Richard Hirsch Ceramic Mortar and Pestle Sculpture, 2010

Contemporary American ceramic artist Richard Hirsch's Mortar and Glass Pestle #27 is raku-fired, hand built and hand sculptured. This piece is made of three separate pieces of green rust patinaed wood fired stoneware. "In his process, Hirsch is a reducer, endlessly honing and refining his forms to their simplest and most powerful presence. It is the same “less is more” aesthetic evidenced by the work of Noguchi, Brancusi, and Giacometti, artists he holds in greatest esteem. His content is principally the vocabulary of form, color, and surface, subtly referencing utility while defying overt narration and cultural specificity. A mortar and pestle like this one, for example, might be discernible in a piece, but presented with such economy that it becomes only important as a stand-in for larger issues; their anima/animus relationship or as a record of human use and wear over considerable time. For Hirsch, the particular only exists for the purpose of making the universal palpable. His is a point of view similar...

Contemporary American ceramic artist Richard Hirsch's Mortar and Glass Pestle Sculpture #2 was assembled in 2020. It's wheel thrown and hand built clay, gold enamel paint, black and ...

Contemporary American ceramic artist Richard Hirsch's Mortar and Glass Pestle Sculpture was assembled in 2009. It's wheel thrown and hand built clay with red and black glazes, raku patinas and a hot blown glass pestle. The following is an excerpt from the book "With Fire: Richard Hirsch, A Life Between Chance and Design" written by Scott Meyer...

Contemporary American ceramic artist Richard Hirsch's Altar bowl with Ladle #3 was made in 2007. It's wheel thrown and hand built clay with low fire white glaze and raku patinas. In the book "With Fire: Richard Hirsch, A Life Between Chance and Design" Scott Meyer said; "As Hirsch's work progressed over the years, it would be a mistake to portray these advances as chronological. In fact, items found provocative would be added to the roster of possibility. The vessel might change in character with the deep interior space of a mortar becoming the shallow concavity of a Japanese, stone Tsubi basin or natural geode form. The corresponding implement might change from bulbous pestle to delicate ladle, alluding to the ceremonial cleansing for participants in the Tea Ceremony. In this sense, the proximity of these objects to their implied ceremonial use was similar to that which traditional Raku bowls...

Reminiscent of the Elemental sculpture of Constantin Brancusi, this Hardwood African Mortar and Pestle has a fantastic paper smooth age patin...

Experimental 3 piece ceramic sculpture by a Dutch ceramists. This stunning piece combines an experimental shape and glazing, with a intruding concept in function: together the 3 piec...

Hand carved marble vessel by Tom Von Kaenel Dimensions: D 15 x W 22 x H 12 cm Materials: Marble Tom von Kaenel, sculptor and painter, was born in Switzerland in 1961. Already in...

A very fine studio ceramic vessel with exceptional sculptural form by American potter Warren Mackenzie (1924-2018). In a barrel shape with slightly concaved wall, the centerpiece sta...