playful postmodern ceramic glazed sculpture inspired by artist Joan Miro. This piece features a color block face in bright primary colors with a black stem and rectangular base. Dim...

Unique to say the least. However beautiful hand - carved and finished stone sculpture titled “Evolving”. 2007 made of French Sandstone mounted on a Black Absolute Granite double base. Custom pedestal base...

Unique postmodern plaster face sculpture with stand. Mayan or Buddha design. Great period piece and colors.

Curtis Jere Postmodern Brass Chrome and Marble Table Sculpture This sculpture measures: 19 wide x 11 deep x 35 inches high We take our photos ...

Postmodern welded steel and enameled sculpture in the manner of the Memphis School designs of the 1980s.

Victor Roman, signed, numbered and documented. Bronze sculpture on a rectangular travertin base representing an arch flanked by two removable semi-circle panels...

Belgium; 1970's; Glass sculpture; Postmodern art; Michel Martens, a large glass sculpture with several punctuation marks, colored, frosted, and sandblasted glass. Signed by the artist on the bottom right corner. Belgium artist Michel Martens is famous for his impressive glass art. He created this postmodern piece of art in the 1970s. Martens (1921-2006) was a respected designer of stained glass windows and had an impressive career creating stained glass windows for churches. His credo was 'light is my material, glass my medium'. Martens was an autodidact and first taught himself the technique of stained windows. He designed an impressive 7000 meters stained glass between 1947 and 1989 for churches and monasteries. From 1968 onwards, Martens started to lose the church as a main client and therefore started to develop a practice in which he worked with mirrors that were also suitable for the private sector and private homes. With his radical and modern approach to glass art, Martens became part of the Post-war Abstract Modernist movement. Using mirrored glass opened up new perspectives for Martens. He even started using industrial glass as well, for his so-called 'Crazy Mirrors...