Italian Sculpture 19th Century White Tuscany Alabaster Marble Signed Fiaschi

View Similar Items

Antique Large Alabaster Sculpture P. Emilio Fiaschi 19th Century

19th Century Italian Belle Époque Alabaster Sculpture by Emilio Fiaschi

Nice Late 19th / Early 20th Century Italian Alabaster Sculpture by Fiaschi

Italian 19th Century Carrara Marble Sculpture Going for a Swim by Emilio Fiaschi

E. Fiaschi Flight into Egypt Alabaster, Bronze & Marble Holy Family Sculpture

Emilio FIASCHI Little Girl Alabaster Bust Sculpture, 1890s

Italian, 1858–1941 Carrara Marble Sculpture "Un Angelo" by Emilio Fiaschi

Italian 19th Century Solid White Carrara Marble Signed Sculpture

Late 19th Century Italian Marble & Alabaster Sculpture with Pedestal

Italian 19th Century Neoclassical White Carrara Marble Sculpture

19th Century Marble Sculpture

Italian 19th Century Alabaster and Marble Statue

1 of 20

Italian Sculpture 19th Century White Tuscany Alabaster Marble Signed Fiaschi

Name: Italian Sculpture 19th Century White Tuscany Alabaster Marble Signed Fiaschi
Brand: Emilio Fiaschi
Rating: 5 (9 reviews)

About the Item

P. Emilio Fiaschi (1858–1941) was an Italian sculptor. He was presumed to have been from Volterra. From 1883 to 1885, he studied at Accademia di Belle Arti di Firenze and spent most of his career in Florence, Italy. He was skilled in sculpting both marble and alabaster and most often produced female nudes, usually smaller than life-size figures. His female nudes featured highly polished skin and emphasized the curves of hips and waistlines. A partial list of his works include Le Printemps (marble on black marble pedestal, c1900-10) which sold for $25,000 at Christie's in New York on April 13, 2017,Beatrice (marble), Courting Boy and Girl (white marble), Female nude partially draped (marble), A Good Book (marble), Reclining Beauty and Admirer (alabaster), Seated Maiden (Carved alabaster and marble), Standing Semi-Nude (marble), A Young Girl (alabaster), The Sleep (marble, in Montevideo). He died in 1941. This beautiful sculpture carved in the Italian Alabaster from the city of Volterra in Tuscany, the homeland of alabaster and a city with a very important and worldwide know tradition of art and sculpture. The group represent a very classical allegorical of a Satyress and a Satyr that standing togheter. Satyresses are the female equivalent to satyrs, depicted with a human head and torso, generally including bare breasts, but the body of a goat from waist down. They were a late invention by poets and artists and are comparatively rare in classical art. Such a creature may also be known as a fauness, but this nomenclature is rarely seen in English; faunesse is the spelling in French. Though not often seen compared to the omnipresent depictions of male satyrs and centaurs, the satyress figure was certainly not unknown to Renaissance artists. Michelangelo included a haggard satyress nursing drunken toddlers at her elderly breasts in his 1533 work, The Children's Bacchanal. The Art Institute of Chicago has an example of a beautiful, mature satyress accompanied by putti and a male satyr in a 16th-century study by Paolo Farinati of Italy. A third satyr figure is presented in rear three-quarter view and its gender cannot be definitively determined, though the glimpse of the chest suggests small female breasts are present. The Art Institute also holds a bronze candlestand or oil lamp of a mature female satyr seated with her satyr son leaning against her knee while she holds a light aloft. The tentative date on this work is circa 1500, pushing the motif back into the 15th century. Clodion used the motif in a work which is now in the Walters Art Museum in Baltimore, Maryland: Female Satyr Carrying Two Putti. This young and healthy satyress is striding upright, carrying a squirming putto in each arm. At least one small terra cotta satyress depicted reclining was created by a student of Clodion in the late 18th or early 19th Century, but is in a private collection. Giambattista Giovanni Battista Tiepolo, an 18th-century Venetian painter in the rococo style, painted at least two works with a satyress as the main figure: Satyress with a Putto and Satyress With Two Putti and a Tambourine.[6] Although satyrs are generally shown seducing human women, Tiepolo drew Satyr Surprising A Satyress, which depicts a hirsute satyr grasping a relatively bare-skinned satyress around the waist.[7] The satyress is common in modern fantasy art. They may be portrayed as normal human women with the hind legs of a goat and a tail. In modern fantasy art, they commonly are shown with pointed ears and horns as well. Aubrey Beardsley has drawn the satyress figure in this style.

Creator:
Emilio Fiaschi (Author)
Dimensions:
Height: 31.5 in (80 cm)Width: 13 in (33 cm)Depth: 9.06 in (23 cm)
Style:
Neoclassical (In the Style Of)
Materials and Techniques:
Alabaster,Hand-Carved
Place of Origin:
France
Period:
19th Century
Date of Manufacture:
After 1800
Condition:
Minor losses.
Seller Location:
Roma, IT
Reference Number:
1stDibs: LU2433311785571

Antique Late 19th Century Italian Renaissance Revival Figurative Sculptures

Materials

Alabaster, Marble, Bronze

E. Fiaschi Flight into Egypt Alabaster, Bronze & Marble Holy Family Sculpture

$8,500