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'Au But' French Art Nouveau Cast Bronze Sculpture by Alfred Boucher; circa 1890

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  • Early 20th Century French Art Nouveau Sculpture "La Mer" by, Raoul Larche
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    An important & monumental early 20th century French Art Nouveau gilt and cast bronze "Surtot De Table" (Centerpiece for a table) titled "La Mer' by, Francios Raoul Larche depicting mermaids emerging from within the sea amongst seaweed and water holding aloft three oyster shells with one figure emerging towards the top . The sculpture is signed with signature and foundry marks and is further a period sand casting finished in a gilt patina. circa 1900 Signature: The Sculpture is signed & impressed "Raoul Larche", further impressed foundry mark 'Siot Decauville Paris Fondeur" and numbered Measurements: Centerpiece: height: 29.5 in. x width: 32 in. x depth: 13 in.. Literature Philippe Dahhan, Étains 1900, 200 Sculpteurs de la Belle Époque, Paris, 2000, p. 229 Biography: The son of an ornamental sculptor, François-Raoul Larche was a well-known Art Nouveau sculptor...
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  • Early 20th Century French Art Nouveau "La Mer" Sculptures by, Raoul Larche
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    An important pair of early 20th century French Art Nouveau gilt and cast bronze sculptures titled "La Mer' by, Francios Raoul Larche depicting mermaids emerging from the sea each embracing a conch shell Each are period sand castings finished in a ilt bronze patina. circa 1900 Signatures: Both Sculptures are each signed & impressed "Raoul Larche", each with impressed foundry marks 'Siot Decauville Paris Fondeur" one side piece is impressed "B747"; the second side piece is impressed "B748" Measurements: Side Piece: height: 16..25 in. x width: 8.5 in. Side Piece: height: 16.25 in. x width: 8.5 in. Literature Philippe Dahhan, Étains 1900, 200 Sculpteurs de la Belle Époque, Paris, 2000, p. 229 Notes: Similar example sold at Sotheby's New York, The John and Katsy Mecom Collection, Part II, 26 November 1993, lot 28 Biography: The son of an ornamental sculptor, François-Raoul Larche was a well-known Art Nouveau sculptor...
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