Russian Bronze of a Lisinsky Standing Bear by, Nikolaï Ivanovich Liberich

NIKOLAI LIEBERICH [after] Russian, 1828-1883 A Resting Bear Sand-cast patinated bronze with concrete core signed in Cyrillic to the underside (editeur Gr...

Valérie Courtet, by. White bear, in glazed and chamotte stoneware, standing. Work of a contemporary French artist. Dimensions: H 61 x W 28 x D 14 cm Reference: LS64171309P

Pair of large bronze standing deer on bases, late 19th century.

This exquisite French animalistic bronze sculpture from the early twentieth century is beautiful in every way - its artistic expressiveness, as well as the highest-level rendition, h...

Viennese bronze figure of a bear, stamped Austria. Beautifully hand painted with realistic multi-tone brown fur, open mouth, and black eyes. Vienna, circa 1900.

19th century French bronze sculpture, Faison (Pheasant) signed "F. Pautrot". Bronze figure of a pheasant standing on a naturalistic base. Ferdinand Pautrot (1832 - 1874) was born in ...

19th century Russian Ormolu "Dancing Bear" sculpture, finely cast figure of a bear holding a twig, standing on a roped revolving, iron pedestal. The simp...

Russian ceramic sculpture depicting a polar bear, made in the 1950s Ø cm 11 h cm 11 Russian ceramics boasts a rich and long history dating back to t...

A very rare late 19th Century French Animalier bronze study of a standing ostrich, the detailed feathering chased with extremely fine precision, the flightless giant bird...

A very fine large late 19th Century Animalier gilt bronze study of a standing cockerel with his chest pushed out in a proud pose as he crows to the eraly morning sunshine, the bronze surface with excellent deep golden colour and fine hand finished detail, signed P.Comolera ADDITIONAL INFORMATION Height: 31 cm Width: 20 cm Condition: Excellent Original Condition Circa: 1900 Materials: Bronze SKU: 9324 ABOUT Paul Comolera (French, 1818 ~ 1897) Comolera was born in Paris, France. A very fine sculptor known mainly for his modelling of birds but he also produced some other animal figures as well as portrait busts. Comolera was a student of the early sculptor Francois Rude and he was the teacher of Jules Moigniez, one of the more important sculptors of the Animalier school. There is a distinct similarity in the detail, construction, form, and finish of the works of Comolera and his student Moigniez although Comolera’s birds are considered to be more in the naturalistic style as opposed to the romantic style of his pupil. Paul Comolera made his debut at the Salon in 1846 with a group called Golden Pheasants of China and continued to exhibit there until his death in 1897. Comolera’s bronzes...