Bronze Column Depicting ‘La Colonne de la Republique’ Dated 1889, after Paul L

A Grand Tour equestrian bronze of Marcus Aurelius, after Hopfgarten, after the antique, shown astride a prancing horse with no reins and a Sarmatian saddlecloth with no stirrups, his...

A Grand Tour Regency bronze figure of Mercury (Hermes) on a composite marble column, the messenger of the gods is shown running on winged feet supported on a puff of wind with a torc...

A large Black Forest model of the Lion of Lucerne dated 1867, after Bertel Thorvaldsen, carved from stained linden wood, the dying lion depicted beside two c...

A charming bust of a child’s head by Edwin Whitney-Smith, dated 1910, the girl has her head slightly tilted forwards as she looks out from under a lock of hair, set on a square block signed on the reverse ‘E Whitney-Smith 1910’. This bronze is a reduction of Whitney-Smith’s original marble piece, a photograph of which survives in the V&A (object number AAD/1990/12/63). Another version can be seen in a 1920s photograph of the artist in his studio owned by the National Portrait Gallery (NPG x194201). Neither the identity of the sitter nor title of the work is known. Edwin Whitney-Smith (1880-1952) was one of the pre-eminent sculptors of his day. Born in Bristol in 1880, he became a student of William Harbutt, the headmaster of Bath School of Art, best remembered today for inventing plasticine. Whitney-Smith showed great promise from an early age, opening a studio in St John’s Wood, London, in 1910. He exhibited over 40 pieces at the Royal Academy and despite not achieving Academician status, even with list of illustrious proposers, he became a dear friend of Sir Alfred Munnings, the famous horse painter, and sculpted his portrait. He was, however, elected to the Royal Society of British Sculptors and his works were generally well-received by critics and the general public alike. Aside from the RA, he exhibited in Bristol, at the Paris Salon and the Scottish Academy and his work attracted the attention of such important patrons as the Courtauld family. One of his most famous works, The Waking Child, is in the Ferens Art Gallery in Hull and another, The Irishman, is in the Tate. One version of his bust of Ernest Bevin, the trade unionist, stands in Tooley Street in Bermondsey to this day. An article in The Sphere, published on the 3rd of May 1924, referred to the sculptor as “a well-known sculptor of smiling children” and mentioned his “famous babies’ heads”.

A 19th century patinated bronze borzoi, by W.Gebler, on a rectangular base, foundry mark of Guss, Pirner, Franz and Dresden.

A Meiji period bronze of a cricket catcher, shown holding a whistle to his mouth with his left hand and a long rod in his right hand, wearing traditional clothing with a wide-brimmed...

Thiebaut Feres Fondeurs Presentation piece for legion of honor recepitant Mounted on a beautiful gilt bronze base banded With acanthus leaves with berry motif. Foundry mark en ve...

French antique model in gilded bronze Grand Tour de la Vendôme column, dating from around 1880. This splendid bronze thermometer (Celsius and Fahren...

La Charité Bronze Sculpture After Paul Dubois (1829-1905).

This is a cold painted bronze figurine of a Turkish dancer with a Parrot, by or after Paul Philippe, made in France in the Art Deco period, circa 1920 . The figurine is beautifull...

A collection of vases in Leccese Stone and etched iron that comes from the theme of the "discovery"; recovered from a distant past, they are revised in a contemporary way, stylized, ...

A collection of vases in Leccese Stone and etched iron that comes from the theme of the "discovery"; recovered from a distant past, they are revised in a contemporary way, stylized, ...