Bronze Figure of a Seated Luohan, Ming Dynasty, 1368-1644

Fine Northern Thai bronze statue of a meditating Buddha, Lan Na school, seated in the cross-legged yogic posture of Satvaparyankasana with hands in B...

Large Chinese mid-19th century sand stone sculpture of a scholar.

The queen mother of the west is cast in a seated position with her hands held before her chest holding a "gui". She is dressed in long-sleeved robes. Her face is framed by an elabora...

A Fine hand-carved and Lacquered wood figure of a Luohan Arhat, Buddha' disciple. Seated in royal ease on a standing lion, wearing long flowing robes. China, Kangxi Kingdom 1661-17...

Statues of Chinese dignitaries crafted from terracotta, featuring glazes in green and ocher, are set on rectangular bases. The wide-sleeved robes and craftsmanship, along with the cylindrical flat hats with detachable head, indicate their Chinese origin, specifically from the Ming Era. Period: Ming Dynasty Medium: Green-glazed Pottery Type: Figure Provenance : Acquired in early 2000s from Hongkong * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...

A rare and unusual Chinese Ming Dynasty bronze figure of the Buddha as an infant. The young Prince Siddhartha, who would grow up to become the Buddha, is portrayed standing, one hand pointing to the sky, the other to the ground. He is naked, save for a baby apron...

Marvel at the exquisite artistry of this carved wood Chinese Ming Dynasty (1368 to 1644) ancestor figure—a captivating depiction of a seated man adorned in the distinguished attire o...

In the heart of ancient China, within the resplendent Ming dynasty, a masterpiece was cast in bronze, a testament to a culture steeped in mysticism and spirituality. This Taoist bron...