1810s Busts

Stone spheres as these where made from antiquity to the present day. As a universal form it served as a ornamental object in gardens, architecture and interiors but also had a deeper...

Circa 1970 vintage figure of a cat from the Staffordshire region of England. The cat is decorated in black and white, and has a gold bow around its neck. This is a nice model, as i...

Finely carved mythological roman subject of Minerva in limestone. Excellent condition from an estate of Veneto. Measurements: Statue cm 180, base cm 80. Minerva (Pallas Athena in Gr...

This pair of antique sculptures are unsigned, but presumed to have originated from France and date to approximately 1850 and done in a period Renaissance Revival style. The sculpture...

A late 19th century Grand Tour bronze figure of “The Dying Gaul”, after the antique. The Dying Gaul depicts a warrior in his final moments, next to his shield and sword, his face contorted in pain just before he collapses from the mortal wound to his chest The original marble figure, which is in the Capitoline museum in Rome is thought to be a Roman copy of a Greek sculpture in Bronze. As an image of a vanquished enemy, the sculpture embodies courage in defeat, self-possession in the face of death, and the recognition of nobility in an alien race. “The Dying Gaul” was found in Rome with another ancient marble...

The philosopher in oratorical pose, with an urn of his writings at his feet. A 19th century casting, good crisp quality on marble base.

A handsome and primitive pair of carved stone markers of obelisk shape. Wonderful as garden ornaments or as an interior accent.

19th-century Italian Grand Tour Bronze of the Gladiator, After the Roman Antique Attributed to the Naples Foundry, late 19th century This fine 19th-century Italian Grand Tour bronze...

An ideal garden ornament, sturdy weather proof planter display base or a rock solid all weather stone base for a special sculpture. From China, comes this large 20.5 inch rectangu...

Maitland-Smith bronze sculpture depicting the Goddess of Peace, Aurora, after Jules Felix Coutan. The winged figure is adorned with a helmet and holding a sword, mounted on a marble ...

A delightful pair of early 20th century Bulldogs from England in painted concrete. Charming!.

This rare and charming pair of 18th-century French creamware lions was made circa 1790. Each lion reclines atop a tall rectangular base decorated with rich cobalt-blue swags, bright yellow tassels, and vivid green trim. The forms are bold and expressive. The lions' open mouths are painted in soft pink, and their manes are rendered in vibrant yellow and lined with dark brown, lending them an animated, almost theatrical presence. The lions rest on what appear to be stylized, draped cushions, adding a sense of comfort and reality. Their wide-eyed expressions and exaggerated features give the pair a whimsical character that blends elegance with humor—a hallmark of late 18th-century French design. Unmarked but unmistakably French in style, these figures make a striking decorative statement. Whether placed on a mantel or console, they command attention and offer a playful counterpoint to more serious classical forms. Dimensions: 6.5 inches tall x 6.75 inches long x 4.5 inches wide Condition: Excellent Price: $2,300 Decoration: Painted in yellow, cobalt, green, pink, and brown with molded drapery and tassel detail Material: Creamware pottery Style: French Neoclassical with Folk Art elements Origin: France Date: Circa 1790 Key Features - Rare pair of large 18th-century creamware lion figures - Expressive hand-painted decoration with bold color contrasts - Tall bases decorated with molded and painted swags and tassels - French origin, circa 1790 - Whimsical and animated expressions add charm and visual interest Background of creamware Creamware is the name given to a type of earthenware pottery initially made from white clays from Dorset and Devonshire combined with an amount of calcined flint. Creamware was first produced in England sometime before 1740. Foremost among the pioneers of creamware in the Staffordshire Potteries was Thomas Whieldon. The young Josiah Wedgwood partnered with Thomas Whieldon from 1754 to 1759. When Wedgwood left to set up his own business, he immediately directed his efforts to developing creamware. Around the same time, in the mid-18th century, French potters developed their creamware known in France as "Faience Fine...