Figure: David Garrick and the Shoeshine Boy, Bow Porcelain, circa 1751

Presumably based on the work of the Flemish sculptor François Duquesnoy (1597-1643), also known as Il Fiammingo. A small series of Chelsea figures from the late 1740s was also ba...

Probably an early prototype, the largely open base showing an apparently unique structure described by Watney as ‘a favourite primitive buttressed by a strong overall cone-shape and further strengthened by a cut-out additional layer inside the base in the manner of pastry making.’ (Freeman Collection, Forward, 1982). Toper is an old English word for a drunk. Annulet Mark. Prov: Taylor Coll, Albert Amor...

Scappino, or Scapin, a zany (zanni) character from the commedia dell'arte: a buffoon, schemer and scoundrel, and the title character in Molière's Les Fourberies de Scapin, first staged in 1671. The Bow figure shows him standing to right against a tree stump, right leg forward; right arm concealed in a tabarro (cape), and a mask in his left hand. He wears a white doublet, gilt frogged in the Hungarian manner, neck ruff, pale yellow-washed breeches above buckled shoes; a pouch on a red-brown strap and a dagger in a scabbard at the waist. Low square plinth base washed in typical pale Bow ‘lettuce’ green. No discernible translucency. H. 5.0 in (12.6 cm). Provenance: Taylor Collection; Simon Spero London, 2008; the Faith and Dewayne Perry Collection. The Scapino figure was presumably based on the Meissen modelled 1743-45 by Peter Reinicke, assisted by Käendler, and from the series produced for Johann Adlf II, Duke of Weissenfels, after an engraving by Francois Joullain (1662-1753) for Riccobin’s Historie du Théatre Italien, 1728. The modelling and features of the Bow figure suggest the work of the ‘Muses Modeller’, and the pallete, gilding and detail are also those of the muses modeller figures. This figure illustrated Bradshaw, 1992, as circa 1753, Plate 10 (A12), p.64. Scapino is depicted musically in William...

He wears a winged helmet and sandals, a loosely draped pink, white, and yellow washed cloak over a short tunic, and leans arrogantly against bales, his message sack over his left sho...

Moulded in a dense body in typical muses modeller style and with slightly drab glaze. She stands by a fruiting vinestock and carries an open basket of grapes in her right hand, her e...

On a mound base decorated with painted floral sprigs. She wears a pale pink-mauve washed shift with iron-red sleeves and cloak, pale mauve and pink stomacher and a sprigged white shi...

This is a wonderful little figure of a boy or putto made by the Bow Porcelain factory in about 1760. The Bow Porcelain Factory was one of the first potteries in Britain to make soft...

This is a rare and beautiful figure of Venus with two doves, made by the bow porcelain factory between 1756 and 1764. We see Venus standing holding her robe with one hand, a flower p...

This is a very rare and impressive complete set of large figures called The Four Elements, made by the Bow Porcelain factory in about 1765. It consists of Ceres representing Earth, V...

This is a very rare and impressive large figure of Juno with an eagle, made by the Bow Porcelain factory in about 1765. This figure formed part of a series of the Four Elements, with...

An antique English porcelain figurine. By Bow. In the form of a boy clothed in 18th century garb and holding a flute. We've noted losse...

This is a wonderful pair of figures of Arlecchino and Columbina, made by the Bow Porcelain factory in about 1758. These figures formed part of a series of the Commedia dell'Arte, a very popular series of theatrical figures that served as decoration at the dinner table in the 18th Century. The Bow Porcelain Factory was one of the first potteries in Britain to make soft paste porcelain, and most probably the very first to use bone ash, which later got perfected by Josiah Spode to what is now the universally used "bone china". Bow was the main competitor of the Chelsea Porcelain Factory, but where Chelsea made very fine slipcast porcelain, Bow made a different soft paste porcelain that tended to be softer and could be pressed into moulds. Bow served a larger public generally at lower prices. The factory was only in operation between 1743 and 1774, after which the tradition got incorporated into some of the later famous potteries such as Worcester and Derby. These figures were used to adorn the dinner table when dessert was served; groups of figures served to express something about the host, the guests, or to direct the conversation. The Italian Commedia Dell'Arte, a comical form of masked theatre, was very popular in those days and Bow copied many figures of the German Meissen series that were brought out in the decades before. This pair dates from about 1758, which was at the height of Bow's ability to make beautiful figurines often copied from Chelsea or Meissen. The pair is modelled after a Meissen pair by Kaendler. The porcelain is translucent with a beautiful milky glaze - Bow was probably the first pottery using bone in its porcelain recipe. Arlecchino (Harlequin) is playing the bagpipes, dressed in an odd costume of mismatched chintz and playing cards and wearing a funny black trumpet...