Cast Bronze Renaissance Revival Ewer of Massive Size

This pair of candelabra made in France, circa 1880 are designed in the Renaissance Revival style. Well cast in a large number of separate parts and patinated and polished to create drama and decorative detail the pair is of a nice scale without being overly large. Cast as a central column raised on a pyramidal pierced base. The base is centered by grotesque masks and foliate sprays raised up on feet. The shaft leads up to four large branched arms also cast with corresponding foliate sprays issuing from more grotesques. The combination of color and casting create a lively play of light. Condition Disclosure: While we do our best to carefully inspect and give a full report on the condition of any item we sell, pointing out any repairs or alterations that may have been done to the best of our knowledge, as is the case with any antique and vintage item, there is a possibility that at some point in the life of the piece that there may have been damaged which has been professionally repaired and as such a repair undetectable, it is therefore impossible for us to disclose... we recommend that you also read and agree to the 1st dibs user agreement...

this work by famed Sculpture and Painter Georges Oudot was cast circa 1955 and bears his signature and the mark EA indicating its an artist proof, the foundry stamp of Susse Fondeur Paris. Entitled “Femme Debout au Drape” the work is dynamic and powerful as are almost all of the artist's figural works in bronze. The figure is cast and retains its original patina in a dark black-green. The artist's hand and the textural nature of his work are clearly evident in this piece. He was born in France in 1928 in Chaumont in the Haute-Mare. He attended the Besancon School of Fine Arts then in 1946 joined the Ecole des Beaux-Arts in Paris and studied under such artists as Marcel Gimond...

This charger made as an intentional remake of a famous object is fully embossed on the back as such and contains the maker's name. The charger contains many different scenes from ant...

This unusual pair of sphinxes resting upon rocky large bases are French we believe. Modeled and cast around the time of Carter's discovery of the tomb of Tutankhamun and showing some...

Raised on an olive velvet base. Dimensions include the base. Portraiture is often seen as the quintessential Renaissance art form, and clay was used increasingly during the 15th cen...

Pair of Italian Renaissance Revival bronze Andirons.

This late 19th-century carved wooden sculpture is a lifesize depiction of a young nobleman of the Italian Renaissance. The piece is made entirely from wood and carved gesso under an ebonized finish, giving it the illusion of an oxidized bronze sculpture. The young man is posed in a classic Contrapposto stance, which is an Italian term that means "counterpoise". This term usually refers to a standing human figure carrying its weight on one leg so that the opposite hip rises to produce a relaxed curve in the body, a dynamic pose that is most associated with Renaissance art. He establishes his stance with a hand on his large belt and one hand in the air holding a torch. This Renaissance revival piece is highly detailed through intricate workmanship, down to the Lion of Saint Mark...

An impressive pair of Renaissance Revival cast gilt bronze ewers. Italian circa 1900. Each decorated with formal foliate decoration and heavy scroll work. With long ornate handle and...