19th Century Bronze Statue of Mercury / Hermes by Ferdinand Barbedienne

A Roman-classical style decorative bowl, cast in bronze, brown patinated finish. This antique coupe is signed by Ferdinand Barbedienne (France, 1810-1892). In the center a depiction ...

A finely bust of Cupido/Amor, made of patinated bronze. Fine quality casting and chiseling. Signed on the right shoulder Agathon Léonard. On the back the bronze foundry mark F. Golds...

A pair of refined bronze bookends depicting shepherd dogs and cats. The marble and onyx bronze are signed by Ferdinand Barbedienne, Paris. The dogs and c...

Beautiful terracotta statue of a sweet flower girl. She has a beautiful appearance and a serene smile. She is carrying a large bouquet of flowers. The statue is signed 'Ferrant'. The...

Beautiful antique terracotta sculpture, depicting Cupid taking an arrow from his quiver to shoot with his bow. The statue is inspired by ...

Cute little bronze statue by the famous French sculptor Auguste Moreau. The figurine represents a small cherub sitting on a shell. The figurine is very detailed and beautifully refined. The bronze has a beautiful old patina and stands on a simple pedestal...

A very good quality 19th Century Bronze statue of a minstrel player, signed Barbedienne.

A Napoleon III bronze figure of Diana after the antique, showing the goddess of hunting bearing the fragment of a bow with a quiver at her waist. The base bearing the stamp for the B...

A French patinated bronze bust of Ariadne by F. Barbedienne foundry after the antique. The fine 'reduction a colis' is after a model by Bertel Thorvaldsen (circa 1805-1810). This sole bust is often paired with a famous antique...

Barbedienne bronze of the Shepherds of Arcadia by Eugene Antoine Aizelin (French 1821-1902) Bergers d'Arcadie. Patinated bronze mounted on a rouge m...

A French silvered-bronze athénienne by Ferdinand Barbedienne, Paris, last quarter 19th century with a revolving liner, the frieze applied with bucrania suspending ribbon-tied berried laurel swags above a border of bellflowers on a stippled ground above three seated female sphinxes issuing stylised foliage and scrolls on lion monopodia cast with the mask of Hercules, scrolling foliage and anthemions joined by stretchers, raised on a concave-sided triform marble base on a further thin silvered-bronze base, inscribed to the tripod base 'F. BARBEDIENNE' Measures: 103.3cm. high, 41.5cm. diameter; 3ft. 4 3/8 in, 1ft. 4 1/4. This impressive athénienne is a key reminder of the longevity of a particular model and design’s success from Antiquity through to the 19th century and up until this day. Typically known as the ‘Trépied du Temple d’Isis’, this athénienne is designed after the Roman antique originally found at Pompeii and now at the Museo Archeologico Nazionale, Naples (fig.1). From being for example an inspiration for the baptismal font of Napoléon’s son in 1811, this model was the inspiration to many highly skilled makers throughout the 19thcentury such as the Manfredini brothers from Milan and of course the Parisian well-established bronze founder Ferdinand Barbedienne who executed the present example. The Temple of Isis was a Roman temple dedicated to the Egyptian goddess Isis and was among one of the first discoveries during the excavation of Pompeii in 1764. Certainly considered as one of the most elegant examples of antique tripods, the existence of this model was then popularized to the rest of Europe via prints, one of the first being by Giovanni Battista Piranesi in 1779. This type of tripod was also popularised by an engraving in C. Percier and P. Fontaine’s, Receuil de Décorations Intérieures of 1801. Interestingly, there is also a watercolour now in the Musée Carnavalet, Paris, showing this type of tripod displayed at the 1801 Exposition des Produits de L’Industrie in the Louvre. The passion for Greek and Roman Art in the 19th century. The discovery of Pompeii and Herculaneum around the middle of the 18th century gave rise to a new passion for Antiquity and the excavated masterpieces renewed the repertoire of fine and decorative arts and served as models for Neoclassicism. Members of the aristocracy as well as connoisseurs, particularly in England, completed their education by undertaking a ‘Grand Tour’ of Italy and often fell victim to the recently unearthed Greek and Roman artefacts...

A finely patinated French antique bronze by Ferdinand Barbedienne portraying a a young boy caressing a large goose. The figure is mounted on an angled and shaped base and is signed '...