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Chinese Ching Dynasty White Jade Buddha

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    Japanese hand-carved jade sculpture depicting a seated Buddha or bodhisattva figure holding a fruit in his hands, together with a hardwood stand ...
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  • Chinese Export White Porcelain Birds, Pair
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    Pair of Chinese Export porcelain bird sculptures. Dealer: S138XX
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  • Asian Carved Composite Stone Buddha Head
    Located in New York, NY
    Asian Carved Composite Stone Buddha Head, Buddha with closed eyes, mounted on wood base. Sculpture: 12.75" H x .75" W x 8.5" D; with base: 3" H x 8.25" W x 6" D.
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    20th Century Chinese Export Figurative Sculptures

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  • Antique Southeast Asian Bronze Standing Buddha
    Located in New York, NY
    Antique Southeast Asian bronze standing Buddha, with hardstone insert in forehead. 10" H x 3.5" W. Provenance: From the estate of a prominent C...
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  • Japanese Momoyama Bronze Cast Buddha Sculpture
    Located in New York, NY
    Japanese Momoyama period solid bronze cast diminutive Buddha sculpture. The piece dates from the 16th-17th century, circa 1450-1500, and is in remarkable condition with age-appropria...
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    Antique 15th Century and Earlier Japanese Metalwork

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    A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...
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