Glazed Animal Sculptures
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Color: Red
Technique: Glazed
Perfume Lamp of an Owl by Carl Scheidig/Gräfenthal, Germany, 1930s
Located in Verviers, BE
Perfume lamp in the form of an owl attributed to Carl Scheidig Grafenthal, Germany.
Made from glazed porcelain.
Electrical parts European standards with an inner light bulb (standard E 14) to give a warm and comforting night light. The light also shines through the glass eyes.
The Owl was a much-loved motif of the Art Deco period, and these friendly Owl figurines are perfect for a child's bedroom. A drop of perfume or essential oil...
Category
1930s German Art Nouveau Vintage Glazed Animal Sculptures
Materials
Ceramic
Red-Toned Wooden Vintage Abstract Animal Sculpture, Swedish Mid Century Handmade
Located in Stockholm, SE
A lovely wooden sculpture designed in Sweden in the midcentury. It is in very good condition except from that one of its legs is repaired. The designer is unknown.
Category
Mid-20th Century Swedish Scandinavian Modern Glazed Animal Sculptures
Materials
Stoneware
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Royal Doulton Red Flambe Porcelain Figurine "ELEPHANT"
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Over 500 years ago Chinese potters first experimented with copper oxide glazes to create a fiery red finish that became known as Flambe. When these Sung Dynasty (AD 960 to 1279) porcelain pieces reached Europe, they were collectively called flambe, because the glaze’s resemblance to flames, and were instantly prized by collectors. Sung Dynasty ceramics are considered by many to be history’s foremost expression of the ceramic art. Although the origin of these striking flambe ( or transmutation) glazes is lost in legend, one of the greatest achievements of Royal Doulton’s artisans was the rediscovery of long-lost secrets from China’s master potters, and their ceramic ware that was renowned for its rich, blood-red and ruby effects. Marks on verso indicated the piece was made after 1930.
After much experimenting and hard work, the Doulton company found immediate success at the St. Louis Exhibition in 1904. More experimenting continued in order to perfect the art of flambe and in 1920 Royal Doulton exhibited its new “Sung” wares and proved they were still the pioneers in the flambe field. Later generations of Europeans dubbed the color sang-d-boeuf, because it resembled ox blood.
Royal Doulton is an English ceramic and home accessories manufacturer that was founded in 1815 by John Doulton at Lambeth, London in association with John Watts and known as Doulton and Watts. Operating originally in Vauxhall, London, and later moving to Lambeth, in 1882 it opened a factory in Burslem, Stoke-on-Trent, in the centre of English pottery. From the start, the backbone of the business was a wide range of utilitarian wares, mostly stonewares including storage jars, tankards and the like, and later extending to other technical ceramics. From 1853 to 1901, its wares were marked Doulton and Co., then from 1901, when a royal warrants was given, Royal Doulton.
It always made decorative wares, mostly stoneware, and from the 1860s, the firm made considerable efforts to get a reputation for design, in which it was largely successful, as one of the first British makers of art pottery initially done through artistic stonewares made in Lambeth, but in 1882 the firm bought a Burslem factory, which was mainly intended for making bone china, tablewares and decorative items. It was a latecomer in this market compared to firms such as Royal Crown Derby, Royal Worcester, Wedgwood, Spoke and Mintons, but made a place for itself in the later 19th century . Today Royal Doulton mainly produces tableware and figurines.
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H 15.7 in W 10.2 in D 5.9 in
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