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Rare Emmanuel Fremiet “Husky Dog” Bronze Sculpture, Charles More cast no. 38
About the Item
EMMANUEL FREMIET
French, 1824-1910
Chien loulou couché
Nuanced medium-brown patina on sand-cast bronze Signed in base "E. FREMIET" a Charles More cast numbered 38
Item # 311GTS04P
A very early lifetime casting by Charles More numbered 38, the present example is silky and positively glows with a rich nuanced brown and caramel surface patina. The model captures the entirely relaxed spirit of the recumbant husky dog with its bushy tail bouncing and eyes alert while taking a rest on a naturalistic base. The base is signed with a raised signature captured directly from the mold with no evidence of cold-tooling "E. FREMIET". Cast circa 1860.
Literary references:
* Bronzes of Les Animaliers, Jane Horswell, 1971, p. 187, present model illustrated
* The Animaliers, James Mackay, 1973, p. 43, present model illustrated as "Reclining Husky",
also noted in Fremiet's catalogue on p. 145 as no. 7
* Emmanuel Fremiet, 1824-1910: La main et le multiple, Catherine Chevillot, 1989, p. 74,
catalogue no. S22, ill. cat. 10,
Measurements: 3" H x 6 1/8" W x 3" D
Condition Report:
Very fine surface condition with trace wear to raised elements. Cleaned and carefully polished, sealed in wax
About silla antiques & art
Established in 2009, we have available in our 9000 square foot brick-and-mortar gallery an ever-changing selection of carefully curated and catalogued furniture, decorative arts, paintings, sculpture and estate jewelry. Our company has long specialized in sculpture circa 1860 through 1930 and as such the gallery always has a very large collection of exceptional European and American sculpture available on display.
The gallery is located at 117 W Burd Street in Shippensburg, Pennsylvania and is open by appointment only. We welcome your visit and would love to meet with you at the shop. For clients located outside of the area, we are always available to discuss items by video conferencing or by phone.
- Creator:Emmanuel Fremiet (Sculptor)
- Dimensions:Height: 3 in (7.62 cm)Width: 6.13 in (15.58 cm)Depth: 3 in (7.62 cm)
- Style:Romantic (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1860
- Condition:Very fine surface condition with trace wear to raised elements. Cleaned and carefully polished, sealed in wax.
- Seller Location:Shippensburg, PA
- Reference Number:Seller: 311GTS04P1stDibs: LU1059037441372
Emmanuel Fremiet
Emmanuel Frémiet was born in Paris, France in 1824 and was brought into an upper middle-class family that had very close ties to the world of art. His family was filled with great artists and this included his Cousin Sophie who married a famous sculptor called Francois Rude. Emmanuel’s mother was also an accomplished artist who constantly encouraged him and brought him up into the world of art. At the age of five, he was already was receiving formal training in art in a private school. The start at a young age meant he was able to be accepted at the spectacular Ecole des Arts Decoratifs School at the age of sixteen. Throughout this period he learned everything he needed to then become employed by Werner as his head lithographer within a year, whose duties were to prepare drawings of both animals and men. After a long period of convincing by Sophie and Emmanuel, Francois Rude took Emmanuel as a pupil in his studio to further his learning in modeling and sculpture work. Throughout his young life, he spent a lot of time in zoological gardens and participated in dissections of any animals which had passed away during this time. By the age of seven, he had been exposed to a wide range of different wild animals. To further Emmanuel’s path in art, he was appointed the successor of Antoine Louis Barye as Professor of Drawing after Antoine’s death in 1875. With this new position and like many other great sculptors, he spent a lot of time studying and drawing at the morgue and even went to various embalmers across Paris. This was all of his training to give him the exact measurements and to be able to reproduce the muscle and bone structure of the many men and animals that he witnessed. His first sculpture was exhibited in the Paris Salon in 1843 when he was nineteen and he continued to exhibit his magnificent sculptures for the rest of his life at the Salon. He was even awarded various medals and awards from many of his pieces. As he began with the bronze sculptures, he made many small animal bronzes with very fine detail which are nowadays highly sought after by collectors and museums alike. There were many sculptors during this time that crafted pieces in which showed a cruel nature, but Emmanuel was known for the soft and gentle pieces of work which often were amusing. At the age of twenty-five, he was to receive more commissions than any other sculptor before or during his time. It became near impossible to be able to walk the streets without seeing one of Emmanuel’s many smaller bronze sculptures. This amazing sculptor continued crafting works, but also proceeded to train new sculptors, taking on near twenty pupils each time. Unfortunately, this great sculptor passed away in 1910.
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