Large Carved and Giltwood Buddha Wall Sculpture

Sinuous modern carving of a Mesoamerican. Aztec? Mayan? Striated sandstone, circa mid-20th century.

Fine French orientalist bronze statue of David after the battle with Goliath by Antonin Mercie. This subject received the Medal of Honour when it was shown at the Paris Salon des Beaux Arts. Late 19th century. 42" high. Please, contact us for shipping options. Presented by Joseph Dasta Antiques Antonin Mercie(1845-1916) Mercié entered the École des Beaux-Arts, Paris, and studied under Alexandre Falguière and François Jouffroy, and in 1868 gained the Grand Prix de Rome at the age of 23. His first great popular successes were the David and Gloria Victis, which was shown and received the Medal of Honour of the Paris Salon. The bronze was subsequently placed in the Square Montholon.[2] The bronze David...

A large and early sand cast aluminum Modernist sculpture of a giraffe by Cuban American artist Manuel Carbonell. Pedestal included. Height is 73” with base. Presented by Joseph Da...

Grand tour bronze sculpture of the "Crouching Venus" after the antique. Fine patina. 19th century. Ferdinand Barbedienne (French, 1821-1902). # nude fe...

A sublime and well carved Korean lacquered and gilt wood figure of Amitabha Buddha (Amita Bul), Joseon Dynasty, early 19th century, Korea. The Budd...

A sublime and rare late 18th century Burmese Ava period carved, lacquered and gilt Buddha. The historical Buddha, Shakyamuni, is portrayed in bhumisparsha mudra, the gesture of calling the Earth to witness, commemorating the moment the Buddha reached enlightenment. The Buddha is dressed in patchwork...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...

Oversized cast bronze Buddhist hand mounted on a black wooden stand and is covered with a great patina. A vintage oversized Thai bronze sculpture...