Earl Reiback Kinetic Lightbox Sculpture w/ Lucite Stand

MCM Kinetic Astrolite Lucite Fishes Sculpture by Ritts This fantasic kinetic two fish sculpture, which measures about 9.5 x 6.5 x 2.5 inches overall, is great for the MCM affcionado as well as the wildlife lover. Rotate the top fish to give the sculpture the angles your most enjoy, and change it again whenever you like. The fish can be separated as well, as the rod connecting them is not attached but easily is removable. Good vintage condition. No chips or cracks. Light scratches, and some blemishes/spots that could probably be alleviated by proper lucite cleaning/polishing techniques. IMPORTANT INFORMATION FOLLOWS; PLEASE READ THE BELOW IN ITS ENTIRETY. ABOUT OUR LISTINGS: -Measurements are approximate and generally represent the approximate widest/longest/highest areas of each item. -Colors on your monitor and/or in your environment may look somewhat different than in ours and often look deeper on dark backgrounds than they do on light backgrounds. -Please keep in mind that vintage items usually will show evidence of previous ownership, such as scuffing, scratching, and/or other wear such as dulling or marring on base, etc.. Buyers of vintage art pieces...

Minimalist Lucite sculpture signed Amidie.

Artist: Yaacov Agam, Israeli (1928-) Title: Space Divider Medium: Polished metal kinetic sculpture Edition: 19/25 Rotates at top Signed on side of piece - Agam on the underside is the number. On stand 47” tall 7” x 7” Piece only 7” wide by 9” by 2 7/8” wide normal tarnish and wear It comes with the magazine cover of the artist and the custom made Lucite base. Artist Biography from the Guggenheim Yaacov Agam B. 1928, RISHON-LE-ZION, PALESTINE Yaacov Agam was born in Rishon-le-Zion, Palestine (now Israel), in 1928, the son of a rabbi and kabbalist, Yehoshua Gibstein. He studied at the Bezalel Academy in Jerusalem under Mordecai Ardon in 1946, moved to Zurich and then Paris, and studied at the Atelier d'art abstrait and at the Académie de la grande chaumière. While in Zurich, he met and was influenced by artist and teacher Johannes Itten, who was propagating Bauhaus ideas; he also found inspiration in Vasily Kandinsky's defense of abstraction, ber das Geistige in der Kunst. Insbesondere in der Malerei (On the Spiritual in Art: And Painting in Particular, 1911). His first solo exhibition was at the Galerie Craven in Paris in 1953, entitled Peintures en Mouvement (Paintings in movement), where he showed two series of early work. In one, grids of painted strips that incorporated different designs on opposite sides created images that merged and changed as spectators shifted their viewing position (a type of lenticular print that eventually became known as an Agamograph). In the other, his Transformable Pictures (Images transformables, 1953–61), viewers could manually activate works and rearrange their visual elements. While not the first Optical-Kinetic artist, Agam encouraged spectator participation at a time when such strategies were rare. He exhibited, along with other pioneers of Kinetic art including Alexander Calder and Jean Tinguely, at the Le mouvement (Movement) exhibition at the Galerie Denise René in 1955. He continued to produce abstract, Kinetic work that incorporated light, sound, and viewer participation. He also produced many public commissions, including a moving salon environment at the Elysée Palace in Paris in 1972. In the space, walls were covered with lenticular imagery; transparent doors were included; and a sculpture was placed on a Kinetic carpet. In all, the environment shifted according to the viewer's position. In 1979, Agam was asked to make a work of art to commemorate the peacemaking efforts between Anwar el-Sadat and Prime Minister Menachem Begin...

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