Monumental 19th Century Signed Carousel Horse by Freidrich Heyn

An important oil on panel painting by the great Tuscan artist Ruggero Panerai. It depicts one of his favourite and most successful subjects, wild horse...

Beautiful and important painting by the great Dutch artist Karel Klinkenberg who lived at the turn of the 19th and 20th centuries. It depicts a canal in Utrecht depicted with his usual precision attentive to every detail. Another characteristic of our painter, is the evocative power of the romantic and gentle atmosphere he always manages to convey. Signed at lower left and signed and inscribed on the reverse. Johannes Christiaan Karel Klinkenberg (1852, The Hague – 1924, The Hague), was a 19th-century Dutch painter specialized in views of the town especially Amsterdam and Utrecht as our painting. Biography According to the RKD he was a pupil of Christoffel Bisschop (1828-1904) and Louis Meijer, and became a member of the Pulchri studio who later won many prizes. A street is named after him in the neighborhood of streets named after 19th and 20th century Dutch painters in Overtoomse Veld-Noord, Amsterdam. This painting, never before on the market, comes from a private collection Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. This artwork is shipped from Rome. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who has died can requires a license for export regardless of the work’s market price...

A botanic didactical specimen in the manner of the famous German botanist Robert Brendel. "In the late 19th century Robert Brendel and his son Reinhold produced beautiful and accur...

Beautiful and important wooden memorial temple covered in faux marble. From the purest neoclassical form, this Grand Tour piece of furniture is a classic piece of furniture of grea...

An important painting by one of the most representative Italian artists of the 19th century, Enrico Coleman. It depicts a village most probably from Lazio, perhaps a glimpse of Anticoli Corrado, the town famous for the attractiveness of its models, or rather Subiaco, his mother's birthplace. The atmosphere here is typical of the XXVs of the Roman Campagna of which Enrico Coleman was probably the most important exponent. The reason for this can also be seen in this small masterpiece that captures the washerwomen in their occupation immersed in a poetically bucolic atmosphere; a sky of unparalleled blue stands out in the background. Signed below on the right This painting, never before on the market, comes from an important Italian private collection and is beautified by an impressive antique frame in gilded wood, in almost perfect condition. Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Oil painting on paper Enrico Coleman (21 or 25 June 1846 – 14 February 1911) was an Italian painter of British nationality. He was the son of the English painter Charles Coleman and brother of the less well-known Italian painter Francesco Coleman. He painted, in oils and in watercolours, the landscapes of the Campagna Romana and the Agro Pontino; he was a collector, grower and painter of orchids. Because of his supposedly Oriental air, he was known to his friends as "Il Birmano", the Burmese. Enrico Coleman was born in Rome in June 1846. He was the fourth child of the English painter Charles Coleman, who had come to Rome in 1831 and settled there permanently in 1835, and of a famous artist's model from Subiaco, Fortunata Segadori (or Segatori), whom he had married in 1836. Coleman was initially taught by his father, did study at the Accademia di San Luca in Rome. Following the mocking reception of Una mandria di bufali nelle paludi pontine, a naturalistic painting of a herd of buffaloes in the Pontine marshes, at the International Artist's Club in 1872,he reportedly began to paint genre subjects in the manner of the then-fashionable Mariano Fortuny, although no works showing the influence of the Spanish painter are known. At the instigation of Nino Costa, he soon returned to the depiction of the people, animals and landscapes of the Campagna Romana and the Agro Pontino. Coleman was lover of orchids, which he painted, collected and cultivated. An 1894 watercolour of orchids is in the Galleria Comunale d'Arte Moderna e Contemporanea in Rome. Coleman had a remarkable collection of indigenous orchids, which he cultivated himself in his house at 6 via Valenziana and the botanist Fabrizio Cortesi named the hybrid Orchis x colemanii Cortesi in his honour. In 1875, Coleman was among the founding members of the Società degli Acquarellisti, the Roman society of watercolourists; he participated in the society's first exhibition in 1876, and continued to exhibit with them until 1907. In 1878 he was elected an honorary member of the Société Royale Belge des Aquarellistes, the Belgian royal society of watercolourists, with which he participated in the Salon de Paris in 1879 and to the 4th Esposizione Nazionale di Belle Arti, or national fine art show, of Turin in 1880, and to that of Milan in the following year; he showed works in London in 1882 and in Rome in 1883. In 1885, Coleman was among the founding members of the group In Arte Libertas, of which Nino Costa was the leading force and the other founding members were Vincenzo Cabianca...

Important painting "Still life" oil on canvas of the second half of the 800 by the great artist Aémile-Auguste Vivier-Deslandes called "Baron Deslandes". Of rare intensity and beauty...

Hand-carved and painted massive wooden horse head, late 19th century, probably from a small carousel or children's toy. Very nice patina through peeling paint and wear.

This 19th century briar wood pipe head takes the form of a horses head. The whole sculpture is finely detailed and it has a great expression.

Elegant little carved wooden horse from the 19th century in polychrome wood Very beautiful polychromy which has a lot of charm Old child's toy with the front wheels which moves ...

A delightful later 19th century toy horse constructed from painted metal. A charming accent piece for any living area.

Extraordinary hand carved rocking horse made in Italy at the end of 19th century. The piece is still wearing its authentic paint in light blu...

19th Century Santos Head We are proud to offer a rare example of a religious 19th Century hand carved Santos head. With polychrome paint still intact in...