Egyptian Animal Sculptures

Egyptian Scarab Brass Beetle Figurine on stone stand after the Egyptian Museum antiquities.A unique and beautiful addition to any Egyptian Art Deco collection. This Vintage solid cast brass Egyptian scarab beetle sculpture figurine on a black stone stand could be used as a paperweight or just as a collectible Egyptian Museum decorative piece of history. The beautiful all-over antique patina of the bronze shows its age and history, adding character and depth to the piece. This Egyptian revival bronze scarab is a striking collector's item and a testament to the fascination with Egyptian culture timeless design and historical significance make it a valid addition to any collection. Dimensions: Height: 2 in Width: 3 in Depth: 2.25 in. About the Scarab in ancient Egypt: The scarab beetle held significant cultural, religious, and symbolic importance. The scarab beetle, also known as the dung beetle, played a central role in Egyptian mythology and daily life. Here are some key aspects of the scarab beetle beliefs in ancient Egypt: 1) Symbol of regeneration and rebirth: The scarab beetle was associated with the concept of regeneration and rebirth. This connection was primarily observed in the insect's behavior of rolling balls of dung in which it laid its eggs. Egyptians saw parallels between this process and the sun god Ra's daily journey across the sky, disappearing at night and re-emerging in the morning. 2) Representation of the sun god Ra: The scarab beetle became a symbol for the sun god Ra, who was one of the most important deities in the Egyptian pantheon. The rolling of the dung ball by the beetle was likened to Ra's journey across the sky, and amulets in the shape of scarabs were often worn as protective charms. 3) Protective amulets and jewelry: Scarab beetles were popular motifs in ancient Egyptian jewelry...

Typically hand-carved or molded in the form of a dung beetle, scarabs were widely popular amulets and impression seals in ancient Egypt. Made of wood, ceramic, or stone, scarabs were...

An exceptionally fine Egyptian limestone relief of a barn owl, 26th Dynasty/Ptolemaic Period, circa 664-30 B.C. Carved in high relief, depicting the animal in profile with the creature’s head turned to face the viewer. The bird is shown with a triangular, pointed beak, its large round eyes framed by a spray of feathers, the borders of the face, the forehead, the body and the top of the wing delicately carved with minutely detailed plumage. This small masterpiece is the work of a particularly skilled and talented sculptor and is among the finest Egyptian representations of owls in private hands. Late Dynastic and Ptolemaic limestone plaques...

An Egyptian bronze Horus falcon, Late Period, circa 716-30 B.C. “I am Horus, the great Falcon... My flight has reached the horizon... I have gone further than the gods of old. Even the most ancient...

This figure composed of wood covered in gesso and mounted with cast bronze tail, head and legs has been set on a later wood base. The head and tail are finely detailed and engraved. Purchased in the Middle East in 1969 and then brought to this country and remaining in the same collection ever since the statue represents Thoth. The image of an ibis on a perch in hieroglyphics is the image of the God Thoth and thus is a double symbol. Referred to as “The Lord of the Divine Words” he was a favorite of learned men and was considered the god of wisdom, scribes, and the powerful and magical skill of writing. Numerous examples of this form of depiction exist some with alabaster instead of wood some in total bronze and then some bronze mounted with gessoed wood or with the gesso gilded in different states of decay. We believe this to be from a late period approx. 30 BC. It is possible to cite many examples but a specific one is chosen here as it is incredibly similar in size, in construction and appearance to this example sold by Case Antiques Auction...

This is an antique metal cast brass overlaid with copper decoration sculpture of a camel, circa 1920. Brass handcrafted sculpture in Mameluke revival style, Islamic inlay metal artwork. Very decorative unusual overlaid with copper, silver and black compound in Islamic calligraphy writing patterns. This kind of Islamic metal...

This goddess is most often represented as a bipedal figure with the upper arms shaped in feline form and hands resting on the Sa sign, a hieroglyph meaning protection. Another typica...

Small storage statue or Jar made from burned alabaster/soap stone. This Canopic jar is depicting the Falcon-headed Qebehsenuef that was the protector of the intestines while the Phar...

Beautifully realized Egyptian faience scarab with turquoise glaze in the ancient style, Grand Tour period, late 19th century. The open-work scarab beetle shown with twin cobras on the back. The bottom inscribed with hieroglyphics, probably lines from the Egyptian Book of the Dead. Nice size 4 inches. During and following the New Kingdom, scarab amulets were often placed over the heart of the mummified deceased. These "heart scarabs...

An Egyptian bronze figure of an Ibis, dating to the Late Period, circa 664-332 BC. Modelled with left leg forward, the creature's distinctiv...

This is an antique metal brass overlaid with copper decoration sculpture of a camel, circa 1920. Brass handcrafted sculpture in Mamluk revival style, Islamic inlay...

This object is made to resemble mummified cats worshiped as gods and ambassadors from the underworld. Made in Egypt to sell to the tourist trade but not made as an intended fake antiquity this item is a rare survivor from at least 100 years ago and has now acquired a patina and charm from age and yellowing that gives it a very haunting & spiritual presence. We have seen one other in all our years in the business and we believe that most likely this was made just after the discovery by Howard Carter of the undisturbed 18th dynasty tomb of the Pharaoh Tutankhamun in 1922. The body has a center hard core and is covered in a soft cotton padding but is not a real cat body. The wrappings are nice old linen tightly bound. The head has a form that is attached to the body and wrapped then carefully articulated to show the facial features of the cat with applied stitching to accent the eyes nose and mouth. A final and pleasant touch to complete the look is the string of ancient faience...